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Made in U.S.A 1966

Paula Nelson travels to Atlantic City to meet her lover, Richard Politzer, only to find his dead body and begin her own investigation. In her hotel room she confronts a man named Typhus, knocks him unconscious, and his corpse later turns up in the apartment of writer David Goodis. Paula is arrested, interrogated, and subsequently becomes entangled with a host of gangsters.

Paula Nelson travels to Atlantic City to meet her lover, Richard Politzer, only to find his dead body and begin her own investigation. In her hotel room she confronts a man named Typhus, knocks him unconscious, and his corpse later turns up in the apartment of writer David Goodis. Paula is arrested, interrogated, and subsequently becomes entangled with a host of gangsters.

Does Made in U.S.A have end credit scenes?

No!

Made in U.S.A does not have end credit scenes. You can leave when the credits roll.

Take the Ultimate Made in U.S.A Movie Quiz

Challenge your knowledge of Made in U.S.A with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.


Made in U.S.A. (1966) Quiz: Test your knowledge of the 1966 film Made in U.S.A. with these ten mixed‑difficulty questions.

Who is the main protagonist who travels to Atlantic‑Cité to investigate her ex‑boyfriend's death?

Full Plot Summary and Ending Explained for Made in U.S.A

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Read the complete plot summary of Made in U.S.A, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.


In 1968, Paula Nelson travels to Atlantic-Cité to meet her ex-boyfriend, Richard Politzer, a writer known for his communist-leaning editorials, only to discover that he has died, reportedly of a heart attack. A burst of chaos arrives when Edgar Typhus, a former associate, bursts into her hotel room and offers to help investigate Richard’s death, but Paula knocks him out and drags him to the neighboring room, where she meets Richard’s nephew, the writer David Goodis, and David’s girlfriend, Doris Mizoguchi. The spark of a mystery lights up as Paula starts digging, and she soon finds herself being tailed by local police inspector Paul Widmark and the enigmatic Donald Siegel.

Her questions lead her to suspect a link between Richard’s death and the earlier death of Lacroix, the communist mayor of Atlantic-Cité, stirring a dangerous web of power and loyalty. An anonymous call summons Paula to a warehouse where a masked figure knocks her out again. She comes to in a garage, where Widmark interrogates her, showing audio tapes of Richard’s fervent political pronouncements and pressing for knowledge about any hidden evidence Lacroix might have kept.

Back at Paula’s hotel, the mood shifts as police swarm the place and learn that Typhus and Doris have been killed, while Inspector Aldrich arrives from Paris to take a look at the case. Widmark tells Paula that Aldrich suspects her but promises help if she helps locate the evidence he seeks, though Paula remains wary, convinced that Aldrich may have had a hand in Richard’s death. Aldrich himself interrogates Paula, but the inquiry falters when David, initially accusing Paula of murder, changes his story.

As the investigation deepens, Paula uncovers that Richard owned a secret villa. Siegel, who’s been sidelined by Widmark, shows her photos of Richard’s murder and admits he killed Typhus and Doris after they caught him rummaging through Paula’s room, offering to take her to the villa in exchange for money. Paula shoots him before he can reveal more.

Aldrich reports he’s been ordered to suspend the case and returns to Paris. Paula pieces together that an extremist faction within the local Communist Party arranged Richard’s death to blame moderate leftists in a power grab, and then silenced Richard to tie up loose ends. Teaming up with Widmark to protect themselves from a double-cross, Paula crafts a plan: she will write a letter confessing to Typhus’s murder, while Widmark pens a confession about Richard’s murder. The gambit aims to shield Paula—until Widmark’s letter implicates not only Richard but also the powerful Dr. Edward Ludwig.

When Paula reaches for her gun, Widmark moves to shoot, but David sneaks up and shoots Widmark from behind, killing him. Paula then kills David, sealing a grim turn in the conspiracy.

At a tollbooth on the highway, Paula spots her friend Philippe Labro driving by and climbs into his car. He voices doubt about a fascist uprising, but Paula remains certain there will be one, and she vows she’ll still have the energy to fight back. Philippe contends that the political left and right are the same, prompting Paula to ask how such disputes should be discussed, a closing line that leaves her intent and resolve open to the future.

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Watch Trailers, Clips & Behind-the-Scenes for Made in U.S.A

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Watch official trailers, exclusive clips, cast interviews, and behind-the-scenes footage from Made in U.S.A. Dive deeper into the making of the film, its standout moments, and key production insights.


MADE IN U.S.A.

Cars Featured in Made in U.S.A

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Explore all cars featured in Made in U.S.A, including their makes, models, scenes they appear in, and their significance to the plot. A must-read for car enthusiasts and movie buffs alike.


Chrysler

1955

New Yorker

Citroën

1965

DS 19

Ford

1960

Anglia

Ford

1965

Taunus 17M

Ford

1966

Zodiac MkIV

Opel

1964

Kadett Caravan A

Panhard

1964

17 B

Peugeot

1966

404

Renault

1966

10 Major

Simca

1965

1500

Made in U.S.A Themes and Keywords

Discover the central themes, ideas, and keywords that define the movie’s story, tone, and message. Analyze the film’s deeper meanings, genre influences, and recurring concepts.


french new wavenouvelle vaguerichard m. nixon characterfranceplace in titlef ratedfemale protagonistfemale leadliterature on screenamerican literature on screencrime literature on screenamerican crime literature on screenviolence20th century literature on screenviolent womanwriterwriter as protagonistparis francehit on the headbloodblood on headdragging someonedragging a dead bodyhit on the head with a shoereference to ludwig van beethovenman wears a bathrobetypingsitting by a windowplaying guitarguitar playinglighting a cigarette for a mancigarette smokingcafewaiterswimming poolwoman in swimsuitgymstationary bikeman wears glassestelephone calltaxilying on the floortape recorderpolicemanman wears sunglassesdead bodybloody facekillerfemale killerantihero
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