That Certain Feeling 1956

In a stylish Manhattan penthouse, Dunreath Henry seems to have it all: beauty, sophistication, and a life shaped by power and prestige as private secretary to the wealthy, celebrated cartoonist Larry Larkin, who is also her fiancé. Everything about her world feels polished and planned, from the designer clothes to the promises of a flawless future together. Yet beneath the surface, Dunreath carries a past that she keeps neatly tucked away—her old name and life as Ethel Jankowski in Port Huron, Michigan, a life that still flickers in the shadows of her current success.

Back in Port Huron, the man she used to be and the man she once knew come back into sharper focus. Dunreath’s former husband is the talented but neurotic cartoonist Francis X. Dignan, who was once an associate of the renowned creator of Al Capp. This connection to a wilder, less polished chapter of her past adds a tense undercurrent to her present life in the city. When Larkin’s syndicate complains that his boy-and-dog comic strip, Snips and Runty, isn’t delivering the same laughs as it used to, Dunreath sees an opportunity to fix more than just a punchline. She proposes a plan that could save the strip and, perhaps, rekindle something she once had with Dignan.

The scheme unfolds in Larkin’s Manhattan penthouse, where Dignan reluctantly agrees to ghost-write the beloved strip. He’s not thrilled about working for the man he despises, and he’s also juggling the unsettling symptoms that land him in therapy for a persistent nausea—stress seems to throw his mind and body off balance. Despite his initial reluctance, Dignan’s clever humor begins to breathe new life into the comics, and the results soon become a hit with readers. Around him, Dunreath experiences a slow, unexpected warmth as old feelings resurface, and the two of them find themselves drawn to a shared, if complicated, attraction.

Meanwhile, Gussie, the sharp-witted housekeeper with a knack for matchmaking, starts to nudge the two toward a more intimate harmony. Her sly, well-meaning meddling adds a layer of comic charm to the growing tension between Dunreath and Dignan, as she plays both confidante and catalyst in the unfolding drama. Into this mix steps a young orphan named Norman, whom Larkin intends to adopt as a public-relations win for his own image. Norman’s arrival brings tenderness into the picture, and Dignan’s reaction to the boy reveals hints of the genuine affection he’s capable of, even as the situation strains Larkin’s sense of what the adoption means for his career and his showmanship.

Larkin’s television audience is about to meet Norman as part of an upcoming live interview on the program Person to Person. To put his best face forward, Larkin wants a photogenic child and a perfect puppy by his side, a scene straight out of the very cartoons he creates. Dignan, with his characteristic humor and a little stubborn defiance, instead brings home Happy, a hulking giant of a hound, turning the prepared moment into chaos. In a playful clash of ambitions, Dignan also sketches a caricature that lampoons Larkin’s persona, portraying Snips as a juvenile delinquent and poking fun at the very image Larkin seeks to project.

The tension crescendos as the live TV moment approaches. Just as Larkin is poised to make his big, stylized appearance, he fires Dignan—the man he blames for shaking up his carefully curated life. Yet Dignan refuses to fade quietly. He interrupts the broadcast not with a battle cry, but with a confession of love for Dunreath, laying bare the vulnerability behind the public image. The confrontation shifts the balance of power in the penthouse and in their hearts. Dunreath makes a bold choice, discarding the controlled, polished life she once believed she wanted. She steps away from Larkin and toward a future that embraces Dignan, the boy Norman, and Happy, choosing a life that values honesty and connection over glossy appearances.

In the end, the film threads together humor, romance, and a gentle critique of celebrity culture. What begins as a scheme to salvage a comic strip becomes a deeper exploration of identity, loyalty, and the courage to rewrite one’s own story. Dunreath’s transformation—leaving behind a borrowed name and a high-society romance to pursue a more authentic partnership—offers a lighthearted, warm, and ultimately hopeful note. The story suggests that happiness may live in the imperfect, messy, and wonderfully human choices we make when we’re brave enough to follow our own hearts, rather than the scripts written for us by others.