
Set against the atmosphere of 1938 Rome as Adolf Hitler makes his historic visit, the film follows two neighbours—a journalist under persecution and a housewife resigned to routine—who forge an unexpected, deep bond that illuminates personal resilience amid the tense, fascist era.
Does A Special Day have end credit scenes?
No!
A Special Day does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of A Special Day, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Marcello Mastroianni
Gabriele

John Vernon
Emanuele Taberi

Sophia Loren
Antonietta Taberi

Adolf Hitler
Self (archive footage) (uncredited)

Ettore Scola

Benito Mussolini
Self (archive footage) (uncredited)

Vittorio Guerrieri
Umberto Taberi

Galeazzo Ciano
Self (archive footage) (uncredited)

Alessandra Mussolini
Maria Luisa Taberi

Françoise Berd
Concierge

Patrizia Basso
Romana Taberi

Tiziano De Persio
Arnaldo Taberi

Maurizio Di Paolantonio
Fabio Taberi

Antonio Garibaldi
Littorio Taberi

Nicole Magny
Officer's Daughter

King Victor Emmanuel III of Italy
Self (archive footage) (uncredited)
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Read the complete plot summary of A Special Day, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
On 4 May 1938, the day Hitler visits Mussolini in Rome, Antonietta Taberi, a naïve, sentimental and overworked homemaker, stays home doing her usual domestic tasks, while her fascist husband, Emanuele Taberi, and their six spoiled children take to the streets to follow a parade. The building is empty, except for the caretaker Pauletta and a neighbor across the complex, a charming man named Gabriele. He is a radio broadcaster who has been dismissed from his job and is about to be deported to Sardinia because of his homosexuality and alleged anti-fascist stance.
After the family’s myna escapes from their apartment and flies outside Gabriele’s window, Antonietta shows up at his door, asking to be let in to reach the bird. Gabriele has been interrupted from attempting suicide, but helps rescue the myna by offering it food, and is amused by the episode. Antonietta is surprised by his demeanor and, unaware of his sexual orientation, flirts and dances the rumba with him.
Despite their differences, they warm to each other. Pauletta warns Antonietta that Gabriele is an anti-fascist, which Antonietta finds despicable. Gabriele eventually opens up, confessing he was fired because he is a homosexual. Antonietta confides in him about her troubles with her arrogant and unfaithful husband, who, she says, has shown a preference for an educated woman.
Throughout their interaction and conversation, each realizes that the other is oppressed by social and governmental conditioning and comes to form a new impression of the other than the one they first drew from one another. As a result, they have sex, but for different reasons. Gabriele explains that this changes nothing, as does Antonietta. (However, later, when her son reminds his mother of all the newspaper clippings she will have from the parade for her album collection, Antonietta’s face reveals a look of slight indifference.) Soon after their intimate encounter, Antonietta’s family comes back home, and Gabriele is arrested.
At the end, Antonietta sits near the window and starts reading The Three Musketeers that Gabriele has given her. She watches as her lover leaves the complex, escorted by fascist policemen, before turning off the light and retiring to bed: Her husband is waiting there for her to beget their seventh child, whom he wants to name Adolfo.
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