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What's After the Movie?
Filmmaking

Filmmaking Terms, A to Z

Go behind the camera and explore the art and craft of filmmaking. This category breaks down the technical and creative processes involved in bringing a movie to life — from cinematography and directing to editing, sound design, production roles, and special effects. Whether you're curious about how a scene is shot or how a film crew operates, dive into the world of practical movie-making knowledge.

filmmaking terms
913
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All 913 Filmmaking Terms

Listed alphabetically, each with its one-line answer first. This page runs from Stills Photography to Travel Day. S is the busiest letter here, with 146 entries. Jump to a letter to see only the filmmaking terms that start with it.

Filmmaking terms starting with S

26 of 146 on this page · all S entries

  • Stills Photography

    The professional capture of high-quality images during film production for marketing and archival use.

  • Sting

    A brief, punctuating musical cue used to accentuate dramatic moments or transitions.

  • Stinger Scene

    A brief scene inserted after the main narrative or credits to surprise or tease the audience.

  • Stop Motion

    An animation technique that physically manipulates objects frame by frame.

  • Story Map

    A story map is a visual method of outlining a narrative that charts key plot points, character arcs, and thematic connections using diagrams, charts, or index cards.

  • Story Notes

    Creative guidance focusing on narrative development and emotional resonance in a script.

  • Storyboard

    A sequence of illustrations that previsualizes the film’s shots and camera movements.

  • Storyboard Artist

    An artist who visualizes a script by sketching sequential panels to plan cinematic storytelling.

  • Storyboard Panel

    A storyboard panel is a single illustration within a larger storyboard that represents one specific camera shot and includes key production notes.

  • Storyboarding

    Storyboarding is the pre-production process of creating a sequence of drawings, similar to a comic strip, to visualize the shots and action of a film before shooting begins.

  • Strike

    In filmmaking, to strike something means to remove it from the set or to disassemble the entire set after filming is complete.

  • Stripboard

    Colour-coded scene strips arranged on a board provide a tactile way to plan and revise the shooting order.

  • Structural film

    Structural film is an experimental film movement where the film's shape and formal structure are the primary content, often de-emphasizing narrative and representation.

  • Studio Logo

    A studio logo is the animated emblem of a film production or distribution company that appears at the beginning of a motion picture.

  • Studio Notes

    Executive directives from a studio outlining required changes for alignment with corporate strategy.

  • Studio Shoot

    A controlled filming environment within purpose-built soundstages or studios.

  • Stunt

    A dangerous physical performance executed in place of the principal actor.

  • Subjective Camera

    A filming technique that adopts the viewpoint of a character to convey personal perspective

  • Subsurface Scattering

    Subsurface Scattering (SSS) is a computer graphics technique that simulates light penetrating the surface of a translucent object and scattering internally.

  • Subtitles

    On-screen text conveys dialogue, lyrics, and metadata to bridge language and accessibility gaps.

  • Superimposition

    Layering multiple images within the same frame crafts dream states, ghostly presences, or expositional montages.

  • Surrealist film

    A surrealist film is a cinematic movement that rejects conventional narrative logic in favor of bizarre, dreamlike imagery and psychological exploration drawn from the subconscious.

  • Swing Day

    A swing day is a transitional day in a production schedule that shifts the workweek, often by providing a single day off between two workweeks.

  • Swivel Chair Shot

    Low-tech circular or pivoting move achieved by rotating the operator or subject on a chair to create parallax and energy.

  • Synthetic Crowd

    A synthetic crowd is a large group of computer-generated characters, often driven by artificial intelligence, used in films to simulate the epic scale of battles, stadiums, and cities.

Filmmaking terms starting with T

34 of 44 on this page · all T entries

  • Table Read

    A preliminary production meeting where cast and crew read through the script aloud.

  • Tail Slate

    A tail slate is the practice of marking a take with the clapperboard at the end of the shot instead of the beginning, often done when slating at the start was impossible.

  • Tangent Panel

    A Tangent panel is a dedicated hardware control surface that provides colorists with physical trackballs, rings, and knobs for tactile, intuitive control over color grading software like DaVinci Resolve or Baselight.

