#1 of 4 #1 crime movie of Week 42, 2017
2017 · Crime, Drama
$5.2M worldwide · 69% of the chart's total
No US & Canada figure reported
Crime box office · Week 42 · Oct 15–21, 2017
Crime Box Office, Week 42 of 2017: Crime Releases of Oct 15–21
The Scythian Lamb (2017) is the highest-grossing crime movie released in week 42 of 2017 (Oct 15–21), with $5.2M worldwide, ahead of Mersal (2017) at $2.3M and Asphyxia (2017) at $4.2K. 4 crime films released that week report a worldwide gross, $7.5M in all. That is down 95% on Week 41, 2017, whose releases took $145.6M.
- week 42 releases with a gross
- 4
- combined worldwide
- $7.5M
- The Scythian Lamb (2017), the #1
- $5.2M
- vs Week 41, 2017
- −95%
#1 of 4 Top 4
What Were the Biggest Crime Hits of Week 42 of 2017?
The Scythian Lamb (2017) leads with $5.2M, 69% of the total. The top 4 together took $7.5M, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3 -
Number 4
US & Canada (domestic) Rest of the world
The chart
Every Crime Release of Week 42 of 2017, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 42 of 2017 (Oct 15–21).
- 1 Oct 15, 2017 US and Canada: – Rest of the world: – Worldwide: $5.2M
- 2 Oct 18, 2017 US and Canada: – Rest of the world: – Worldwide: $2.3M
- 3 Oct 18, 2017 US and Canada: – Rest of the world: – Worldwide: $4.2K
- 4 Oct 19, 2017 US and Canada: – Rest of the world: – Worldwide: $1.1K
Weeks around it
How Does Week 42 Compare With the Weeks Around It?
Week 42 releases took $7.5M. The biggest of these 9 weeks is week 41 (Oct 8–14) with $145.6M, led by The Foreigner (2017).
- Week 36 Wk 36 Sep 3–9 Outrage Coda (2017) $15.7M Outrage Coda (2017)
- Week 37 Wk 37 Sep 10–16 Simran (2017) $6.4M Simran (2017)
- Week 38 Wk 38 Sep 17–23 Loving Vincent (2017) $43.7M Loving Vincent (2017)
- Week 39 Wk 39 Sep 24–30 Chasing the Dragon (2017) $90.1M Chasing the Dragon (2017)
- Week 40 Wk 40 Oct 1–7 The Outlaws (2017) $53M The Outlaws (2017)
- Week 41 Wk 41 Oct 8–14 The Foreigner (2017) $145.6M The Foreigner (2017)
- Week 42 Wk 42 Oct 15–21 The Scythian Lamb (2017) $7.5M The Scythian Lamb (2017)
- Week 43 Wk 43 Oct 22–28 Jigsaw (2017) $115.7M Jigsaw (2017)
- Week 44 Wk 44 Oct 29–Nov 4 Carbone (2017) $12.5M Carbone (2017)
Earlier years
How Does Week 42 of 2017 Compare With Earlier Years?
Of these 10 years, Week 42, 2016 earned the most: $204.6M from 4 films, led by The Accountant (2016). Week 42, 2017 took $7.5M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 42, 2008 Oct 12–18 1 film | 1 | $87.1M | – | Max Payne (2008) $87.1M |
| Week 42, 2009 Oct 11–17 3 films · +48% | 3 | $128.7M | +48% | Law Abiding Citizen (2009) $127.9M |
| Week 42, 2010 Oct 10–16 6 films · +58% | 6 | $203.7M | +58% | RED (2010) $199M |
| Week 42, 2011 Oct 9–15 6 films · −83% | 6 | $33.8M | −83% | Unbowed (2011) $22.1M |
| Week 42, 2012 Oct 14–20 3 films · +6% | 3 | $35.7M | +6% | Alex Cross (2012) $34.6M |
| Week 42, 2013 Oct 13–19 2 films · +290% | 2 | $139M | +290% | Escape Plan (2013) $137.3M |
| Week 42, 2014 Oct 12–18 2 films · −100% | 2 | $440.8K | −100% | Lasa & Zabala (2014) $380.6K |
| Week 42, 2015 Oct 11–17 3 films · +1182% | 3 | $5.7M | +1182% | Suburra (2015) $5.2M |
| Week 42, 2016 Oct 9–15 4 films · +3520% | 4 | $204.6M | +3520% | The Accountant (2016) $155.6M |
| Week 42, 2017 Oct 15–21 4 films · −96% | 4 | $7.5M | −96% | The Scythian Lamb (2017) $5.2M |
Archive
Crime Box Office in 2017, Week by Week
50 weeks of 2017 with reported grosses; the biggest is week 15 (Apr 9–15) with $1.2B, led by The Fate of the Furious (2017).
- Week 1 $56.8K
- Week 2 $34.3M
- Week 3 $988.2K
- Week 4 $26.4M
- Week 5 $4.3M
- Week 6 $216.9M
- Week 7 $18.3M
- Week 8 $41.3K
- Week 9 $4.6M
- Week 10 No grosses
- Week 11 $216.2K
- Week 12 $31.8M
- Week 13 $235.9M
- Week 14 $87.7M
- Week 15 $1.2B
- Week 16 $3.9M
- Week 17 $994.9K
- Week 18 $62.9M
- Week 19 $593.3K
- Week 20 $12.2M
- Week 21 $193K
- Week 22 $23.9K
- Week 23 $2K
- Week 24 $5.1M
- Week 25 No grosses
- Week 26 $230.3M
- Week 27 $23.5M
- Week 28 $547.4K
- Week 29 $553.2K
- Week 30 $40.2M
- Week 31 $54.5M
- Week 32 $53M
- Week 33 $98.7M
- Week 34 $18.5M
- Week 35 $5.1M
- Week 36 $15.7M
- Week 37 $6.4M
- Week 38 $43.7M
- Week 39 $90.1M
- Week 40 $53M
- Week 41 $145.6M
- Week 42 $7.5M
- Week 43 $115.7M
- Week 44 $12.5M
- Week 45 $517.2M
- Week 46 $13.3M
- Week 47 $2.3M
- Week 48 $45.3M
- Week 49 $2.3M
- Week 50 $8.3M
- Week 51 $3.7M
- Week 52 $208.6M
- Week 53 No grosses
FAQ
Crime Box Office Week 42 of 2017: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.
What is the highest-grossing crime movie in week 42 of 2017 (Oct 15–21)?
The Scythian Lamb (2017) leads with $5.2M worldwide. Next come Mersal (2017) at $2.3M and Asphyxia (2017) at $4.2K.
How much did crime movies released in week 42 of 2017 (Oct 15–21) earn?
4 crime films released in week 42 of 2017 (Oct 15–21) report a worldwide gross, $7.5M in all, or $1.9M per film on average. Week 41, 2017 releases took $145.6M.
How many crime movies released in week 42 of 2017 (Oct 15–21) made $1 billion?
None. The biggest, The Scythian Lamb (2017), earned $5.2M.
How is the week 42, 2017 crime box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 42 of 2017 (Oct 15–21). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 42, 2017 crime box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.