#1 of 9 2017 · Action, Drama
$28.6M worldwide · 97% of the chart's total
The Fortress (2017) is the highest-grossing Spanish-language movie released in week 42 of 2017 (Oct 15–21), with $28.6M worldwide, ahead of Brother (2017) at $508.6K and The Network of Freedom (2017) at $180.6K. 9 Spanish-language films released that week report a worldwide gross, $29.4M in all, <1% of it from the US & Canada. That is 4.1 times the total of Week 41, 2017, whose releases took $7.2M. By genre, Drama leads with $29.4M across 8 Spanish releases.
#1 of 9 2017 · Action, Drama
$28.6M worldwide · 97% of the chart's total
The Fortress (2017) leads with $28.6M, 97% of the total. The top 5 together took $29.4M, almost all of what the 9 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 42 of 2017 (Oct 15–21).
Oct 20, 2017 US and Canada: $252.9K Rest of the world: $28.4M Worldwide: $28.6M
Oct 20, 2017 US and Canada: – Rest of the world: – Worldwide: $508.6K
Oct 20, 2017 US and Canada: – Rest of the world: – Worldwide: $180.6K
Oct 21, 2017 US and Canada: – Rest of the world: – Worldwide: $31.1K
Oct 18, 2017 US and Canada: – Rest of the world: – Worldwide: $23.7K
Oct 19, 2017 US and Canada: – Rest of the world: – Worldwide: $13K
Oct 19, 2017 US and Canada: – Rest of the world: – Worldwide: $5.7K
Oct 19, 2017 US and Canada: – Rest of the world: – Worldwide: $1.1K
Oct 15, 2017 US and Canada: – Rest of the world: – Worldwide: $552 Week 42 releases took $29.4M. The biggest of these 9 weeks is week 42 (Oct 15–21) with $29.4M, led by The Fortress (2017).
Of these 10 years, Week 42, 2011 earned the most: $38.1M from 7 films, led by The Skin I Live In (2011). Week 42, 2017 took $29.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 42, 2008 Oct 12–18 2 films | 2 | $3.5M | – | Diary of a Nymphomaniac (2008) $2.8M |
| Week 42, 2009 Oct 11–17 No films | 0 | – | – | – |
| Week 42, 2010 Oct 10–16 No films | 0 | – | – | – |
| Week 42, 2011 Oct 9–15 7 films | 7 | $38.1M | – | The Skin I Live In (2011) $33.7M |
| Week 42, 2012 Oct 14–20 1 film · −100% | 1 | $11.3K | −100% | Chronicle of the End of the World (2012) $11.3K |
| Week 42, 2013 Oct 13–19 3 films · +18647% | 3 | $2.1M | +18647% | The Snitch Cartel (2013) $1.7M |
| Week 42, 2014 Oct 12–18 2 films · +523% | 2 | $13.2M | +523% | The Perfect Dictatorship (2014) $12.8M |
| Week 42, 2015 Oct 11–17 1 film · −100% | 1 | $4.9K | −100% | Vulcania (2015) $4.9K |
| Week 42, 2016 Oct 9–15 5 films · +106301% | 5 | $5.2M | +106301% | Desierto (2016) $4.9M |
| Week 42, 2017 Oct 15–21 9 films · +464% | 9 | $29.4M | +464% | The Fortress (2017) $28.6M |
Drama took $29.4M across 8 films, 100% of the total, ahead of Action ($28.6M) and History ($28.6M). A film counts once for each of its genres.
45 weeks of 2017 with reported grosses; the biggest is week 12 (Mar 19–25) with $37.3M, led by Tad, the Lost Explorer, and the Secret of King Midas (2017).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 9 films as the chart.
The Fortress (2017) leads with $28.6M worldwide, $252.9K of it in the US & Canada. Next come Brother (2017) at $508.6K and The Network of Freedom (2017) at $180.6K.
9 Spanish-language films released in week 42 of 2017 (Oct 15–21) report a worldwide gross, $29.4M in all, or $3.3M per film on average. Week 41, 2017 releases took $7.2M.
None. The biggest, The Fortress (2017), earned $28.6M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 42 of 2017 (Oct 15–21). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.