P&A is the industry term for the costs of creating the physical or digital copies of a film and the marketing campaign used to promote it.
P&A (Prints and Advertising) refers to the set of expenses that a film distributor incurs to bring a movie to the public. This budget is entirely separate from the production budget, which is the cost of actually making the film (paying the cast, crew, etc.). The P&A budget is often one of the most significant and least understood expenses in the film industry. A film is not profitable until it has earned back both its production budget and its P&A spend.
Prints (‘P’): This is the cost associated with creating and delivering the copies of the film to theaters. In the era of celluloid, this was a massive expense that involved manufacturing thousands of heavy 35mm film prints and physically shipping them around the world. In today’s digital age, the ‘P’ has evolved. It now refers to the cost of creating Digital Cinema Packages (DCPs), which are the encrypted hard drives containing the film file. It can also include other digital distribution costs, such as the Virtual Print Fee (VPF), a subsidy paid by distributors to help theaters finance the transition to digital projectors.
Advertising (‘A’): This is the lion’s share of the P&A budget. It encompasses the entire marketing and publicity campaign required to make the public aware of the film and create a desire to see it. This is a massive undertaking that includes:
For a major studio blockbuster, the global P&A budget can easily be $100 million to $200 million, and in some cases, can even exceed the film’s production cost. This staggering expense is why a film often needs to gross two to three times its production budget at the box office just to break even.
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