The Dream of the Red Chamber 1977
Directed by
Deborah Lee
Made by
Shaw Brothers
The Dream of the Red Chamber Plot Summary
Read the complete plot summary and ending explained for The Dream of the Red Chamber (1977). From turning points to emotional moments, uncover what really happened and why it matters.
In Qing Dynasty China, the Jia family takes in the frail adolescent Lin Daiyu, Sylvia Chang, after her mother passes away. She quickly forms a bond with her cousin Baoyu, Brigitte Lin, the Jia family’s heir, who is drawn to her from the start. The two spend their childhood close to one another, sharing stories, literature, and poetry, and their connection deepens into a warm, if often intimate, companionship that defies easy social expectations.
As they grow older, Baoyu begins to flirt with Daiyu, even as Baochai, their other cousin, arrives years later to live with them. Michelle Yim brings Baochai’s calm intelligence and skill with weiqi, which captures Baoyu’s attention and stirs a pang of jealousy in Daiyu. This shift marks the beginning of a quiet spiral of melancholy for her, even as Baoyu reassures Daiyu that his feelings remain true despite Baochai’s presence.
Baoyu’s relationship with his father, Elliot Ngok Wah Jia Zheng, is strained. Jia Zheng presses him to study hard and pass exams to become a government official, a path Baoyu seems reluctant to fully embrace. When he helps the prince’s favorite actor escape, Jia Zheng comes under greater pressure to locate him, a conflict that leads to Baoyu being beaten. The family—especially the loyal servants—rally to his side: the loyal servants, Lady Wang, and Grandmother Jia step in to protect him during this vulnerable moment.
While Baoyu recovers, Baochai visits and admonishes him for befriending an actor, which adds to the friction surrounding him. In contrast, Daiyu’s visit is brief but filled with tears and affection, further underscoring the fragility of her health and the tenderness of their bond. Daiyu’s heartbreak intensifies when she sees Baochai leaving Baoyu’s residence one night, prompting her to withdraw even as Baoyu seeks her out and tries to reassure her of his enduring love.
A new, troubling plan unfolds when Baoyu attempts to visit Daiyu again and her maid Zijuan, Deborah Lee, plays a prank on him. Behind the scenes, conspirators—confiding in secrecy—decide to wed Baoyu to Baochai in an effort to “cure” his madness and to continue the Jia bloodline, given Daiyu’s frailty makes childbirth unlikely. The plan hinges on deception, with the aim of preserving the family’s future even as it wounds the heart of the two young lovers.
Despite attempts to keep the scheme hidden, a maid eventually informs Daiyu of the wedding. The revelation worsens her health, sending her into a deeper reverie as she remembers their love and mourns what might have been. In the midst of this sorrow, the wedding day arrives, and Baoyu, with a painful mixture of hope and despair, lifts the bride’s veil only to discover Baochai beneath it. He cries and pleads with his elders to allow him to be with Daiyu, but the tragic news arrives that Daiyu has died, cutting his plea short.
At Daiyu’s funeral, the only attendees are Zijuan and Baoyu, who mourn with laments filled with loss and proclaimed love. The dawn brings a royal decree: Jia Zheng is removed from his government post, and the Jia family’s assets are confiscated for losing the emperor’s trust. With the world closing in, Baoyu leaves the Jia mansion and, seeking solace beyond the constraints of court life, becomes a Buddhist monk, carrying the memory of Daiyu with him to the end.
The Dream of the Red Chamber Timeline
Follow the complete movie timeline of The Dream of the Red Chamber (1977) with every major event in chronological order. Great for understanding complex plots and story progression.
Daiyu arrives at the Jia household after her mother's death
Daiyu, frail and grieving, is brought to the Jia family following her mother's passing. She is received into the household and forms the foundation of a close bond with Baoyu. The two spend their early years reading literature and reciting poetry together, forging a deep connection.
Baoyu meets Daiyu and they bond over literature
Baoyu and Daiyu's shared love of poetry forms the basis of their strong friendship. They spend countless days reading, discussing classics, and reciting verses. This companionship grows into an intimate understanding that rivals ordinary sibling-like affection.
Baochai arrives; Daiyu grows jealous as Baoyu pays attention to her
Xue Baochai joins the Jia household and captivates Baoyu with her knowledge of weiqi, drawing his interest away from Daiyu. Daiyu's jealousy surfaces as she sees Baochai gaining Baoyu's attention. The shift marks the beginning of underlying tension and melancholia for Daiyu.
