#1 of 3 #1 crime movie of Week 3, 2017
2017 · Action, Drama
$517.2K worldwide · 52% of the chart's total
$5.7K US & Canada · 1% $511.5K elsewhere · 99%
Crime box office · Week 3 · Jan 15–21, 2017
Crime Box Office, Week 3 of 2017: Crime Releases of Jan 15–21
Trespass Against Us (2017) is the highest-grossing crime movie released in week 3 of 2017 (Jan 15–21), with $517.2K worldwide, ahead of Law of the Land (2017) at $361.1K and The Poisoning Angel (2017) at $109.9K. 3 crime films released that week report a worldwide gross, $988.2K in all, <1% of it from the US & Canada.
- week 3 releases with a gross
- 3
- combined worldwide
- $988.2K
- Trespass Against Us (2017), the #1
- $517.2K
- earned in the US & Canada
- <1%
#1 of 3 Top 3
What Were the Biggest Crime Hits of Week 3 of 2017?
Trespass Against Us (2017) leads with $517.2K, 52% of the total. The top 3 together took $988.2K, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3
US & Canada (domestic) Rest of the world
The chart
Every Crime Release of Week 3 of 2017, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 3 of 2017 (Jan 15–21).
- 1 Jan 20, 2017 US and Canada: $5.7K Rest of the world: $511.5K Worldwide: $517.2K
- 2 Jan 20, 2017 US and Canada: – Rest of the world: – Worldwide: $361.1K
- 3 Jan 18, 2017 US and Canada: – Rest of the world: – Worldwide: $109.9K
Weeks around it
How Does Week 3 Compare With the Weeks Around It?
Week 3 releases took $988.2K. The biggest of these 9 weeks is week 52, 2016 (Dec 18–24) with $51.6M, led by Master (2016).
- Week 50, 2016 Wk 50 Dec 4–10 Frank & Lola (2016) $9.2K Frank & Lola (2016)
- Week 51, 2016 Wk 51 Dec 11–17 Solace (2016) $26.2M Solace (2016)
- Week 52, 2016 Wk 52 Dec 18–24 Master (2016) $51.6M Master (2016)
- Week 53, 2016 Wk 53 Dec 25–31 Live by Night (2016) $32M Live by Night (2016)
- Week 1 Wk 1 Jan 1–7 Arsenal (2017) $56.8K Arsenal (2017)
- Week 2 Wk 2 Jan 8–14 Sleepless (2017) $34.3M Sleepless (2017)
- Week 3 Wk 3 Jan 15–21 Trespass Against Us (2017) $988.2K Trespass Against Us (2017)
- Week 4 Wk 4 Jan 22–28 Raees (2017) $26.4M Raees (2017)
- Week 5 Wk 5 Jan 29–Feb 4 I Can Quit Whenever I Want 2: Masterclass (2017) $4.3M I Can Quit Whenever I Want 2: Masterclass (2017)
Earlier years
How Does Week 3 of 2017 Compare With Earlier Years?
Of these 10 years, Week 3, 2009 earned the most: $284.3M from 3 films, led by Paul Blart: Mall Cop (2009). Week 3, 2017 took $988.2K.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 3, 2008 Jan 13–19 5 films | 5 | $67.1M | – | Mad Money (2008) $26.4M |
| Week 3, 2009 Jan 11–17 3 films · +324% | 3 | $284.3M | +324% | Paul Blart: Mall Cop (2009) $183.3M |
| Week 3, 2010 Jan 10–16 2 films · −97% | 2 | $8.7M | −97% | Easy Money (2010) $8.4M |
| Week 3, 2011 Jan 9–15 3 films · +2530% | 3 | $229.8M | +2530% | The Green Hornet (2011) $227.8M |
| Week 3, 2012 Jan 15–21 2 films · −98% | 2 | $4M | −98% | Polish Roulette (2012) $2.3M |
| Week 3, 2013 Jan 13–19 3 films · +795% | 3 | $35.5M | +795% | Broken City (2013) $34.7M |
| Week 3, 2014 Jan 12–18 3 films · −81% | 3 | $6.6M | −81% | Sweet Alibis (2014) $5.7M |
| Week 3, 2015 Jan 11–17 1 film · +198% | 1 | $19.7M | +198% | Blackhat (2015) $19.7M |
| Week 3, 2016 Jan 10–16 2 films · −100% | 2 | $23.6K | −100% | Band of Robbers (2016) $20.6K |
| Week 3, 2017 Jan 15–21 3 films · +4082% | 3 | $988.2K | +4082% | Trespass Against Us (2017) $517.2K |
Archive
Crime Box Office in 2017, Week by Week
50 weeks of 2017 with reported grosses; the biggest is week 15 (Apr 9–15) with $1.2B, led by The Fate of the Furious (2017).
- Week 1 $56.8K
- Week 2 $34.3M
- Week 3 $988.2K
- Week 4 $26.4M
- Week 5 $4.3M
- Week 6 $216.9M
- Week 7 $18.3M
- Week 8 $41.3K
- Week 9 $4.6M
- Week 10 No grosses
- Week 11 $216.2K
- Week 12 $31.8M
- Week 13 $235.9M
- Week 14 $87.7M
- Week 15 $1.2B
- Week 16 $3.9M
- Week 17 $994.9K
- Week 18 $62.9M
- Week 19 $593.3K
- Week 20 $12.2M
- Week 21 $193K
- Week 22 $23.9K
- Week 23 $2K
- Week 24 $5.1M
- Week 25 No grosses
- Week 26 $230.3M
- Week 27 $23.5M
- Week 28 $547.4K
- Week 29 $553.2K
- Week 30 $40.2M
- Week 31 $54.5M
- Week 32 $53M
- Week 33 $98.7M
- Week 34 $18.5M
- Week 35 $5.1M
- Week 36 $15.7M
- Week 37 $6.4M
- Week 38 $43.7M
- Week 39 $90.1M
- Week 40 $53M
- Week 41 $145.6M
- Week 42 $7.5M
- Week 43 $115.7M
- Week 44 $12.5M
- Week 45 $517.2M
- Week 46 $13.3M
- Week 47 $2.3M
- Week 48 $45.3M
- Week 49 $2.3M
- Week 50 $8.3M
- Week 51 $3.7M
- Week 52 $208.6M
- Week 53 No grosses
FAQ
Crime Box Office Week 3 of 2017: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
What is the highest-grossing crime movie in week 3 of 2017 (Jan 15–21)?
Trespass Against Us (2017) leads with $517.2K worldwide, $5.7K of it in the US & Canada. Next come Law of the Land (2017) at $361.1K and The Poisoning Angel (2017) at $109.9K.
How much did crime movies released in week 3 of 2017 (Jan 15–21) earn?
3 crime films released in week 3 of 2017 (Jan 15–21) report a worldwide gross, $988.2K in all, or $329.4K per film on average.
How many crime movies released in week 3 of 2017 (Jan 15–21) made $1 billion?
None. The biggest, Trespass Against Us (2017), earned $517.2K.
How is the week 3, 2017 crime box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 3 of 2017 (Jan 15–21). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 3, 2017 crime box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.