#1 of 10 #1 Spanish-language movie of Week 36, 2017
2017 · Adventure
$627.9K worldwide · 62% of the chart's total
No US & Canada figure reported
Spanish box office · Week 36 · Sep 3–9, 2017
Spanish Box Office, Week 36 of 2017: Spanish Releases of Sep 3–9
The Gold Seekers (2017) is the highest-grossing Spanish-language movie released in week 36 of 2017 (Sep 3–9), with $627.9K worldwide, ahead of Candelaria (2017) at $132.4K and Killing Jesus (2017) at $96.9K. 10 Spanish-language films released that week report a worldwide gross, $1M in all. That is down 95% on Week 35, 2017, whose releases took $22M. By genre, Adventure leads with $627.9K across 1 Spanish release.
- week 36 releases with a gross
- 10
- combined worldwide
- $1M
- The Gold Seekers (2017), the #1
- $627.9K
- vs Week 35, 2017
- −95%
#1 of 10 Top 5
What Were the Biggest Spanish Hits of Week 36 of 2017?
The Gold Seekers (2017) leads with $627.9K, 62% of the total. The top 5 together took $942.9K, 94% of what all 10 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4 -
Number 5
US & Canada (domestic) Rest of the world
The chart
Every Spanish Release of Week 36 of 2017, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 36 of 2017 (Sep 3–9).
- 1 Sep 7, 2017 US and Canada: – Rest of the world: – Worldwide: $627.9K
- 2 Sep 9, 2017 US and Canada: – Rest of the world: – Worldwide: $132.4K
- 3 Sep 8, 2017 US and Canada: – Rest of the world: – Worldwide: $96.9K
- 4 Sep 8, 2017 US and Canada: – Rest of the world: – Worldwide: $47.3K
- 5 Sep 8, 2017 US and Canada: – Rest of the world: – Worldwide: $38.4K
- 6
Sep 8, 2017 US and Canada: – Rest of the world: – Worldwide: $37.3K - 7
Sep 7, 2017 US and Canada: – Rest of the world: – Worldwide: $18.3K - 8
Sep 8, 2017 US and Canada: – Rest of the world: – Worldwide: $6.4K - 9
Sep 7, 2017 US and Canada: – Rest of the world: – Worldwide: $2.4K - 10
Sep 8, 2017 US and Canada: – Rest of the world: – Worldwide: $499
Gross bands
How Many Week 36 of 2017 Releases Crossed $100 Million?
None of the 10 films reached $100M. 10 films, 100% of the list, earned under $10M. Each band shows its films and its share of the $1M total.
100%
- $1B or more 0 films, 0% of the list No films
- $500M to $1B 0 films, 0% of the list No films
- $100M to $500M 0 films, 0% of the list No films
- $10M to $100M 0 films, 0% of the list No films
- Under $10M 10 films, 100% of the list $1M · 100% of the gross
Weeks around it
How Does Week 36 Compare With the Weeks Around It?
Week 36 releases took $1M. The biggest of these 9 weeks is week 35 (Aug 27–Sep 2) with $22M, led by Do It Like An Hombre (2017).
- Week 30 Wk 30 Jul 23–29 I Dream in Another Language (2017) $64.6K I Dream in Another Language (2017)
- Week 31 Wk 31 Jul 30–Aug 5 Abracadabra (2017) $1.8M Abracadabra (2017)
- Week 32 Wk 32 Aug 6–12 The Wandering Soap Opera (2017) $3.6K The Wandering Soap Opera (2017)
- Week 33 Wk 33 Aug 13–19 The Queen of Spain (2017) $1.2M The Queen of Spain (2017)
- Week 34 Wk 34 Aug 20–26 Tales of an Immoral Couple (2017) $1.4M Tales of an Immoral Couple (2017)
- Week 35 Wk 35 Aug 27–Sep 2 Do It Like An Hombre (2017) $22M Do It Like An Hombre (2017)
- Week 36 Wk 36 Sep 3–9 The Gold Seekers (2017) $1M The Gold Seekers (2017)
- Week 37 Wk 37 Sep 10–16 The Future Perfect (2017) $115 The Future Perfect (2017)
- Week 38 Wk 38 Sep 17–23 Me gusta, pero me asusta (2017) $5.6M Me gusta, pero me asusta (2017)
Earlier years
How Does Week 36 of 2017 Compare With Earlier Years?
