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Steptoe & Son Ride Again 1973

Albert Steptoe and his son Harold run a rag‑and‑bone business with a horse‑drawn cart, living together in a junkyard. Harold, ever scheming, risks his father's savings on a near‑blind greyhound, which loses a race and leaves them in debt. Desperate, he proposes faking Albert’s death to cash the life‑insurance policy, leading to a farcical plot full of dark humour.

Albert Steptoe and his son Harold run a rag‑and‑bone business with a horse‑drawn cart, living together in a junkyard. Harold, ever scheming, risks his father's savings on a near‑blind greyhound, which loses a race and leaves them in debt. Desperate, he proposes faking Albert’s death to cash the life‑insurance policy, leading to a farcical plot full of dark humour.

Does Steptoe & Son Ride Again have end credit scenes?

No!

Steptoe & Son Ride Again does not have end credit scenes. You can leave when the credits roll.

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Steptoe & Son Ride Again Quiz: Test your knowledge of the 1973 film *Steptoe & Son Ride Again* with these ten questions ranging from easy to difficult.

What is the name of the Steptoes' original horse that is retired due to lameness?

Full Plot Summary and Ending Explained for Steptoe & Son Ride Again

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Read the complete plot summary of Steptoe & Son Ride Again, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.


Albert Steptoe, [Wilfrid Brambell], and his son Harold Steptoe, [Harry H. Corbett], retire their faithful horse Hercules due to lameness and hatch a plan to buy a new one with Albert’s £80 life savings, while tucking away £9 for emergencies. Harold returns hours later from Southall Market, drunk, and introduces Hercules the Second, a short-sighted racing greyhound. Harold reveals to Albert that he purchased this from local gangster and loan shark Frankie Barrow for the £80 plus a further £200 owed on top, and he schemes to feed and fuel the mutt with a lavish budget that seems destined to ruin them all. The pair confront the harsh reality that they may have to sell nearly everything they own to place one last, desperate bet on their dog at the races in a bid to pay off the debt.

When the dog loses, hope wavers and tensions rise, but Albert suddenly remembers a potential lifeline: he has saved £1,000 in a life insurance policy. Harold, ever the schemer, proposes a drastic plan to claim the money from his father’s policy by faking Albert’s death. They raid their junk-filled home for an old mannequin to substitute for Albert, and they ring Dr. Popplewell, a known alcoholic and myopic doctor, [Milo O’Shea], who is in no fit state to examine anyone. In a haze he proclaims that Albert has died, and the plan seems to be moving forward. The next day, Harold returns with a coffin he has been saving for the inevitable moment when his father would meet his end. Albert is horrified when Harold informs him that he even bought a tombstone because the undertaker was having a sale—Jack Carter, the uncredited undertaker, would surely approve of such thrift.

The gangsters soon arrive to collect the outstanding debt, but Harold uses the ruse of Albert’s death to stall them, explaining that the insurance payout will cover the debt. The funeral preparations proceed as old friends visit to pay their respects, unaware of the deception. An entire army of mourners descends on the Steptoe house, and the coffin itself is packed with scrap metal to mimic the weight of a corpse while Albert stays hidden upstairs. Mr Russell from the insurance company arrives, and Harold must face the truth about the policy. He discovers that the payout would have gone to a longtime lover Albert met back in 1949 while Harold was in the army in Malaya, due to a clause in the policy. When Harold demands why the policy wasn’t amended, Albert’s simple reply is: > I forgot.

The plan to bring Albert back to life is hatched, and the two men ride on to the cemetery with the coffin in tow. Inside, Albert slips into a deep sleep instead of waking, and nothing seems to rouse him. Harold tries to revive him during the journey, but a collision with the back of a removal truck nearly ends the entire ruse. The mourners, thinking Harold to be in distress, decide to carry on to the funeral and even escort him to the hospital to be treated, while the ceremony itself continues without him. In a twist of fate, the hospital visit is aborted when Harold flees and hails a taxi to the cemetery.

At the cemetery, a mishap with a tomb causes Albert to awaken, and his sudden reappearance frightens everyone away. The vicar flees, and Harold looks as if he were one of the living dead. Returning home, the Steptoes learn that the insurance payout would have gone to Harold anyway, because Albert had inserted a clause that paid out if his mistress ever married. Harold cashes the policy and receives £876, enough to clear their debts, buy a new horse, and outfit new riding gear. Yet his appetite for risk remains, and he elects to invest the rest of the money in a share of another racehorse. The only caveat is the name of his partner—the surprising and regal designation: HM Queen.

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Steptoe & Son Ride Again Themes and Keywords

Discover the central themes, ideas, and keywords that define the movie’s story, tone, and message. Analyze the film’s deeper meanings, genre influences, and recurring concepts.


1970sred dressupskirtwhite pantiespantieshot pantssitcombased on tv showbusinessfathersoninsurancedogseductiondeadscamcoffinhospitaldoctormoneypigeonblindnessold manwidowdead bodydrunkracetracksteakbutcherhorsesteptoe and sondog racevisually impaired dogvisual impairmentvisually impairedlife insuranceinsurance scamgreyhounddebtgrimecisterngoldfishurinationfuneral wakehorse manurestubbly beardcigarette smokingfalse teethpretending to be deaddrunken doctor

Steptoe & Son Ride Again Other Names and Titles

Explore the various alternative titles, translations, and other names used for Steptoe & Son Ride Again across different regions and languages. Understand how the film is marketed and recognized worldwide.


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