Directed by

Archie Mayo
Made by

Howard Productions
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Read the complete plot summary and ending explained for They Shall Have Music (1939). From turning points to emotional moments, uncover what really happened and why it matters.
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In the bustling streets of New York City, a young boy named Frankie ([Gene Reynolds]) finds himself caught up in a world of petty crimes alongside his small gang. These mischievous youngsters engage in activities like stealing bicycles and taking money from other boys in their tenement neighborhood. Among Frankie’s friends is Willy ([Tommy Kelly]), who eventually confides in his father about their misadventures. Concerned, Willy’s father raises the issue with Frankie’s mother ([Marjorie Main]) and his stepfather ([Arthur Hohl]), setting into motion a series of events that will change Frankie’s life.
One day, Frankie discovers an old violin in his basement, a cherished possession from when his father was still around. Driven by a newfound interest and perhaps a desire to make amends for his mischief, Frankie pawns the instrument to raise some money, which he then places into the gang’s small treasury. His curiosity and love for music deepen when he and his friend “Limey” ([Terry Kilburn]) hide from the police in the lobby of a concert hall. During their clandestine stay, they witness a heated argument between a couple, which culminates in the man angrily discarding his tickets. Unable to resell them, the boys decide to attend the concert instead.
Frankie becomes captivated by the legendary violinist Jascha Heifetz. The virtuoso’s performance leaves a lasting impression on him, sparking a dream of musical greatness. Later, Frankie spots his treasured violin in the window of a local pawn shop. Eager to reclaim it, he borrows money from his gang’s stash to buy the instrument. Back home, his stepfather ([Arthur Hohl]) mistakenly believes Frankie stole the violin and, in his anger, destroys it. He then decides to send Frankie to reform school. Heartbroken, Frankie runs away from home, concealing his shoe shine gear inside the now-destined violin case as his only keepsake.
While wandering, Frankie discovers a music school dedicated to helping underprivileged children, founded by the kind-hearted [Walter Brennan] as Professor Lawson. Recognizing Frankie’s exceptional pitch and musical ear, Lawson immediately takes him under his wing. That night, Frankie sneaks into the school’s basement to rest, but is soon discovered by Lawson. Despite the circumstances, Lawson learns Frankie’s story and decides to let him stay, offering him a chance at a new life through music.
Unaware of the school’s dire financial situation, Lawson’s school struggles to stay afloat. The sponsor has recently died, leaving unpaid bills that threaten to shut down the institution. The school’s instruments, rented from a miserly music store owner named Mr. Flower ([Porter Hall]), are in danger of being repossessed. Flower sends Peter ([Joel McCrea]), a clerk, to collect the overdue payments, but Peter’s girlfriend, Ann ([Andrea Leeds]), is Lawson’s daughter. Hoping to avoid trouble, Peter refrains from acting, which angers Flower, who then fires him.
Frankie overhears Peter and Ann discussing the school’s predicament and the looming threat of closure. Driven by hope and determination, Frankie organizes a street band with some of his fellow students to raise funds. They set up a small performance right outside a grand concert hall, believing “people will like us,” as Frankie says. Fate intervenes when Jascha Heifetz unexpectedly appears outside the hall. Recognizing the renowned violinist, Frankie shares the school’s story and their fundraising plans. Moved by the boy’s passion, Heifetz offers to send a film of himself performing. When Flower and other creditors arrive demanding payment, they mistake Heifetz for the school’s new benefactor. Peter, trying to buy time, claims that Heifetz will perform at the school’s upcoming concert.
Suspicion grows, and Flower visits Heifetz to verify. Discovering the truth, Flower is disappointed but unyielding. Limey and the rest of Frankie’s childhood friends attempt to persuade Heifetz to visit, but they are turned away. During this commotion, Limey steals Heifetz’s valuable Stradivarius as a gift for Frankie, unaware of its worth. When Frankie tries to return the stolen instrument, he’s detained by police but refuses to talk to anyone except Heifetz. The legendary violinist appears at the police station to retrieve his instrument and, touched by Frankie’s plight, agrees to perform at the school’s benefit concert. His performance captivates the audience of parents and townsfolk, and it seems as though the school has finally found a generous supporter in Jascha Heifetz, ensuring a brighter future for the talented children like Frankie.