  • Tech Scout

    A tech scout is a pre-production meeting where key crew members visit a confirmed filming location to plan the technical and logistical execution of the shoot.

  • Technical Notes

    Written records of technical specifications and issues to guide equipment setup and post‑production.

  • Technicolor film

    Technicolor is a series of motion picture color processes, most famously the three-strip process, that defined the vibrant, saturated look of Hollywood's Golden Age.

  • Telecine

    A film-to-video transfer process converting motion-picture film into electronic video signals.

  • Temp Score

    A temporary music track used during editing to approximate mood and pacing before the final score.

  • Teradek Bond

    The Teradek Bond is a professional video transmission device that combines multiple cellular network connections to create a single, robust, high-bandwidth internet link for streaming video from remote locations.

  • Tessera

    Tessera is the proprietary software platform that runs on Brompton video processors, providing the tools to control and calibrate LED walls for virtual production.

  • Textless Elements

    Textless elements are clean versions of film shots, delivered without any superimposed titles or graphics, to facilitate international localization.

  • The Call Sheet

    The call sheet is a daily filmmaking document created by the assistant director that details all essential information for a specific day of shooting.

  • Theme Music

    A recurring musical piece that embodies a film’s central ideas, characters, or settings.

  • Three-Point Lighting

    Classic key–fill–back setup creates depth, separation, and flattering contours—still foundational in modern workflows.

  • Three-strip Technicolor

    An early color cinematography process capturing red, green, and blue on separate black-and-white film strips.

  • Tilt-Shift Lens

    A tilt-shift lens allows control over perspective and focus plane by tilting and shifting lens elements.

  • Time Slice

    A filmmaking technique that freezes action by synchronizing multiple cameras around a subject.

  • Timecode Jam

    Synchronization practice where devices are aligned to a common master timecode to maintain drift-free audio and picture.

  • Timecode Slate

    A timecode slate is a production tool that displays a continuously running, synchronized SMPTE timecode, used to align audio and video from multiple sources in post-production.

  • Timecode Sync

    Timecode is a timing signal that gives every frame of video and audio a unique address, allowing for perfect synchronization in post-production.

  • Title Designer

    A creative professional responsible for designing the opening and closing title sequences of a film.

  • TLCI

    The Television Lighting Consistency Index (TLCI) is a highly accurate measure of a light source's color fidelity, specifically developed to predict how colors will be reproduced by a digital camera sensor.

  • Todd‑AO

    A widescreen, high‑resolution film process pioneered for ‘Oklahoma!’

  • Tommy Gun Dolly

    A Tommy Gun Dolly is a colloquial term for a small, lightweight, and rapidly deployable camera dolly or slider system, prized for its speed and agility in fast-paced shooting environments.

  • Tone

    Tone is the filmmaker's attitude toward the film's subject matter and audience, as conveyed through the deliberate use of cinematic style.

  • Tone Description

    Tone description is the writer's deliberate use of evocative word choice and sentence structure within the scene description to establish the intended mood and attitude of a scene.

  • Tone Meeting

    A tone meeting is a pre-production meeting where the director and key department heads align on the creative and stylistic vision for a film or episode.

  • Top-light

    Top-light is a lighting setup where the primary light source is placed directly above the subject, creating distinct shadows under the eyes and nose.

  • Topper

    A topper is a type of long, narrow flag used in lighting to control light spill by cutting it off from the top of the frame.

  • Track

    In filmmaking, track refers to the rails on which a camera dolly or crane rides to ensure perfectly smooth and repeatable movements.

  • Tracking Lock

    A Tracking Lock is a mechanism on a camera fluid head or dolly that secures one or more axes of movement, ensuring the camera maintains a fixed orientation during a tracking shot.

  • Transition

    An editing device that connects two shots or scenes through visual effects.

  • Trauma-Informed Set

    Production culture that recognizes trauma’s impact and designs processes to minimize harm while supporting storytelling.

  • Travel Day

    A travel day is a designated day in a film production schedule for moving cast and crew from one location to another.

Other categories

The Other Seven Categories

The rest of the glossary, each with its own A to Z index: genres and styles, characters and tropes, storytelling, industry and awards, pop culture and fandom, general terms, and the odd ones out.

All categories