Of these 10 years, Week 36, 2015 earned the most: $33.5M from 6 films, led by Huevos: Little Rooster’s Egg-Cellent Adventure (2015). Week 36, 2017 took $1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 36, 2008 Aug 31–Sep 6 2 films | 2 | $799.5K | – | A Matador’s Mistress (2008) $724.8K |
| Week 36, 2009 Aug 30–Sep 5 2 films · +2322% | 2 | $19.4M | +2322% | Cell 211 (2009) $19.3M |
| Week 36, 2010 Aug 29–Sep 4 No films | 0 | – | – | – |
| Week 36, 2011 Aug 28–Sep 3 4 films | 4 | $11.5M | – | Saving Private Perez (2011) $9.3M |
| Week 36, 2012 Sep 2–8 6 films · +39% | 6 | $16M | +39% | [REC] 3: Genesis (2012) $11M |
| Week 36, 2013 Sep 1–7 2 films · −100% | 2 | $3.8K | −100% | Club Sandwich (2013) $3.2K |
| Week 36, 2014 Aug 31–Sep 6 6 films · +254364% | 6 | $9.6M | +254364% | Darker Than Night (2014) $6.2M |
| Week 36, 2015 Aug 30–Sep 5 6 films · +248% | 6 | $33.5M | +248% | Huevos: Little Rooster’s Egg-Cellent Adventure (2015) $25.9M |
| Week 36, 2016 Aug 28–Sep 3 3 films · −29% | 3 | $23.7M | −29% | No Manches Frida (2016) $23.5M |
| Week 36, 2017 Sep 3–9 10 films · −96% | 10 | $1M | −96% | The Gold Seekers (2017) $627.9K |
By genre
Which Spanish Genres Earned the Most in Week 36 of 2017?
Adventure took $627.9K across 1 film, 62% of the total, ahead of Drama ($359.3K) and Crime ($144.2K). A film counts once for each of its genres.
Week 36 of 2017 Spanish Box Office by Genre
-
Adventure $627.9K1 film · #1 The Gold Seekers (2017) -
Drama $359.3K7 films · #1 Candelaria (2017) -
Crime $144.2K2 films · #1 Killing Jesus (2017) -
Thriller $47.3K1 film · #1 A Sort of Family (2017) -
Comedy $18.3K1 film · #1 Doble (2017) -
Romance $18.3K1 film · #1 Doble (2017) -
Documentary $2.4K1 film · #1 Tango in Paris: Memories of Astor Piazzolla (2017) -
Music $2.4K1 film · #1 Tango in Paris: Memories of Astor Piazzolla (2017)
Archive
Spanish Box Office in 2017, Week by Week
45 weeks of 2017 with reported grosses; the biggest is week 12 (Mar 19–25) with $37.3M, led by Tad, the Lost Explorer, and the Secret of King Midas (2017).
- Week 1 $171.2K
- Week 2 $268.4K
- Week 3 No grosses
- Week 4 $42.5K
- Week 5 $9.4K
- Week 6 $12.1K
- Week 7 $6.5M
- Week 8 $13.8M
- Week 9 $855
- Week 10 $937.7K
- Week 11 $4.7M
- Week 12 $37.3M
- Week 13 $724.3K
- Week 14 $9.1M
- Week 15 No grosses
- Week 16 $10.5K
- Week 17 $312
- Week 18 No grosses
- Week 19 $16.6K
- Week 20 $774.9K
- Week 21 $52.5K
- Week 22 $18.9K
- Week 23 No grosses
- Week 24 $9.3M
- Week 25 $236.6K
- Week 26 No grosses
- Week 27 $2.6K
- Week 28 $601.5K
- Week 29 $2M
- Week 30 $64.6K
- Week 31 $1.8M
- Week 32 $3.6K
- Week 33 $1.2M
- Week 34 $1.4M
- Week 35 $22M
- Week 36 $1M
- Week 37 $115
- Week 38 $5.6M
- Week 39 $3.4M
- Week 40 $2.6M
- Week 41 $7.2M
- Week 42 $29.4M
- Week 43 $37.7K
- Week 44 $3.3M
- Week 45 $19.3M
- Week 46 $3.8M
- Week 47 $5.7K
- Week 48 $34.8M
- Week 49 $123.1K
- Week 50 No grosses
- Week 51 $4.7M
- Week 52 No grosses
- Week 53 No grosses
FAQ
Spanish Box Office Week 36 of 2017: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 10 films as the chart.
What is the highest-grossing Spanish-language movie in week 36 of 2017 (Sep 3–9)?
The Gold Seekers (2017) leads with $627.9K worldwide. Next come Candelaria (2017) at $132.4K and Killing Jesus (2017) at $96.9K.
How much did Spanish-language movies released in week 36 of 2017 (Sep 3–9) earn?
10 Spanish-language films released in week 36 of 2017 (Sep 3–9) report a worldwide gross, $1M in all, or $100.8K per film on average. Week 35, 2017 releases took $22M.
How many Spanish-language movies released in week 36 of 2017 (Sep 3–9) made $1 billion?
None. The biggest, The Gold Seekers (2017), earned $627.9K.
How is the week 36, 2017 Spanish box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 36 of 2017 (Sep 3–9). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
How often is the week 36, 2017 Spanish box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.