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Follow the complete movie timeline of They Shall Have Music (1939) with every major event in chronological order. Great for understanding complex plots and story progression.
Frankie and his gang commit petty crimes
Young Frankie and his small gang engage in minor crimes such as stealing bicycles and taking money from other boys in their New York City neighborhood. Their activities are typical of kids seeking excitement and asserting independence. Willy, one of the boys, reports their crimes to his father, drawing the attention of Frankie's family.
Frankie finds and pawns his old violin
Frankie discovers an old violin in his basement, which he used to play when his father was around. He pawns the instrument to get money, attempting to contribute to his gang’s funds. This act marks his desire to pursue music and leave petty crime behind.
Frankie and Limey attend a concert
Pulling a clever move, Frankie and Limey hide in a concert hall lobby to escape police pursuit. When a dispute causes a couple to discard their tickets, the boys decide to enter and attend the concert. Frankie is captivated by violin virtuoso Jascha Heifetz, inspiring his fascination with music.
Frankie steals his gang’s money for a violin
Inspired by the concert, Frankie notices his violin in a pawn shop window and decides to retrieve it. He secretly steals his gang’s spare change to buy it back, demonstrating his desire to reconnect with his passion for music. His stepfather mistakenly believes Frankie stole the money and destroys his violin in anger.
Frankie runs away after his violin is destroyed
Devastated by the destruction of his beloved violin, Frankie runs away from home. He packs his shoe shine kit into an empty violin case, symbolizing his hopes and aspirations. His escape marks a turning point toward seeking a better life through music.
Frankie finds the music school for the poor
Frankie stumbles upon Professor Lawson’s music school, designed for underprivileged children. Recognizing Frankie’s perfect pitch, Lawson offers him the opportunity to learn and develop his musical talent. Frankie is eager and overwhelmed but grateful for the chance to pursue his dreams.
School faces financial trouble
The music school’s financial situation worsens after the sponsor’s death, leading to unpaid bills and a shortage of instruments. The school relies on rented instruments from the stingy Mr. Flower, who is concerned about unpaid fees and sends a clerk to collect payment. The school's future hangs in the balance.
Frankie organizes a street band for fundraising
Frankie overhears a conversation about the school’s financial crisis and takes matters into his own hands. He organizes a street band with other students to raise money, setting up next to a concert hall, believing the audience there will be receptive. His initiative demonstrates his leadership and enthusiasm for music.
Jascha Heifetz offers to send a film and impresses the school
Frankie recognizes Jascha Heifetz and shares the school’s story with him. Impressed, Heifetz offers to send a film of himself playing to support the school. The incident causes confusion among creditors, who mistakenly believe Heifetz is the school's sponsor, raising hopes for its future.
Heifetz’s involvement attracts attention
When creditors, including Mr. Flower, realize that Heifetz is not actually sponsoring the school, tensions rise. Frankie and his friends attempt to persuade Heifetz to perform at the upcoming fundraising concert, believing his involvement could save the school. Their efforts highlight the importance of music and community support.
Limey steals Heifetz’s Stradivarius
Amidst the chaos, Limey steals a valuable Stradivarius violin from Heifetz as a gift for Frankie. Unaware of its significance, Limey’s theft adds to the drama, and Frankie feels compelled to return it, which results in his detention by the police. The stolen violin symbolizes the value of true music over material wealth.
Frankie persuades Heifetz to perform
Despite his detention, Frankie manages to convince Heifetz to perform at the upcoming concert. Heifetz’s appearance and performance inspire the audience, bringing hope that the school will be supported by the famous violinist’s influence. The event signifies a pivotal moment for the school’s future.
