#1 of 7 2011 · Drama
$33.7M worldwide · 88% of the chart's total
The Skin I Live In (2011) is the highest-grossing Spanish-language movie released in week 42 of 2011 (Oct 9–15), with $33.7M worldwide, ahead of The Greatest Miracle (2011) at $3.2M and Bacalar (2011) at $393.5K. 7 Spanish-language films released that week report a worldwide gross, $38.1M in all, 10% of it from the US & Canada. That is 12.2 times the total of Week 41, 2011, whose releases took $3.1M. By genre, Drama leads with $34M across 2 Spanish releases.
#1 of 7 2011 · Drama
$33.7M worldwide · 88% of the chart's total
The Skin I Live In (2011) leads with $33.7M, 88% of the total. The top 5 together took $38M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 42 of 2011 (Oct 9–15).
Oct 14, 2011 US and Canada: $3.2M Rest of the world: $30.5M Worldwide: $33.7M
Oct 14, 2011 US and Canada: $555.2K Rest of the world: $2.7M Worldwide: $3.2M
Oct 14, 2011 US and Canada: – Rest of the world: – Worldwide: $393.5K
Oct 14, 2011 US and Canada: $18K Rest of the world: $306.8K Worldwide: $324.8K
Oct 13, 2011 US and Canada: – Rest of the world: – Worldwide: $304.9K
Oct 10, 2011 US and Canada: – Rest of the world: – Worldwide: $135K
Oct 14, 2011 US and Canada: – Rest of the world: – Worldwide: $786 Of the top 7, The Greatest Miracle (2011) earned the biggest share at home (17% in the US & Canada), while Juan of the Dead (2011) made 94% of its gross abroad. Across all 7 films, $3.8M (10%) came from the US & Canada. 4 films of the top 7 report no US & Canada figure.
Week 42 releases took $38.1M. The biggest of these 9 weeks is week 42 (Oct 9–15) with $38.1M, led by The Skin I Live In (2011).
Of these 10 years, Week 42, 2011 earned the most: $38.1M from 7 films, led by The Skin I Live In (2011).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 42, 2002 Oct 13–19 1 film | 1 | $3.4M | – | Kamchatka (2002) $3.4M |
| Week 42, 2003 Oct 12–18 1 film · −98% | 1 | $84.2K | −98% | Soy tu aventura (2003) $84.2K |
| Week 42, 2004 Oct 10–16 1 film · −83% | 1 | $14.1K | −83% | Palermo Hollywood (2004) $14.1K |
| Week 42, 2005 Oct 9–15 1 film · +49933% | 1 | $7M | +49933% | Innocent Voices (2005) $7M |
| Week 42, 2006 Oct 15–21 6 films · +124% | 6 | $15.8M | +124% | KM 31: Kilometer 31 (2006) $12.1M |
| Week 42, 2007 Oct 14–20 No films | 0 | – | – | – |
| Week 42, 2008 Oct 12–18 2 films | 2 | $3.5M | – | Diary of a Nymphomaniac (2008) $2.8M |
| Week 42, 2009 Oct 11–17 No films | 0 | – | – | – |
| Week 42, 2010 Oct 10–16 No films | 0 | – | – | – |
| Week 42, 2011 Oct 9–15 7 films | 7 | $38.1M | – | The Skin I Live In (2011) $33.7M |
40 weeks of 2011 with reported grosses; the biggest is week 42 (Oct 9–15) with $38.1M, led by The Skin I Live In (2011).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
The Skin I Live In (2011) leads with $33.7M worldwide, $3.2M of it in the US & Canada. Next come The Greatest Miracle (2011) at $3.2M and Bacalar (2011) at $393.5K.
7 Spanish-language films released in week 42 of 2011 (Oct 9–15) report a worldwide gross, $38.1M in all, or $5.4M per film on average. Week 41, 2011 releases took $3.1M.
None. The biggest, The Skin I Live In (2011), earned $33.7M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 42 of 2011 (Oct 9–15). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact, and so are films whose stored language is most likely wrong.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.