
Sports journalist Colin Metcalfe is assigned as a foreign correspondent in Norway just as Hitler invades Poland. En route to Langedal his boat is attacked by a German U‑boat, yet the navy dismisses his report and strips him of his assignment. After German forces occupy Norway, Metcalfe returns once more, determined to uncover the truth and halt the German advance.
Does The Day Will Dawn have end credit scenes?
No!
The Day Will Dawn does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of The Day Will Dawn, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Finlay Currie
Capt. Alstad

Francis L. Sullivan
Kommandant Ulrich Wettau

Bernard Miles
McAllister (Irish Soldier)

Ralph Richardson
Frank Lockwood

Deborah Kerr
Kari Alstad

Gus McNaughton
Army Sergeant

Raymond Huntley

Niall MacGinnis
Olaf

John Boxer
U-Boat Commander

Roland Culver
Cmdr. Pittwaters

John Salew
"Man-in-the-Street" in Fleet Street Pub

George Merritt
German Trawler Captain

John Warwick
Milligan, Reporter in Fleet Street Pub

David Horne
Evans, Foreign Editor

Brefni O'Rorke
Political Journalist

Henry Oscar
Newspaper Editor

Philip Friend
Pilot

H Victor Weske
Heinrich

Meriel Forbes
Milly, the Barmaid

Patricia Medina
Ingrid

Hugh Williams
Colin Metcalfe

Roland Pertwee
Capt. Waverley

Beckett Bould
Bergen, Spokesman of Langedal

Henry Hewitt
Jack, News Editor

George Carney
Harry, Soldier in Fleet Street Pub

Gerhard Kempinski
Barman, Bia Tonne in Oslo

Griffith Jones
Police Inspector Gunter (as Griffiths Jones)

Olaf Olsen
Langedal's Schoolmaster

Elizabeth Mann
Gerda
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What is Colin Metcalfe's profession before being reassigned to Norway?
Horse racing correspondent
Naval officer
Diplomat
Movie director
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Read the complete plot summary of The Day Will Dawn, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Following the invasion of Poland in September 1939, Colin Metcalfe, once a horse racing correspondent, is reassigned as a foreign correspondent in neutral Norway. This shift places him on a delicate edge where the veneer of neutrality slowly frays as war looms. The story unfolds through a mix of perilous assignments, uneasy loyalties, and a growing sense that information itself can be a weapon as sharp as any blade.
In a sailors’ bar in Langedal, Metcalfe crosses paths with Captain Alstad, a rugged Norwegian fisherman with a practical trust in the sea and a stubborn itch to test the boundaries of neutrality. Their chance encounter sparks a tense moment when British and Norwegian sailors clash with German sailors, a scene charged with national tunes: the Britons sing “Rule Britannia,” while the Germans respond with the Nazi Party anthem the “Horst-Wessel-Lied.” The exchange foreshadows the way words and songs will become weapons and signals as the war draws closer. Alstad ultimately takes Metcalfe aboard his boat for a voyage through Norway’s waters, a trip that quickly becomes more than a simple ride. They sight the Altmark and are fired upon by a German U-boat, an audacious breach of Norway’s neutrality that pulls Metcalfe deeper into the conflict he was sent to document. When they return to Alstad’s home port of Langedal, the journalist heads to Oslo with a urgent mix of duty and dread, seeking to report the incident to the British embassy.
In Oslo, Metcalfe encounters [Frank Lockwood], the journalist who had helped him secure the foreign correspondence post in the early days of the war. Lockwood reveals a hard truth: Metcalfe has been dismissed from his post for taking a dangerous detour with the fisherman instead of remaining on land where a paper can reach him. The revelation sharpens Metcalfe’s sense that the press, the navy, and the politicians are all bound by fragile lines of responsibility. Although the embassy receives his report and alarms are sounded about signs of a German advance on Norway, Metcalfe’s earnest briefing becomes entangled in political maneuvering and local resistance, including the appearance of the German-leaning police commander, [Gunter], a figure who embodies the complexities of occupation and influence in a country torn between two equilibriums.
Kari Alstad, Alstad’s daughter, appears in the tale with quiet courage. She approaches Metcalfe with news of suspicious German merchant ships off Bergen—ships she fears are carrying troops. The threads tighten around Metcalfe as the two form a reluctant alliance: a correspondent trying to expose danger, a fisherman trying to protect his homeland, and a daughter trying to navigate loyalty to her country, her father, and her future. Metcalfe’s mission is accelerated by a sense of personal risk, and the two share an unspoken agreement that truth may require bold improvisation.
Before long, Metcalfe’s search for the truth takes a desperate turn. Believing he can simply take a taxi, he is seized by the Germans and placed aboard a ship bound for Bremen. The invasion of Norway erupts back home as Metcalfe’s capture becomes a symbol of the wider struggle. Back in Britain, the government undergoes a seismic shift as Chamberlain’s administration falls and Churchill rises to the prime ministership. A British warship intercepts the ship carrying Metcalfe and frees him, yet the vessel is diverted to Cherbourg to assist Operation Aerial—the evacuation of British troops from north-western France. Metcalfe’s escape homeward is thwarted by the grim reality that he cannot simply walk back into a world already in flux. He reunites with Lockwood, only to learn that Lockwood is dying from wounds sustained in the fighting.
As the Blitz begins at home, Metcalfe is urged to stay out of active service and to champion a public economy drive to support Britain’s war effort, particularly in the Battle of the Atlantic. Yet the demands of wartime reporting pull him toward a far more dangerous assignment: parachuting back into Langedal to sabotage a camouflaged U-boat base and to slip across the border into neutral Sweden. The mission is fraught with peril, but Metcalfe survives the landing and, though spotted and pursued by German forces, finds temporary shelter. There he discovers that Alstad has been interned by the Germans, and Kari’s choice to align with the traitorous Gunter has left her marked in the eyes of the resistance. A tense “Norwegian-German friendship dance” becomes a port of call for the war’s shifting loyalties, and Kari’s quick wits save Metcalfe by sparking a riot and hiding him at her house. The revelation comes that she accepted the engagement to Gunter only to secure her father’s release.
In a development that binds personal risk to broader strategy, Alstad is released and agrees to help Metcalfe signal British bombers by lighting torches to guide them to the target. The plan succeeds—the base is destroyed—but Alstad is killed by a German patrol in the aftermath. Metcalfe returns to tell Kari the grim news, only to face the brutal calculus of war as Gunter and a German unit take eight hostages, threatening to shoot the spy Metcalfe is sheltering unless their demands are met. Metcalfe overhears the standoff and decides to surrender himself. Kari’s courage remains steadfast, and as the German captain pleads for the papers that would seal Metcalfe’s fate, Kari refuses to betray him and is locked up with the hostages. Gunter’s complicity is tempered by a rare flash of humanity as he refuses to separate Kari from Metcalfe in their moment of peril. The firing squad is interrupted by a bold British commando raid—the town is seized, the German garrison overrun, and Metcalfe, Kari, the hostages, and their families are evacuated to safety in England.
The narrative threads wound tightly through a landscape of shifting alliances, calculated risks, and acts of courage under fire. It is a story of how a war that began as a distant political conflict becomes a personal crucible, testing the boundaries of duty, loyalty, and love. It remains a tale about the cost of truth in wartime—the way information can be weaponized, the way ordinary people can become heroes, and the way every decision, no matter how small, can ripple outward to shape the fate of the many who depend on it.
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