Baoyu defies parental expectations and helps an actor escape; is beaten
Baoyu's strained relationship with his father, Jia Zheng, grows as he resists the strict exam-focused path. He aids the escape of the prince's favorite actor, drawing his father's anger. Baoyu is beaten by Jia Zheng but is rescued by loyal servants and Grandmother Jia.
Baochai visits; Daiyu's brief tearful visit follows
Baochai visits and admonishes Baoyu for his friendship with an actor, highlighting the social expectations the family tries to impose. In contrast, Daiyu's brief, tearful visit afterward underscores her ongoing fragility and deepening vulnerability.
Daiyu grows distant after seeing Baochai leave Baoyu; Baoyu seeks reassurance
Daiyu witnesses Baochai departing Baoyu's residence, triggering a renewed rift and her decision to withdraw emotionally. Baoyu searches for reassurance and reiterates his love, but Daiyu remains unconvinced and emotionally withdrawn.
Zijuan's prank triggers Baoyu's manic breakdown; Grandmother Jia intervenes
Zijuan tricks Baoyu into believing Daiyu is moving out, provoking a manic breakdown in him. Grandmother Jia intervenes, ordering that Daiyu stay, and later allies with Lady Wang and Xifeng to influence Baoyu's future. The event precipitates further manipulation within the household.
Conspiracy to marry Baoyu to Baochai; Baoyu is misled about Daiyu
Grandmother Jia, Lady Wang, and Xifeng plot to marry Baoyu to Baochai to stabilize the family line and supposedly cure his madness. They scheme to make Baoyu believe he is entering a marriage arrangement that involves Daiyu, deepening the deception surrounding his affections.
A maid reveals the wedding plan to Daiyu; her health worsens
A maid leaks the plan for Baoyu's marriage to Baochai to Daiyu, compounding her anxiety and accelerating her physical and mental decline. The revelation crystallizes the sense that Daiyu's place in Baoyu's life is slipping away.
Daiyu dies as the wedding echoes through the mansion
Daiyu remembers their shared love and succumbs to her illness as she hears the wedding banquet echoing across the mansion. Her death marks a defining turn in the family's tragedy and the collapse of Baoyu and Daiyu's hopes.
The wedding proceeds; Baoyu discovers Baochai behind the veil
During the ceremony, Baoyu lifts the bride's veil only to find Baochai waiting for him. He is devastated by the realization that Daiyu has died and pleads with the elders to allow him to be with her, though the wedding moves forward.
Daiyu's death is announced; funeral held
News of Daiyu's death reaches the main house, and a funeral is held with only Zijuan and Baoyu present. Baoyu mourns deeply, his lamentations interwoven with remorse and lingering love for Daiyu.
Emperor's decree arrives; Jia Zheng loses post and assets confiscated
At dawn, palace officials arrive with the emperor's decree, removing Jia Zheng from his government post and confiscating the Jia family's assets for failure to maintain the emperor's trust. The family’s power and wealth unravel in an instant.
Baoyu leaves the Jia mansion; becomes a Buddhist monk
With the Jia family's downfall complete, Baoyu departs the Jia mansion and discards worldly ties, choosing a monastic life as a Buddhist monk. His exile marks the final severing of the once-great clan from its former glory.
The Dream of the Red Chamber Characters
Explore all characters from The Dream of the Red Chamber (1977). Get detailed profiles with their roles, arcs, and key relationships explained.
Lin Daiyu — Sylvia Chang
A frail, intelligent cousin whose poetic sensibility deepens her bond with Baoyu. She and Baoyu share a close, emotionally intimate connection, yet her frailty and jealousy toward Baochai complicate their happiness. Her life is marked by acute sensitivity and an enduring longing for an idealized love, ending in her death.
Jia Baoyu — Brigitte Lin
The pampered heir of the Jia family, Baoyu is charming and rebellious, torn between indulgence and family duty. He reciprocates Daiyu’s feelings while being drawn to Baochai’s wit, creating emotional tension. His volatility, loyalty, and heartbreak drive the central tragedy of the story.
Xue Baochai — Michelle Yim
Baochai is a composed, pragmatic cousin whose wit and virtue attract Baoyu. Her presence grows the rivalry with Daiyu and embodies social expectations of marriage and progeny. She navigates mansion politics with a calm, strategic demeanor that reveals the era’s cold practicality.
