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Good to Go 1986

After police give him false leads about a rape and murder that took place near a well‑known Washington, D.C., go‑go club, a weary journalist decides to investigate the venue himself. His digging reveals a deeply entrenched racist system that underpins the club’s operations and its ties to the surrounding community.

After police give him false leads about a rape and murder that took place near a well‑known Washington, D.C., go‑go club, a weary journalist decides to investigate the venue himself. His digging reveals a deeply entrenched racist system that underpins the club’s operations and its ties to the surrounding community.

Does Good to Go have end credit scenes?

No!

Good to Go does not have end credit scenes. You can leave when the credits roll.

Meet the Full Cast and Actors of Good to Go

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Good to Go (1986) Quiz: Test your knowledge of the 1986 film Good to Go, covering its characters, plot points, and themes.

What is the profession of S.D. Blass?

Full Plot Summary and Ending Explained for Good to Go

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S.D. Blass, Art Garfunkel, is a beat journalist for the Washington Daily Tribune in Washington, D.C. His editor-in-chief pressures him to deliver more featured stories, since Blass hasn’t had a strong article printed in a while. He reaches out to Detective Matthew Harrigan, Harris Yulin, hoping for a lead that could become a standout piece.

He learns about a nurse who was raped and murdered on her way home after working the night shift at Washington Metropolitan Hospital. Unbeknownst to Blass, the detective fabricated the police report and placed the primary blame on go-go music and its concertgoers. Blass writes and publishes the story with the provocative headline: “Nurse Murdered at Go-Go: Music and Drugs Blamed for Violence.”

Meanwhile, Max, Robert DoQui, is the owner of Maxx Saxx Entertainment and steers three of the city’s top go-go bands. After fifteen years of performing in local clubs, he believes the moment has arrived to take go-go music national. He arranges a high-stakes meeting at the Watergate complex with Gil Colton, a Los Angeles–based record producer, hoping to secure a recording contract for his artists. Colton is impressed by the live energy and the music, but he worries about the bad press and the potential fallout, and ultimately decides not to sign the acts, returning to L.A.

Little Beats, an up-and-coming conga player for one of Max’s bands, has an older brother known as Chemist, a once-promising chemistry student who slides into PCP (aka “Luv Boat”) addiction and turns to robbing and stealing to fund his habit. He moves with Mr. Ain and his street crew as they roam the city, leaving a trail of chaos that includes the nurse’s rape and murder.

Eventually, Chemist is falsely accused and charged with the offenses. Little Beats is apprehended by Det. Harrigan, in hopes of extracting more information about Chemist’s whereabouts. Blass, now aware that the detective has manufactured many police reports, withdraws his support for Harrigan. He then reaches out to Little Beats, Chemist, and their mother to help clear Chemist’s name and to expose the misconduct plaguing the police department.

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Good to Go Themes and Keywords

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murderrapejournalistfalse accusationindependent film

Good to Go Other Names and Titles

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Short Fuse Suurkaupungin sykkeessä Oi perithoriakoi tis nyhtas The City Ghetto Gang

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