The Dream of the Red Chamber 1977

In Qing Dynasty China, the Jia family takes in the frail adolescent Lin Daiyu, Sylvia Chang, after her mother passes away. She quickly forms a bond with her cousin Baoyu, Brigitte Lin, the Jia family’s heir, who is drawn to her from the start. The two spend their childhood close to one another, sharing stories, literature, and poetry, and their connection deepens into a warm, if often intimate, companionship that defies easy social expectations.

As they grow older, Baoyu begins to flirt with Daiyu, even as Baochai, their other cousin, arrives years later to live with them. Michelle Yim brings Baochai’s calm intelligence and skill with weiqi, which captures Baoyu’s attention and stirs a pang of jealousy in Daiyu. This shift marks the beginning of a quiet spiral of melancholy for her, even as Baoyu reassures Daiyu that his feelings remain true despite Baochai’s presence.

Baoyu’s relationship with his father, Elliot Ngok Wah Jia Zheng, is strained. Jia Zheng presses him to study hard and pass exams to become a government official, a path Baoyu seems reluctant to fully embrace. When he helps the prince’s favorite actor escape, Jia Zheng comes under greater pressure to locate him, a conflict that leads to Baoyu being beaten. The family—especially the loyal servants—rally to his side: the loyal servants, Lady Wang, and Grandmother Jia step in to protect him during this vulnerable moment.

While Baoyu recovers, Baochai visits and admonishes him for befriending an actor, which adds to the friction surrounding him. In contrast, Daiyu’s visit is brief but filled with tears and affection, further underscoring the fragility of her health and the tenderness of their bond. Daiyu’s heartbreak intensifies when she sees Baochai leaving Baoyu’s residence one night, prompting her to withdraw even as Baoyu seeks her out and tries to reassure her of his enduring love.

A new, troubling plan unfolds when Baoyu attempts to visit Daiyu again and her maid Zijuan, Deborah Lee, plays a prank on him. Behind the scenes, conspirators—confiding in secrecy—decide to wed Baoyu to Baochai in an effort to “cure” his madness and to continue the Jia bloodline, given Daiyu’s frailty makes childbirth unlikely. The plan hinges on deception, with the aim of preserving the family’s future even as it wounds the heart of the two young lovers.

Despite attempts to keep the scheme hidden, a maid eventually informs Daiyu of the wedding. The revelation worsens her health, sending her into a deeper reverie as she remembers their love and mourns what might have been. In the midst of this sorrow, the wedding day arrives, and Baoyu, with a painful mixture of hope and despair, lifts the bride’s veil only to discover Baochai beneath it. He cries and pleads with his elders to allow him to be with Daiyu, but the tragic news arrives that Daiyu has died, cutting his plea short.

At Daiyu’s funeral, the only attendees are Zijuan and Baoyu, who mourn with laments filled with loss and proclaimed love. The dawn brings a royal decree: Jia Zheng is removed from his government post, and the Jia family’s assets are confiscated for losing the emperor’s trust. With the world closing in, Baoyu leaves the Jia mansion and, seeking solace beyond the constraints of court life, becomes a Buddhist monk, carrying the memory of Daiyu with him to the end.