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Command Decision 1948

Runtime

112 mins

Language

English

English

The film explores the inner lives of heroes, cowards, fighters, braggarts and liars, revealing what truly moves them. Meanwhile, senior commanders wrestle with a brutal choice: to bomb German factories producing advanced jet fighters, knowing the operation will incur massive civilian and military casualties.

The film explores the inner lives of heroes, cowards, fighters, braggarts and liars, revealing what truly moves them. Meanwhile, senior commanders wrestle with a brutal choice: to bomb German factories producing advanced jet fighters, knowing the operation will incur massive civilian and military casualties.

Does Command Decision have end credit scenes?

No!

Command Decision does not have end credit scenes. You can leave when the credits roll.

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Command Decision (1948) Quiz: Test your knowledge of the 1948 wartime drama Command Decision, covering characters, plot points, and historical context.

Which actor portrays Brigadier-General Dennis in the film?

Full Plot Summary and Ending Explained for Command Decision

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Read the complete plot summary of Command Decision, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.


In 1943, at the English Ministry of Information, war correspondents Elmer “Brockie” Brockhurst Charles Bickford and James Carwood John Ridgely attend the daily bombing mission briefings, where the mood among the press and commanders is uneasy. The RAF representative talks of light losses, but the PRO of the Eighth Air Force reports record casualties, casting a pall over the room. Carwood questions whether any target can excuse such losses, while Brockhurst hints that the U.S. commander may be more invested in the war than in appearances. The two men watch B-17s roar into the sky, and Brockhurst presses a question about a high-profile pilot named Captain Jenks, seeking clarity that refuses to come.

Dennis [Clark Gable], the brash Brigadier-General at the heart of the operation, is juggling three delicate public relations challenges. His superior, Major-General Kane [Walter Pidgeon], visits alongside Brigadier-General Clifton Garnet [Brian Donlevy], a West Point classmate of Dennis and brother-in-law to Col. Edward Rayton Martin [John Hodiak], creating a tense web of loyalties. A visiting congressional committee looms, and Garnet pleads for lower losses as a joint resources conference at the Pentagon could curtail bomber missions. The press, the generals, and the lawmakers all circle one truth: Dennis has begun a highly sensitive operation that could redefine how victory is portrayed back home. Brockhurst, wary of any cover-up, remains vigilant about the line between transparency and national security.

The mission itself hinges on precision and risk. Dennis identifies the targets as Posenleben and Schweinhafen, but the group’s flight path pushes the envelope of what is feasible with limited fighter escort. Brockhurst cautions that presenting a mistake as cooperation with the Navy would be a grievous misstep, and Martin reports that the second city has been attacked but urges Dennis to keep quiet about the confusion, noting the two cities are virtually indistinguishable from the air. Yet Dennis refuses to stay silent. He reveals to Kane the broader top-secret plan: destroy factories building a German jet fighter before it can go into service, a move that could cripple Germany’s defensive capabilities. The scope expands beyond Schweinhafen to a third target, Fendelhorst, with only a single bomber group positioned to reach it.

Kane reluctantly grants permission to press forward, while Dennis agrees to honor Captain Jenks with a medal during Congressman Malcolm’s visit—an attempt to temper the political firestorm that could erupt from the committee’s scrutiny. Behind the scenes, Garnet rises in influence as a possible path to a more controllable, less costly operation, while Martin’s own position grows precarious as he weighs the optics of the mission against strategic necessity.

As the takeoff begins, the congressional panel watches with a mix of admiration and concern. The committee is impressed by the bold start, but back at headquarters Malcolm—Congressman Arthur Malcolm [Edward Arnold]—reiterates his critiques. Evans [Van Johnson], a sharp-witted Technical Sergeant, uses political savvy to ease tensions and keep the operation moving. Martin signals Schweinhafen’s destruction, but tragedy strikes when Jenks’s crew is shot down after Martin’s B-17 departs. The loss hits Dennis hard, and Malcolm’s attacks on his judgment intensify.

Jenks, whose relationship to his uncle—Congressman Malcolm [Edward Arnold]—complicates the political pressure, refuses to accept the medal, a quiet stand that lifts the mood only briefly. Overwhelmed by the cost of the mission, Dennis withdraws to plan tomorrow’s flight, while Kane—grudgingly—relieves him of command and turns to Garnet for leadership. Garnet envisions a straightforward, easier mission the next day, but a sudden Pentagon order pulls Dennis toward the Pacific and a new B-29 command, signaling a shift in his career and in the air war strategy.

Yet the operation continues to unfold with clear-eyed resolve. Brockhurst, having confronted the human cost and the political machinery that fuels it, sees a man at the center of the storm—Dennis—whose drive to safeguard the war effort has yielded both decisive risk and sobering loss. As Dennis boards his aircraft, Brockhurst offers a quiet, hard-won blessing: the conviction that truth and duty can coexist even when the price is high. The seasoned observer walks away with a sense that this chapter, with its clashes of ambition, loyalty, and courage, has altered both the war and the men who fought it.

In the end, the story remains a study in leadership under pressure, the ethics of wartime reporting, and the fragile balance between public message and private sacrifice. The missions, the mistakes, and the moments of resolve all thread together to reveal a war fought not just with planes and guns, but with nerves, nerves of steel, and the uneasy politics that accompany triumph. Brockhurst leaves the airfield carrying a complicated, human impression of Dennis, knowing that history may judge their choices, but hope endures in the soldiers who continue to fly.

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Command Decision Themes and Keywords

Discover the central themes, ideas, and keywords that define the movie’s story, tone, and message. Analyze the film’s deeper meanings, genre influences, and recurring concepts.


military operationmilitary strategyu.s. army air forcesaerial bombardmentarchive footagenight bombingdaylight bombinglondon englandpost mission briefingaerial surveillance photographreference to hermann goeringpoliticswristwatchme 262ambulancebailing outdeuce and a halfroast chickenteletype machineplaying tic tac toepublicity photographsilver stardeath of a frienddrunkenrelieved of commandpromotiontransferaerial camera shotmissionmilitary uniformu.s. militaryjetfactorytic tac toebombing raidreference to amelia earhartcigar smokingdouglas dc 3battle mapbirth of sonflare gunchecking one's watchdifficult decisonreference to thomas edisonreference to marconireference to william billy mitchellmagnifying glassexploding airplanebailing out of an airplanechart

Command Decision Other Names and Titles

Explore the various alternative titles, translations, and other names used for Command Decision across different regions and languages. Understand how the film is marketed and recognized worldwide.


Suprema decisione Sublime decisión Trágica Decisão Tragique décision Командное решение De flög i gryningen

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