Directed by

Geoff Murphy
Made by

HBO Films
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Read the complete plot summary and ending explained for The Last Outlaw (1993). From turning points to emotional moments, uncover what really happened and why it matters.
After the war ends, Graff leads a cavalry unit that chooses to stay together and turn outlaw, turning their hard-won battlefield skills into a string of bank robberies. Their operations unfold with a clinical efficiency born from years of discipline, and their successes leave local citizens and lawmen overwhelmed and outpaced.
As the raids continue, the gang’s confidence grows, and the heists become slicker, but soon a robbery goes horribly wrong, leaving the group badly banged up with Loomis among the most gravely wounded. On the trail is a capable, respected figure in blue, Marshal Sharp, who moves with quiet determination to bring them in. In a brutal moment of command, [Graff] orders the execution of the injured Loomis to keep the escape plan intact; when Eustis objects, Graff’s intent to shoot Loomis is interrupted by a shot from Eustis himself, and Graff is toppled from his saddle, presumed dead.
With their leader down, a shaken Eustis steps forward to take command and steers the band toward Mexico, while the pursuing posse presses on. The pursuit tightens as Sharp and his men close in, and the outlaws face a stern test when an ambush leaves several posse members dead and [Marshal Sharp] trapped in the chaos. The rivalry culminates in a deadly turn when Graff seizes control again and kills Sharp, leaving the gang momentarily leaderless but still intent on survival.
Back at the core, the group confronts the dilemma of reward and loyalty. [Banker McClintock] reminds them that leaving the chase behind won’t earn any payout, and Graff coolly proposes that those who stay should still claim the shares of those who rode away. The tension fractures the ranks, and the outlaws set another ambush, this time with tragic consequences: [Philo] is shot dead. A posse member even tries to claim Philo’s weapon as a trophy, but Graff makes clear that the men must show their fallen comrade the respect owed to friends.
[Wills] makes a sweeping, perhaps counterintuitive move by grabbing the stolen money and leaving it for the posse’s next steps, hoping to end the pursuit. Yet Graff tracks the stash to its resting place and reels everyone back into the chase by throwing both the money and the banker from a cliff. The ruse appears to be a trap, and the posse finds themselves embroiled in an internal squabble over what to do next as the outlaws press forward.
As the pursuit wends its way toward the border, [Lovecraft] is drawn into Graff’s web and a rift emerges between him and [Eustis]. Lovecraft’s fear and guilt overwhelm him, and he ends his own life rather than betray his comrades. The final miles are a brutal test of nerve and grit: Potts is wounded in a brutal crossfire, and the remaining pair—[Eustis] and Graff—make a last stand at the edge of the Rio Grande.
In the climactic late-night duel, Eustis outdraws Graff, but his own gun is empty when the moment of truth arrives. He confronts Graff with a pocket derringer, and in a swift, quiet act, Graff is killed as the last outlaw crosses into Mexico, leaving Eustis to finish the chase alone and bring the story full circle.
Follow the complete movie timeline of The Last Outlaw (1993) with every major event in chronological order. Great for understanding complex plots and story progression.
Outlaw band formed after the war
When the war ends, Graff's cavalry unit decides to stay together and turn outlaw. They begin a string of bank robberies, using their discipline and battlefield tactics to outmaneuver towns and lawmen. Their early successes fuel a tight, professional crew.
First successful bank robbery
The gang executes a bank job that goes off without a hitch, cash in hand and no alarms raised. Their experience lets them operate with a cold efficiency that baffles local authorities. The group grows bolder as their loot accumulates.
Loomis wounded; marshal closes in
A robbery backfires and Loomis is badly wounded in the confusion. Marshal Sharp and his posse close the distance, pursuing the outlaws through rough terrain. The odds begin to tilt against the band as pursuit tightens.
Graff orders Loomis killed; Eustis objects; Graff is shot by Eustis
Graff tries to shoot Loomis to prevent any delay in escaping. Eustis objects to killing a wounded ally. In a split moment, Graff strikes Eustis and then moves to shoot Loomis, but Eustis fires first and mortally wounds Graff.
