Creation 2010

Charles Darwin is a British naturalist living a quiet, almost pastoral life in an idyllic village, a man who is as brilliant as he is deeply emotional. He is devoted to his wife, Emma, and to their children, especially his eldest daughter Annie, a bright and inquisitive ten-year-old who loves learning about nature and the world. He shares with her stories from his travels and, most of all, his evolving ideas about life, including his theory of evolution. Annie’s favorite tale—though it ends sadly—centers on Jenny, a young orangutan brought from Borneo to the London Zoo, a story that hints at the fragility of life and the mysteries of science. Yet a moment of anger reveals a rift: when the family clergyman makes Annie kneel on rock salt for challenging the church’s view that life is unchanging, Darwin’s faith in a fixed order of creation is shaken.

[Darwin] is not just a man of science but a husband who carries the tension of a looming conflict with Emma, whose devout beliefs set a high bar for where their ideas can live in the world. Fifteen years have passed since his expedition to the Galapagos Islands, and he remains haunted by the unfinished manuscript that would articulate his most controversial conclusions about natural selection. The delay is not just academic; it strains his marriage, as Emma fears for their souls and their future, worrying that his theories could jeopardize their own place in Heaven and the peace of their family.

The film follows Annie—seen through flashbacks and Darwin’s own visions—as a luminous presence who spurs her father to confront his fears and finish his work. It becomes clear that Annie’s death casts a long shadow over the couple, and the grief is a force that both estranges and binds them. The pair’s relationship becomes cooler, and their sexual intimacy fades, even as Darwin struggles with a mysterious, draining illness that seems to mirror his inner turmoil.

Darwin’s journey takes him to Malvern for James Manby Gully’s water cure, a treatment Emma initially resists, as Annie’s illness deepens. Annie’s condition worsens, and, at her request, Darwin shares Jenny’s story once more before she dies. Her death leaves him devastated but also sharpens his conviction that natural laws operate without divine intervention. To observers of his time, such a view appears to threaten belief in God, even though many who support him are faithful. In a quiet box in Darwin’s study, the notes and observations that will form On the Origin of Species begin to take shape, marking the emergence of a work that could alter mankind’s understanding of life.

Darwin’s scientific circle—friends like Joseph Dalton Hooker and Thomas Henry Huxley—encourage him to proceed. Huxley’s admiring line, that with his theory Darwin has “killed God,” injects both awe and dread into his conscience, and the visions of Annie continue to challenge him as he weighs the consequences of his path. A pivotal moment arrives with a letter from Alfred Russel Wallace in 1858, which outlines similar findings in a condensed form. Darwin experiences a mix of relief and anxiety: perhaps his own labor could be viable without repeating the same work, yet he also fears that his efforts might be in vain if others publish first. Still, his friends urge him to persevere, recognizing that his manuscript will be far more comprehensive.

After Darwin has his own treatment, he makes a pilgrimage to the hotel where Annie died, a journey that becomes a turning point. Upon his return home, he reconnects with Emma, and the couple finally speaks openly about their fears and the grief that has bound them for so long. They discuss the possibility that Annie’s death might reflect genetic weakness, given that they are first cousins, a realization that tests their beliefs but also brings them closer. Emma finds the strength to support his controversial work, and the two come to an understanding: Darwin will publish, but Emma must decide how to align herself with the project. Reading the manuscript, she returns it to him, addressing it to a publisher in London and accepting a shared responsibility in what lies ahead. She chooses to be an accomplice, hoping for forgiveness from God.

As Darwin carries the package home, the postman approaches, and the moment of decision feels almost suspended—Darwin hesitates, almost letting the postman leave with an empty hand. The postal rider rides away, unaware of the revolutionary idea about to enter the world. In the end, Darwin walks back to his home with the weight of Annie beside him, a silent companion whose presence remains a guiding force as the story moves toward its historic culmination.