
After four years of preparation and production, the film follows Casanova, a notorious libertine famed for his endless seductions and sexual conquests. Yet beneath his reputation he seeks a deeper connection, questioning his own identity, purpose and whether he is truly alive.
Does Fellini’s Casanova have end credit scenes?
No!
Fellini’s Casanova does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Fellini’s Casanova, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Donald Sutherland
Giacomo Casanova

Carmen Scarpitta
Madame Charpillon

Daniel Emilfork
Marquis Du Bois

Dudley Sutton
Duca di Wuertemberg

Tina Aumont
Henriette

John Karlsen
Lord Talou

Reggie Nalder
Faulkircher

Silvana Fusacchia
Sorella di Isabella

Margareth Clémenti
Sister Maddalena

Olimpia Carlisi
Isabella

Sandra Elaine Allen
Angelina

Clara Algranti
Marcolina

Maria Mascarielli
Dinner guest

Cicely Browne
Madame D'Urfé

Luigi Zerbinati
Papa

Chesty Morgan
Barberina

Mary Marquet
Casanova's Mother

Mirko Baiocchi
(uncredited)

Daniela Gatti
Giselda

Mario Cencelli
Moebius

Leda Lojodice
Bambola meccanica

Clarissa Mary Roll
Anna Maria

Hans van den Hoek
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Where does Casanova visit to meet a fake nun?
Read the complete plot summary of Fellini’s Casanova, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Casanova ventures to one of Venice’s islands for a peculiar encounter involving a fake nun, all arranged for the entertainment of a wealthy voyeur. While there, he becomes increasingly frustrated because the man overseeing this voyeurism shows little interest in Casanova’s own pursuits, particularly his research into alchemy and his elaborate schemes. Disappointed, Casanova rows back to the mainland only to be arrested and brought before the High Court, accused of his notorious reputation for debauchery.
During his incarceration, Casanova reflects on his romantic escapades. He recalls a flirtation with a dressmaker and later, a more intense affair with Anna Maria, a junior employee who suffers from fainting spells that often require bloodletting. Casanova manages a daring escape from prison by climbing onto the roof, after which he exiles himself from Venice. His travels lead him to the court of Madame d’Urfé in Paris. The aged Madame, captivated by Casanova’s supposed knowledge of alchemy, hopes to transform her soul through ritualistic intercourse with him.
Casanova’s journey continues as he reunites with his brother, inviting a new complication when he seduces his brother’s girlfriend. Two years later, in Forlì, Casanova becomes involved with a hunchbacked figure at a court, while also caring for a beautiful young woman named Henriette. They pledge fidelity, but the morning after, Henriette vanishes mysteriously. Du Bois, the hunchback, informs Casanova that Henriette has been reclaimed by a distant court and warns him not to pursue her.
Later, in London, Casanova’s luck falters again. He is robbed by two women and, overwhelmed by despair, attempts to drown himself in the Thames. However, his attention is diverted by visions of a giantess and dwarves; he follows them to a frost fair where he engages in a humorous arm-wrestling match with the giantess, who turns out to be a princess. He also watches her bathe with the dwarves, paying for the spectacle.
Casanova’s adventures take him to Rome, where he attends an eccentric party at Lord Talou’s palace. There, he demonstrates his stamina by winning a bet for how many orgasms he can produce within an hour. His travels then lead him to Bern, where he falls for Isabella, the daughter of an alchemist. However, she misses their appointment to go to Dresden, prompting Casanova to indulge in an orgy instead. During a brief visit to Dresden, he encounters his estranged mother in a theater, adding a bittersweet moment to his wandering life.
Moving on to Württemberg, Casanova hopes for recognition as a writer and inventor but finds himself frustrated by the court’s hedonistic and chaotic atmosphere. There, he meets Rosalba, a mechanical doll with whom he dances and later shares an intimate moment. Now aged and living in Dux at the castle of Count Waldstein, Casanova finds life more burdensome than ever. Surrounded by mockery and hostility, he reclines in an armchair, exhausted, and reflects on recent dreams. In this dreamlike reverie, he envisions himself back in Venice, chasing the ghosts of past lovers who gradually vanish into the ether. As the dream concludes, a magnificent stagecoach beckons him to join its passengers.
Finally, he reunites with Rosalba once more, and they dance together, symbolizing the enduring yet elusive nature of his passions and memories. Throughout his extraordinary life filled with love, adventure, longing, and regret, Casanova’s story is one of constant pursuit—not only of pleasure but also of meaning in a world that often confounds him.

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