Graff presumed dead; Eustis assumes command toward Mexico
Graff falls from his saddle and, given the chaos, is presumed dead. Eustis takes command of the surviving outlaws and pushes toward Mexico while the pursuing posse stays on their trail. The band remains a dangerous force even as it seems broken.
Marshal Sharp captures Graff
Sharp and the pursuing posse come upon the injured Graff and take him prisoner. With their captive in tow, they press on, keeping the chase alive even as the odds shift against the outlaws. The pursuit continues across rough terrain.
Ambush; several posse killed; Sharp slain
Eustis sets an ambush that decimates the posse and sows confusion. In the chaos, Graff shoots Marshal Sharp, eliminating the band’s would-be leader and throwing the posse into disarray. The outlaws, now leaderless again, push deeper into the chase.
Band contemplates retreat; reward split proposed
With Sharp dead, the remaining outlaws debate whether to return home. Banker McClintock warns there will be no reward if they quit, and Graff proposes a grim solution: those who stay would claim the reward share of those who leave, including the recently killed. The tightened calculus hardens loyalties and redraws the group.
Philo killed; ritual of respect enforced
Graff consolidates control by eliminating a trusted companion; he shoots Philo and asserts that fear and respect govern the gang. A nearby outlaw tries to cut Philo’s trigger finger as a trophy, but Graff steps in to reaffirm that his men deserve proper respect. The gang’s dynamic tightens around Graff’s autocratic rule.
Money gambit; banker pushed off cliff
Wills steals the night’s loot from Eustis’ horse and plans to leave it for the posse, hoping to end the pursuit. Graff follows, retrieves the money, and in a staged move, throws both the money and the banker off a cliff to make it look like a shootout and trap the posse. The ruse reveals how far Graff will go to protect his fortunes.
Loomis shot and mercy denied
The posse reaches the next phase of the chase as Loomis is shot from a hilltop and then tortured by Graff. He is left dying in the open, and Eustis is finally forced to end his suffering, marking the outlaws’ increasing brutality. The crew’s humanity erodes under Graff’s iron will.
Lovecraft's betrayal and suicide
The trio of Lovecraft, Eustis, and Graff converge again, and Lovecraft is pressed to prove his loyalty by killing Eustis. He appears willing, but fear and guilt overwhelm him, and he kills himself rather than act against his commander. The betrayal rifts deepen the group's fractures.
Final stand at the Rio Grande; Potts slain; Graff defeated
As the fugitives near the Rio Grande, Graff shoots Potts through the gut and leaves the others under pressure. Eustis fights on, but his gun is empty when Graff closes in. In a last twist, Eustis kills Graff with a pocket derringer and treads across the border as the last outlaw.
Explore all characters from The Last Outlaw (1993). Get detailed profiles with their roles, arcs, and key relationships explained.
Graff (Mickey Rourke)
The ruthless, tactically adept leader who imposes order through fear. He makes decisive, often brutal calls, including killing Loomis to prevent delays, and asserts dominance over the band even after setbacks. His charisma conceals a dangerous willingness to sacrifice others for escape and legacy.
Loomis (Daniel Quinn)
The wounded, trusted comrade whose injury becomes the catalyst for the posse’s pursuit. Loomis’s condition escalates the gang’s brutality and the urgency of capture. He endures heavy injury and is ultimately put out of his misery by a decision from within the group.
Eustis (Dermot Mulroney)
Second-in-command who seizes control after Graff is presumed dead. Pragmatic and capable, he leads toward Mexico but faces a brutal final stand with dwindling resources. His pragmatic leadership and shifting loyalties propel much of the story’s tension.
Lovecraft (Keith David)
A loyal member whose fear and guilt overwhelm him when faced with a difficult order. He betrays the plan at a crucial moment and ultimately commits suicide, underscoring the psychological toll of the chase.
Philo (Steve Buscemi)
A trusted member who dies at Graff’s hands, illustrating the brutal discipline within the gang. Philo’s loyalty makes his end a stark demonstration of the gang’s ruthless code.