Heifetz’s performance secures school’s support
Heifetz’s live performance at the concert captivates the audience and impresses the school community. His involvement helps to secure the school’s sponsorship, demonstrating the transformative power of music and the community’s backing. The film ends on a hopeful note for the students’ future.
Explore all characters from They Shall Have Music (1939). Get detailed profiles with their roles, arcs, and key relationships explained.
Frankie (Gene Reynolds)
Frankie is a resourceful and talented young boy with perfect pitch. His love for music and desire for a better life drive his actions. Despite his mischievous tendencies, he demonstrates resilience and a genuine passion for the art of music.
Professor Lawson (Walter Brennan)
Professor Lawson is a compassionate music teacher who recognizes Frankie's talent and offers him a second chance. He is dedicated to educating underprivileged children and motivated by a belief in the transformative power of music.
Peter (Joel McCrea)
Peter is a supportive character working at the music store who shows kindness toward the boys. His connection to Ann and his efforts to help fund the school highlight themes of friendship and community responsibility.
Heifetz (Jascha Heifetz)
Jascha Heifetz is portrayed as an inspiring virtuoso whose performance elevates the film's message. His willingness to support the music school underscores the importance of artistic excellence and philanthropy.
Learn where and when They Shall Have Music (1939) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
Early 20th century
The story takes place during the early 20th century, a period marked by economic struggles and social changes in America. This era saw a rise in urban poverty and a growing appreciation for arts education, which is reflected in the depiction of the music school and the community's efforts to support young musicians.
Location
New York City, Concert Hall, Music School
The movie is set primarily in New York City, showcasing its vibrant street life and cultural scene. Key locations include a tenement neighborhood, the lobby of a concert hall, and a music school for the poor founded by Professor Lawson. These settings highlight the contrast between urban hardship and the transformative power of music.
Discover the main themes in They Shall Have Music (1939). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
🎶
Music
Music acts as a central theme, symbolizing hope, talent, and social mobility. The film emphasizes the importance of fostering musical education for underprivileged youth and how music can inspire personal growth and community support.
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Community Support
The movie highlights the significance of community and mentorship, as seen through the efforts to save the music school and the collective acts of kindness displayed by characters like Professor Lawson and Jascha Heifetz. It underscores the impact of collective action in overcoming financial and social obstacles.

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Discover the spoiler-free summary of They Shall Have Music (1939). Get a concise overview without any spoilers.
In a gritty urban landscape where the clang of factory whistles mixes with the distant echo of a child’s laughter, the city feels both oppressive and alive. The streets are crowded with makeshift homes, and a palpable sense of a bleak future hangs over the neighborhoods, yet moments of youthful exuberance and the quiet tenderness of older generations pierce the gloom. This contrast creates a world where hope flickers like a candle in a wind‑blown alley, and music drifts through the cracks of concrete, promising something sweeter.
Frankie is a restless boy molded by the harshness of a broken‑home slum. He clings to the fragile comfort of a violin, an instrument that once linked him to a memory of a more stable past. When his stepfather, in a fit of anger, shatters that connection, the loss pushes Frankie toward a desperate decision. The act of fleeing his cramped apartment becomes a silent plea for something beyond the relentless grind of his daily existence.
Wandering through the city’s underbelly, Frankie discovers an unexpected sanctuary: the dim, echoing basement of a school devoted to underprivileged children. Here, the air is thick with the resonance of voices learning to sing and instruments awaiting gentle hands. The school’s modest walls nurture a community that values the transformative power of music, offering a sanctuary where the boy can exchange his bruised pride for the simple, steady rhythm of hope.
Within this modest haven, the promise of music begins to stitch together fractured pieces of Frankie’s life. The gentle cadence of lessons, the camaraderie of fellow youths, and the quiet encouragement of educators hint at a future where melody might lift him beyond the shadows of his past. The film lingers on this delicate balance between despair and possibility, inviting viewers to wonder how far a single note can travel when it carries an entire child’s longing for redemption.
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