Father of the Bride 1991

George Banks, played by Steve Martin, is your typical upper-middle-class father, a proud owner of an athletic shoe company named Side Kicks, located in the sunny San Marino, California. His world is turned upside down when his 22-year-old daughter, Annie, portrayed by Kimberly Williams, returns from her European adventures. Having spent a semester in Rome studying architecture, she announces her intention to marry Bryan MacKenzie, a man she has known for a mere three months. Bryan hails from an affluent family in Bel-Air, which adds another layer of complexity to an already turbulent situation.

For George, Annie will always be the little girl who sat on his lap, the one who looked up to him as her hero. However, he has completely missed the transitional phases that shaped her into a young woman, such as the times when she would request him to drop her off a block away from the movie theater or when she began wearing eye shadow and high heels. Now, the day has finally come where he must grapple with the reality that his precious daughter is contemplating marriage, a concept that sends George spiraling into a state of anxiety. His worries shift from fearing she would find the “wrong” guy to agonizing over the fact that she might have found the “right” one.

George and his wife, Nina, played by Diane Keaton, have a son named Matty, portrayed by Kieran Culkin. George has always been averse to change, cherishing the stability of their town, which has remained largely untouched for the past 25 years. He treasures their home, enjoying the seasonal comfort it brings, and it is the place where his children have grown up.

The joyous reunion quickly dissolves into a heated confrontation between George and Annie, as George expresses his concerns about her marrying at such a young age. He points out that she has always aspired to be an independent woman, but Annie counters that Bryan is not the overpowering type—comparing him to her father, much to George’s dismay. Bryan is portrayed as an independent communications consultant, but George scoffs at the idea, joking that “independent” may just mean unemployed, and quips about the burden of having to hire him at his company while letting go of one of his hard-working employees with a family to support.

As the narrative unfolds, George’s disdain for Bryan becomes palpable, whereas Nina seems to take a shine to the young man. Meanwhile, George wrestles with the notion of relinquishing his daughter to her new life, believing that the relationship is not likely to last. The tension escalates when George and Nina are invited to meet Bryan’s parents, John and Joanna, who reside in a grand mansion, further highlighting the glaring differences in social status.

Despite finding solace in the shared initial shock at the marriage plans, George’s troubles escalate dramatically. In an unfortunate mishap during a social visit, he ends up falling into the MacKenzie’s pool after a close encounter with their intimidating Doberman, setting a comedic tone for future family gatherings.

As the wedding planning begins, George insists on hosting the ceremony at a low-cost venue that has served their family for years, while Annie dreams of a grand church wedding followed by a lavish reception at their home. George reasons that this will help keep costs low, thinking of grilling for the event and serving guests on paper cutlery. However, his ideas clash violently with the grand visions set forth by his wife and daughter when they meet an eccentric wedding planner, Franck Eggelhoffer, played by Martin Short, whose elaborate suggestions send George into a frenzy of frustration.

George’s complaints about the extravagant wedding expenses, including a jaw-dropping $250 per head guest list and the ever-growing headcount of 572, begin to take a toll on his sanity. In a moment of desperation, as he struggles to don a tuxedo that eventually rips, George’s irritation reaches a climax when he attempts to vent his frustrations at a supermarket, leading to a comedic arrest. Thankfully, Nina bails him out, but only with the condition that he stops sabotaging Annie’s wedding plans.

With the help of Nina and Franck, George tentatively begins to accept the unfolding wedding preparations, especially when the couple receives expensive gifts from their extended families. However, the plans take a sharp turn when an argument arises between Bryan and Annie over a seemingly trivial blender gift, which Annie interprets as a pressure to conform to a traditional housewife role. This strife only widens when misunderstandings about George’s exploits at Bryan’s family home come to light.

In an unexpected heart-to-heart, George takes Bryan out for drinks, intending to part ways but instead is moved by Bryan’s heartfelt emotions, which ultimately lead him to accept the young man as his future son-in-law. The familial conflict subsides just in time for the wedding, which is threatened by a freak snowstorm. Nevertheless, with quick thinking and collaboration between Franck and George, the wedding is pieced together last minute.

Finally, after a year since their initial meeting, Bryan and Annie exchange vows, with Annie proudly wearing sneakers made by her father’s company while George walks her down the aisle, coming to terms with her maturity. The celebration unfolds despite a nosy police officer raising questions about the number of cars lining the street, and George inadvertently misses the moment when Annie throws her bouquet, marking the bittersweet conclusion to their journey.

As the festivities come to a close and the house is left empty, George finds comfort in Nina as they share a dance, reflecting on the whirlwind of events that transpired. The ultimate realization dawns on him; the costs of the wedding surpassed the mortgage on the house he bought when Annie was just a child fresh out of grammar school, reiterating how far they have come.