Marshal Sharp (Gavan O'Herlihy)
The capable lawman who relentlessly pursues the outlaws with a disciplined, methodical approach. His capture of Graff and the ensuing ambush escalate the clash between law and lawlessness.
Wills (John C. McGinley)
A cunning outlaw who tries to game the system by leaving money for the posse, hoping to influence the chase. He is ultimately killed, underscoring the harsh realities of the pursuit.
Potts (Ted Levine)
A volatile outlaw who challenges leadership and meets a violent end when Graff shoots him. Potts embodies the gang’s unpredictable violence and internal volatility.
Banker McClintock (Richard Fancy)
The money-driven figure pressuring the gang with the lure of reward money. He remains a morally ambiguous observer to the chase, highlighting corruption's role in frontier violence.
Learn where and when The Last Outlaw (1993) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
Late 19th century (postwar frontier)
The story takes place in a postwar American West where a cavalry unit turns outlaw after a conflict ends. It reflects a era of rough justice, border tensions, and brutal showdowns in small frontier towns. The setting suggests a late 1800s timeframe, characterized by gunfights, improvised justice, and private pursuits rather than formal legal processes.
Location
American Southwest, Rio Grande region, Mexico
The film unfolds across the rugged frontier along the American Southwest and the Mexican border, moving from hillside ambushes to dusty town streets and saloons. Key settings include frontier towns and the Rio Grande boundary, highlighting a landscape shaped by constant pursuit and lawlessness. The harsh terrain—deserts, hills, and remote outposts—drives the chase and the tense confrontations the story hinges on.
Discover the main themes in The Last Outlaw (1993). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
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Loyalty
Loyalty binds Graff’s outlaw band, sustaining cooperation through brutal trials and shared danger. The group’s cohesion is repeatedly tested by injuries, betrayals, and the lure of reward money. Graff asserts dominance to keep the crew united, while others wrestle with allegiance to leader and comrades. The tension between loyalty and self-preservation drives much of the plot.
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Law & Outlaw
The pursuing posse, led by Marshal Sharp, embodies persistent law enforcement against a ruthless frontier group. The outlaws’ cunning and brute force clash with official authority and the incentives of reward money. The pursuit crosses borders, blurring lines between justice and vengeance. Violence escalates as law and outlaw identities collide.
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Power & Leadership
Leadership within the gang is volatile: Graff’s brutal command is challenged when Eustis rises, only to be reaffirmed by Graff’s return. The internal power struggle fuels ambushes, betrayals, and fatal confrontations. Each leader’s choices shape the fate of the group as they edge toward the border and a final reckoning.

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Discover the spoiler-free summary of The Last Outlaw (1993). Get a concise overview without any spoilers.
In the uneasy aftermath of the Civil War, a band of former Confederate cavalrymen claws its way through a landscape scarred by conflict and uncertainty. The world they inhabit is one where the line between soldier and outlaw blurs, the endless plains echo with the ghosts of past battles, and every sunrise brings a fresh dilemma of loyalty versus survival. The atmosphere is gritty and somber, punctuated by the lingering bitterness of defeat and the raw, unforgiving rhythm of a frontier that offers little mercy.
At the heart of the troupe stands Graff, once hailed as a hero of the Southern cause, now a hardened and calculating commander whose resolve has been forged in personal tragedy. His transformation from celebrated leader to a cold, relentless figure casts a long shadow over the group, shaping their conduct and the moral code they cling to. By his side is Eustis, a trusted second‑in‑command who has been mentored in both battlefield tactics and the art of leadership. Their dynamic is a study in contrasts—Graff’s iron‑will tempered by Eustis’s quieter, more reflective approach—creating a tension that drives the camaraderie and conflict within the outlaw band.
Together, they navigate a lawless world where authority is tenuous and the promise of a new life lies just beyond the horizon. The film’s tone weaves together stark realism with moments of stark beauty, reflecting the harshness of the post‑war South while hinting at the fragile hope that still lingers in the hearts of its characters. As the men wrestle with their pasts and the choices before them, the story invites the audience to contemplate what it means to survive when the very notion of honor has been reshaped by loss and necessity.
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