
The Tony‑Award‑winning musical now adapts to film, following actress Desirée Armfeldt as a tangled web of romantic intrigue surrounds her. She is adored by lawyer Fredrik Egerman and the aristocratic Count Carl‑Magnus Malcolm. When Desirée returns to Fredrik’s town for a performance, old passions flare and the estranged lovers confront their past.
Does A Little Night Music have end credit scenes?
No!
A Little Night Music does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of A Little Night Music, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Diana Rigg
Charlotte Mittelheim

Elizabeth Taylor
Desiree Armfeldt

Len Cariou
Frederick Egerman

Hermione Gingold
Madame Armfeldt

Lesley-Anne Down
Anne Egerman

Hubert Tscheppe
Franz

Dagmar Koller
First Lady

Hal Prince

Stephan Paryla-Raky
Uniformed Sergeant

Heinz Marecek
Kurt

Christopher Guard
Erich Egerman

Lesley Dunlop
Petra

Laurence Guittard
Carl-Magnus Mittelheim

Chloe Franks
Fredericka Armfeldt

Jean Sincere
Box Office Lady in Theatre

Ruth Brinkman
Second Lady

Jonathan Tunick
Conductor
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Read the complete plot summary of A Little Night Music, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
In a Swedish town at the turn of the 20th century, a widowed lawyer, Frederick Egerman, is trying to keep his life steady while his marriage to his younger wife, Anne Egerman, frays at the edges. Anne has protected her virginity for almost a year and keeps reminding him that intimacy is “soon,” a line that underscores the distance growing between them.
soon
Their family circle also includes Erich Egerman, Frederick’s son who is studying to join the church and secretly harbors feelings for Anne, complicating the household’s tensions with a forbidden undercurrent.
To please Anne and perhaps to mend the rift, Frederick buys tickets to a touring play featuring the renowned actress Desiree Armfeldt, an old flame from years past. The moment Desiree and Frederick lock eyes in the theatre, Anne’s temper flares, and she insists on leaving. Yet after the performance, Desiree invites Frederick to her dressing room, where old emotions flare and the two rekindle something that seems destined to disrupt the present order.
Desiree’s life is layered: she tours Europe in play after play, and her daughter Fredericka Armfeldt lives with Desiree’s mother, Madame Armfeldt, at a country estate. Desiree is growing tired of the actress’s life and contemplates settling down, setting her sights on Frederick despite his marriage. Desiree’s married lover, Count Carl-Magnus Mittelheim, arrives and immediately clashes with Frederick, testing both men and their loyalties. Desiree pretends that Frederick is Madame Armfeldt’s personal lawyer, an assertion that Carl-Magnus refuses to swallow, and he reports the encounter to his wife, Charlotte Mittelheim. Charlotte, meanwhile, means to expose the affair, but Anne decides not to confront Frederick.
Seeking an advantage, Desiree persuades her mother to invite the Egerman family to the country estate for a weekend, hoping to entice Frederick away from Anne. Anne is outraged by the invitation, yet Charlotte urges her to go, advising that she should go in and sabotage Desiree’s plans. The tension between Desiree and Charlotte remains palpable as Carl-Magnus learns of the gathering and makes it his mission to confront Frederick, a confrontation that promises danger for everyone involved.
The Egermans and the Mittelheims drive to the estate with Petra, the loyal maid, in tow. There, Desiree is surprised to see Carl-Magnus and his wife arriving, but she hosts the weekend anyway. The hosts’ games and barbs grow sharper as the door to desire creaks open wider. Erich, unable to bear the atmosphere, confides in Fredericka that his feelings for Anne are real and impossible to act on.
At dinner, the two households collide in a flurry of sharp wit and muted envy, and Erich’s despair reaches a tragic peak as he rushes outside and attempts to take his own life. Fredericka helps Anne to understand the truth of Erich’s affection, and the two share a compassionate moment that inflames their own hidden longings; they briefly kiss and decide to run away together. In the quiet that follows, Desiree reveals her own longing to be with Frederick, but he admits that his commitment to Anne remains strong even as he acknowledges a part of him drawn to Desiree.
The night deepens into a confrontation of pride and fear. Frederic and Charlotte witness Anne and Erich fleeing together, a sight that leaves them with complicated, intertwined emotions. Carl-Magnus, furious and feeling betrayed, issues a challenge to Frederick in a dramatic game of Russian Roulette. The moment of truth arrives when Frederich, despite the loaded chamber, merely grazes his ear with the bullet, a near-miss that changes nothing about the aching stalemate between duty and desire. Desiree rushes to his side as Charlotte and Carl-Magnus depart for home.
In the aftermath, Frederick’s perspective shifts as he recounts the escape of Anne and Erich and, faced with the consequences of jealousies and secrets, he finds himself drawn toward Desiree. The weekend’s revelations leave the couples altered, and the choice before them is clear: the path forward will be shaped by love, loyalty, and the cost of acting on long-held desires. Ultimately, Frederic signals his decision to be with Desiree, acknowledging that the heart’s longings can outpace propriety and certainty, even as the memory of Anne’s struggle and Erich’s heartbreak lingers.
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