Jia Zheng — Elliot Ngok Wah
The Jia family patriarch who pushes Baoyu toward official studies to secure status. His authority and expectations create friction with Baoyu’s desires, and his inability to retain imperial trust ultimately affects the family’s standing.
Bao Yu's Granny — Wang Lai
The matriarch who protects Baoyu and defends the family’s legacy. She intervenes during crises, balancing affection with authority as the Jia mansion navigates internal politics and external pressures.
The Dream of the Red Chamber Settings
Learn where and when The Dream of the Red Chamber (1977) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
Qing Dynasty (1644–1912)
The events unfold in a Qing Dynasty setting, where imperial authority, scholarly exams, and strict social codes govern elite families. Education and civil service aspirations shape Jia Zheng’s expectations, while art and literature provide a refined backdrop for romance and tragedy. The era’s opulence and rigid hierarchies heighten the emotional stakes of love, loss, and social maneuvering.
Location
Jia Mansion
The Jia Mansion is the opulent family compound at the heart of the story, a symbol of wealth and status within Qing Dynasty China. Its courtyards, halls, and gardens host poetry readings, courtly intrigues, and the emotional dramas that unfold among relatives and retainers. The mansion serves as a microcosm of tradition and lineage, where personal desires clash with family duties.
The Dream of the Red Chamber Themes
Discover the main themes in The Dream of the Red Chamber (1977). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
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Love and Loss
Baoyu and Lin Daiyu form a deep, poetic bond that anchors much of the drama. Their romance is beautiful but fragile, increasingly strained by Daiyu’s illness and Daiyu’s jealousy toward Baochai. The film explores how passion collides with mortality and social scheming, culminating in Daiyu’s death and a sense of irreplaceable loss.
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Duty and Expectation
Baoyu is pulled between indulgence and the Jia family’s demand for official success under his father’s scrutiny. The elders devise schemes—such as marrying Baoyu to Baochai—to preserve bloodlines and status. These pressures illustrate how public duty can erode personal happiness and fuel dramatic consequences.
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Mortality and Memory
Daiyu’s frailty and eventual death cast a pall over the household, underscoring the fragility of life and the memory of lost love. The narrative treats life as fleeting, with poetry and recollection offering solace. Baoyu’s heartbreak and later choices reflect the enduring impact of Daiyu’s presence.
The Dream of the Red Chamber Spoiler-Free Summary
Discover the spoiler-free summary of The Dream of the Red Chamber (1977). Get a concise overview without any spoilers.
In the opulent world of a Qing‑dynasty aristocratic household, the Jia family’s sprawling residence pulses with the rhythms of tradition, poetry, and the subtle hierarchies that bind its members. The house itself feels like a living character—its courtyards, tea rooms, and lantern‑lit corridors framing a delicate dance between duty and desire, where every whispered conversation carries the weight of generations.
At the heart of this world is the introspective heir Baoyu, a dreamer whose love of literature and poetry sets him apart from the rigid expectations of his lineage. He forms a deep, almost instinctual bond with his delicate cousin Lin Daiyu, a girl whose frailty is matched only by her sharp wit and poetic soul. Their companionship blossoms within the quiet corners of the estate, where verses are shared and emotions linger like the scent of plum blossoms. The arrival of their other cousin, Baochai, introduces a calming, strategic presence; her measured intelligence and skill at weiqi hint at a different kind of affection that gently unsettles the fragile equilibrium between Baoyu and Daiyu.
Overlaying these intimate connections is the stern guidance of Baoyu’s father, Jia Zheng, who embodies the weight of familial expectation. He urges his son toward scholarly achievement and a future in the imperial bureaucracy, pressing a path that feels at odds with Baoyu’s tender inclinations. This generational tension creates a quiet undercurrent of conflict, as personal longing wrestles with the demands of status, honor, and the perpetuation of the family line.
The film glides through this elegant setting with a lyrical, melancholic tone, painting each scene with the soft brushstrokes of a classical Chinese painting. It invites viewers to linger on the unspoken emotions that ripple through the Jia household, hinting at choices that will shape the characters’ futures without revealing the outcomes, leaving a lingering sense of yearning and the delicate fragrance of a love that defies easy resolution.
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