Rendezvous with Annie 1946

Ex-serviceman Jeffrey Dolan [Eddie Albert] is detained in a New Jersey jail, suspected of murder, as a night-club singer arrives for a visit and the bare facts of his life begin to unfold. Through a calm, spoke-like narration, the story weaves between a current crisis and the memories that led here, painting a portrait of a man whose loyalty, love, and choices are tested under pressure.

Not long before, [Eddie Albert]’s character was an Air Force clerk stationed in London, where he shares a cramped bomb shelter with a weary British man he calls “The Old Duffer” [C. Aubrey Smith] and pours out tales of his wonderful wife Annie Dolan [Faye Marlowe], whose cakes are a small beacon of happiness in a tense world. The warmth of his home life stands in stark contrast to the noise of war, and his longing for Annie anchors his dreams as he longs to return.

With a three-day pass in hand, Jeffrey’s friends urge him to go AWOL so they can fly overnight back to the United States and celebrate their wedding anniversaries with their loved ones. The trip is a tense ride, with General Trent [William Frawley] aboard the plane and the danger of exposure hanging over everyone as they cross the Atlantic. On the trip, two of his companions, Spence [James Millican] and Lieutenant Avery [Phillip Reed], lead him toward the Bongo Club, a place where Avery’s girl Dolores Starr [Gail Patrick] sings and draws attention. There, Jeffrey unexpectedly meets an old friend, Everett Thorndyke [Raymond Walburn], who is surrounded by his own complications, and the unwritten rule to avoid discussing their visit becomes a fragile pact.

When the evening ends, Jeffrey returns home to Annie and they share a deeply romantic night together. Annie promises secrecy, even as she hands him a note to give The Old Duffer and makes Jeffrey admit that he has been AWOL. The emotional weight of the moment lingers as the couple’s bond stiffens into a vow, setting the stage for the consequences that follow.

Jeffrey’s discharge comes nine months later, and joy swells when he learns that Annie has given birth to a son. Yet the village’s eyes tell a different story: people suspect the child isn’t Jeffrey’s, and a lawyer warns that without proof of paternity the child could lose a life-changing inheritance worth half a million dollars. Jeffrey is given a tight deadline—one week to prove he is the father.

Desperate, Jeffrey reaches out to everyone he saw that fateful night. Thorndyke denies meeting him at the Bongo Club, as do Spence and Avery, who fear court-martial or worse. Even General Trent’s memory fails him; he doesn’t recall Jeffrey at all. The web tightens around him as he hunts for a proof that could clear his name and secure his child’s future.

A crucial lead appears when Jeffrey tries to obtain a photograph taken at the Bongo Club and visits the photographer Louise Grapa [Joyce Compton], accompanied by Dolores. To his shock, he discovers he isn’t in the photo at all. The trouble deepens when Dolores’ jealous husband, Phil Denim [Edwin Rand], attacks him; Jeffrey defends himself and knocks Phil unconscious. The scandal grows as Dolores breathes a sigh of relief and a photo is published by a ruthless newspaperman, Al Morgan [Wallace Ford], exposing their night together. Annie confronts Jeffrey with the cheating, and a painful rift opens between them.

Meanwhile, the story shifts toward the Old Duffer’s real identity—Archibald Clyde [C. Aubrey Smith]—whose visit to the United States becomes part of the larger investigation. Jeffrey confronts Morgan in a blaze of anger, and his actions land him under guard, accused of attempting to murder Clyde. The charges force a reckoning: Jeffrey must tell the full truth or lose everything.

Dolores, determined to help, enlists Clyde, Spence, Avery, and Thorndyke to confirm Jeffrey’s version of events. The revelation captures the public’s imagination and draws Thorny by the papers. With the support of Dolores and the now-revealed allies, Jeffrey finds the evidence that finally proves his paternity. The courtroom of life sorts out the lies, and the inheritance is secured for his son, ensuring that love and loyalty endure beyond the shadows of doubt.

In the end, the truth about Jeffrey’s family and the strength of his bond with Annie shine through. The narrative affirms that the father’s claim to his child’s future is not merely about a legal inheritance but about recognizing and protecting the life they built together. The conclusion offers a restrained, hopeful note: truth, when pursued with patience and courage, can restore trust and secure a family’s future against a chorus of rumors and fear.

• The cast threads through the tale with vivid turns: [Eddie Albert] as Jeffrey Dolan, [Faye Marlowe] as Annie Dolan, [Gail Patrick] as Dolores Starr, [Raymond Walburn] as Everett Thorndyke, [C. Aubrey Smith] as Archibald Clyde (The Old Duffer), [James Millican] as Captain Spence, [Phillip Reed] as Lieutenant Avery, [Wallace Ford] as Al Morgan, [Joyce Compton] as Louise Grapa, [Edwin Rand] as Phil Denim, [William Frawley] as General Trent, [Mary Field] as Deborah, [Will Wright] as Elmer Snodgrass, [Lucien Littlefield] as Ed Kramer, [George Chandler] as Sergeant Harrington, [James Flavin] as Turnkey, [Bess Flowers] as Woman in Nightclub, [Richard Sale] as Flight Clerk, [Edie?] and others who populate the world around Jeffrey’s trials. Each performance threads into the fabric of a story that asks how far a man will go for his family, and whether love, proven under pressure, can outlast suspicion and fear.