
His passion came with a price. The film retells the turbulent life of 17th‑century Baroque master Michelangelo Merisi da Caravaggio, tracing how his revolutionary, almost blasphemous canvases—marked by stark chiaroscuro and raw humanity—mirrored his reckless entanglements with the criminal underworld, leading to violence, exile, and a lasting artistic legacy.
Does Caravaggio have end credit scenes?
No!
Caravaggio does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for Caravaggio (1986) via JustWatch.
Explore the complete cast of Caravaggio, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Tilda Swinton
Lena

Robbie Coltrane
Scipione Borghese

Sean Bean
Ranuccio

Garry Cooper
Davide

Nigel Davenport
Giustiniani

Dawn Archibald
Pipo

Spencer Leigh
Jerusaleme

Noam Almaz
Boy Caravaggio

Vernon Dobtcheff
Art Lover

Michael Gough
Cardinal Del Monte

Terry Downes
Bodyguard

Imogen Claire
Lady with the Jewels

Jonathan Hyde
Baglione

Nigel Terry
Caravaggio

Jack Birkett
The Pope

Cerith Wyn Evans
Altar Boy (uncredited)

Gene October
Model Peeling Fruit

John Rogan
Vatican Official

Zohra Sehgal
Jerusaleme's Grandmother

Lucien Taylor
Boy with Guitar

Lol Coxhill
Old Priest

Sadie Corre
Princess Collona

Una Brandon-Jones
Weeping Woman

Emile Nicolaou
Young Jerusaleme

Cindy Oswin
Lady Elizabeth

Simon Fisher-Turner
Fra Filippo
Discover where to watch Caravaggio online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Wikipedia or JustWatch.
Challenge your knowledge of Caravaggio with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Which actor portrays the title character, Caravaggio?
Read the complete plot summary of Caravaggio, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Caravaggio Nigel Terry dies from lead poisoning while in exile, accompanied by his long-time, mute companion Jerusaleme Spencer Leigh, who was given by his family to the artist as a boy. Caravaggio thinks back to his life as a teenage street ruffian who hustles and paints. While taken ill and in the care of priests, the young Caravaggio catches the eye of Cardinal Francesco Maria del Monte [Michael Gough], who nurtures his artistic and intellectual development but seems to molest him.
As an adult, Caravaggio still lives under the roof of, and paints with the funding of, del Monte. He employs street people, drunks and prostitutes as models for his intense, usually religious paintings. He is depicted as frequently brawling, gambling, getting drunk and is implied to sleep with both male and female models. In the art world, Caravaggio is regarded as vulgar and entitled for his Vatican connections.
One day, Ranuccio [Sean Bean] introduces Caravaggio to his girlfriend Lena [Tilda Swinton], who also becomes a model to the artist. When both Ranuccio and Lena are separately caught kissing Caravaggio, each displays jealousy over the artist’s attentions. Lena announces she is pregnant without stating who the father is and will become a mistress to the wealthy Scipione Borghese [Robbie Coltrane]. Soon, she is found murdered by drowning. Ranuccio weeps as Caravaggio and Jerusaleme clean Lena’s body. Caravaggio is shown painting Lena after she dies and mournfully writhing with her body. Ranuccio is arrested for Lena’s murder, but he claims to be innocent. Caravaggio pulls strings and goes to the pope [Jack Birkett] to free Ranuccio. When Ranuccio is freed, he tells Caravaggio he killed Lena so they could be together. In response, Caravaggio cuts Ranuccio’s throat, killing him. Back on his deathbed, Caravaggio is shown having visions of himself as a boy and trying to refuse the last rites offered him by the priests.

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