Off the Grid

Self-Sufficient Cinema

To shoot ‘off the grid’ is to take a film production into a location so remote that it is completely disconnected from the normal infrastructure of modern life. It means there are no power lines to tap into, no city water, and often no cellular service. The production must become a self-contained, mobile outpost, bringing with it everything it needs to survive and to execute a complex, high-tech operation in the middle of nowhere. This type of filmmaking is a monumental logistical undertaking, reserved for productions that seek a level of authenticity or natural beauty that cannot be found in more convenient locations.

The Primacy of Power

The single biggest challenge of shooting off the grid is electricity. A film set, even a small one, consumes a vast amount of power for its lights, cameras, monitors, sound equipment, and support facilities. The solution is the movie generator, or ‘genny.’ This is a specialized, high-capacity generator, often mounted on its own truck and engineered to run as quietly as possible so as not to interfere with sound recording. The electrical department, led by the Gaffer, is responsible for running hundreds of feet of heavy-duty cable from the genny to the set, creating a temporary, bespoke power grid from scratch every single day.

The Logistical Mountain

Beyond power, an off-the-grid production must contend with a host of other challenges. The production must truck in its own water, food (via a mobile catering truck), and shelter in the form of trailers for cast and crew. Communications often rely on satellite phones and internet terminals. The transportation department faces the difficult task of navigating large equipment trucks over rough, unpaved terrain. Every piece of equipment must be meticulously checked and double-checked, as a simple hardware store is likely hundreds of miles away. Films like The Revenant, shot in the remote Canadian wilderness, are a testament to the extreme lengths filmmakers will go to capture an authentic sense of place, embracing the immense challenges of shooting ‘off the grid’ as a necessary cost for their vision.