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Adventure in Manhattan 1936

Art connoisseur crime writer George Melville is hired by newspaper editor Phil Bane to hunt a notorious art thief believed dead. Assisted by Claire Peyton, Melville falls for a young actress whose stage play hides a massive jewel robbery. The mastermind poses as a theatrical impresario, staging a war‑drama with explosions to distract while his gang cracks safes in the adjacent bank.

Art connoisseur crime writer George Melville is hired by newspaper editor Phil Bane to hunt a notorious art thief believed dead. Assisted by Claire Peyton, Melville falls for a young actress whose stage play hides a massive jewel robbery. The mastermind poses as a theatrical impresario, staging a war‑drama with explosions to distract while his gang cracks safes in the adjacent bank.

Does Adventure in Manhattan have end credit scenes?

No!

Adventure in Manhattan does not have end credit scenes. You can leave when the credits roll.

Take the Ultimate Adventure in Manhattan Movie Quiz

Challenge your knowledge of Adventure in Manhattan with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.


Adventure in Manhattan Quiz: Test your knowledge of the 1936 film Adventure in Manhattan with these ten varied‑difficulty questions.

Who is the newspaper's managing editor who enlists the crime writer?

Full Plot Summary and Ending Explained for Adventure in Manhattan

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Read the complete plot summary of Adventure in Manhattan, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.


Robbers steal the Koor-Hal Ruby, killing four in the process and eluding the police. The case catches the eye of Phil Bane, the newspaper’s managing editor, who sends for George Melville, a conceited crime writer and criminologist, hoping his sensational storytelling will boost circulation. Melville immediately theorizes that the crime was masterminded by Andre Berlea, a man believed to have died four years earlier. He boldly predicts to reporters that Berlea will next steal the Sunburst Diamond and kill the only witness, a loyal butler, to the ruby theft. Moments after his announcement, news arrives that a butler has indeed been murdered, lending credence to his eerie forecast.

On the way to Bane’s office, Melville is distracted by a car accident when a female panhandler uses the moment to slip his wallet away. He tracks her to a beauty salon, where the woman, after a dramatic makeover, begs him not to act until after 8 o’clock. Over dinner, she explains that she fled a cruel husband with another man, only to separate from him later. The ex-husband is now allowing her to see her four-year-old daughter, and she needs money to present herself properly. They drive to a grand mansion, where Mrs. Northrop faints at the sight of a coffin; Mr. Northrop explains the child died two days earlier. Yet nothing about this scene is quite as it seems.

What follows is a carefully staged deception by the reporters, one of whom is secretly writing a play, Fury’s Road, with Claire Peyton as the star. The whole episode is revealed to be an elaborate practical joke aimed at Melville. The producers behind the ruse keep up appearances, and the deception gains traction as a painting is stolen from next door. The producers, convinced of Melville’s value as a foe, hire him to help with the play, acknowledging that Berlea may still be alive. Melville explains Berlea’s motivation: a compulsion to possess beauty. Before his death, Berlea sought three such objects, but was refused. Two have already vanished, and Melville predicts that the third—the Starburst Diamond—will be purloined on Saturday at 11 pm.

As Bane embraces Melville’s theory, the authorities stage a bank stakeout, hoping to catch the anticipated theft. When the clock ticks past the deadline without incident, Bane fires Melville. Undeterred, Melville agrees to retreat to Gregory’s secluded hideaway for a rest. Gregory’s men have tunnelled a connection between the theater—where a World War I–set battle scene will unfold—and the bank. The premiere arrives, and amid simulated explosions and gunfire, the criminals slip into the vault. Peyton worries for Melville’s safety as the plot thickens, but Melville remains one step ahead. In a final confrontation, he captures the mastermind, exposing him as Berlea.

The climax leaves Peyton with a choice that marks the turning point of their relationship: she vows to “make him suffer for the rest of his life” by marrying him, a calculus of love and revenge born from the dangers they’ve just faced together.

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Adventure in Manhattan Themes and Keywords

Discover the central themes, ideas, and keywords that define the movie’s story, tone, and message. Analyze the film’s deeper meanings, genre influences, and recurring concepts.


reference to world war onecriminologistburglarburglarydamsel in distresssongfederal agentnewspaper reporternewspaper storynewspaper editorpool hustlerpool hall rack manpool ball rackerpool table trick shotstock footageinformantholland tunnelcigarette smokingcigarette lighterslangnewspaper copy roomtelephone callsnookeredbroadway theatrehenchmannewspaper printing pressworld war one play settingplay producercrusading newspaper editorbulldog editionpolice detectivevindicationridiculecigar smokingtaxi drivermanhattan new york citynewspaper peoplecity editorliecoincidencepolice investigationpolice arrestbank heistthefttheater actorsoldier in a playtheater directordrunkennessfirst nighter at a play openingtheater actress

Adventure in Manhattan Other Names and Titles

Explore the various alternative titles, translations, and other names used for Adventure in Manhattan across different regions and languages. Understand how the film is marketed and recognized worldwide.


Manhattan Madness Antes de medianoche

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