Directed by

A. P. Nagarajan
Made by

Sri Vijayalakshmi Pictures
Read the complete plot summary and ending explained for Navarathiri (1964). From turning points to emotional moments, uncover what really happened and why it matters.
The film unfolds around Nalina, the sole daughter of a wealthy family, and her quest for love across Navaratri nights that map to nine human emotions. The nine Navarasas—Wonder, Fear, Compassion, Anger, Equanimity, Disgust, Elegance, Bravery, and Bliss—anchor a sprawling tale of longing, temptation, deception, and hope. The story centers on Nalina Savitri, whose encounters across these nights sweep her through a panorama of people and places, each one testing her heart and spirit. The dramatic arc plays out through a celebrated actor in nine distinct facets, with Nalina’s fate guiding the path from desperation to a final, joyful union with her true love, Anand Sivaji Ganesan.
The film winds to a close with Nalina and Anand’s union, a culmination of nine emotional arcs that tested and ultimately reaffirmed their bond. Across the nine nights, Nalina’s journey intertwines with a tapestry of people—from caring guardians to predatory dangers, from kind strangers to stage friends—painting a vivid portrait of longing, resilience, and the transformative power of love.
Follow the complete movie timeline of Navarathiri (1964) with every major event in chronological order. Great for understanding complex plots and story progression.
Navarasam setup and Navaratri
The film opens with a narrator introducing Navarasam—the nine types of human behavior—and explains that Sivaji Ganesan embodies nine roles, one for each emotion. This framing sets Nalina's journey as a medley of Wonder, Fear, Compassion, and the other Navarasams across the Navaratri nights. The setting is Nalina's home during the festival, foreshadowing the trials to come.
First Night: Wonder
Nalina learns that Anand, her college mate and lover, is about to marry someone else. Believing she has been betrayed, she attempts suicide. A widower named Arputharaj stops her and takes her to his house, hoping to help; reluctant to return home, she leaves at dawn the next day.
Second Night: Fear
After unintentionally damaging a vegetable vendor's wares, Nalina is confronted by the vendor. A homely looking woman takes Nalina to her home and to a brothel house, where Nalina confronts a drunkard who rationalizes his actions. After a struggle, the drunkard faints and Nalina escapes.
Third Night: Compassion
At a police station, Nalina pretends to be a mentally ill woman to avoid arrest. An elderly doctor, Karunaagaran, realises she is sane and helps her. She spends the night in the mental hospital, and the next morning a missing-person notice with her photo is found; she escapes while the doctor is distracted.
Fourth Night: Anger
Nalina mistakes a police jeep for an arrest and heads toward a man with a gun. The man is a killer seeking revenge for his brother's death, and Nalina convinces him to surrender to the police. In an ensuing attack, the gunman is killed by the businessman's henchmen, and Nalina escapes.
Fifth Night: Equanimity
Fed up with life, Nalina walks onto a railway track to commit suicide. An innocent villager saves her and brings her to his home, introducing her to his elder sister. A local priest accuses Nalina of being possessed by a spirit to extract money through fake rituals, and she escapes that night.
Sixth Night: Disgust
Nalina meets an old leper who was once rich but lost everything to charity. The doctor who treats him learns that the leper’s wealth helped others, including the doctor himself, and decides to stay with him until he is cured. Nalina eventually leaves the hospital.
Seventh Night: Elegance
Nalina comes to aid Sathyavaan Singaaram, a director and actor whose village troupe needs a replacement for the seventh-day play. She agrees to act on the condition that she can leave after the performance, and the show is a success. Afterward, the troupe’s agent tries to misbehave, but the actor protects her and Nalina quietly departs.
Eighth Night: Bravery
Nalina disguises herself as a man, Nathan, and visits hunter Veerapan, rumored to hunt a man-eater. Veerapan turns out to be the police commissioner pursuing a criminal, and he catches her during a tense confrontation. He reveals that the groom arranged by Nalina's father is Anand, her lover, setting up the ninth night.
Ninth Night: Bliss
Anand, initially pale and withdrawn, waits for Nalina at his home where his family worries about his condition. Miscommunication had led Nalina to leave home on the first Navaratri night, and she returns on the ninth. They finally marry, with the wedding attended by all the people she met during the nights—except the dead gunman.
Explore all characters from Navarathiri (1964). Get detailed profiles with their roles, arcs, and key relationships explained.
Nalina — Savitri
Nalina is the film’s central figure, a rich man's daughter who rejects an arranged marriage to pursue her college mate. She is impulsive, curious, and emotionally intense, undergoing a nine-night journey that tests loyalty and self-discovery. Her resilience drives the narrative as she navigates danger, deception, and longing, ultimately reuniting with Anand.
Anand — Sivaji Ganesan
Anand is Nalina's college mate and eventual husband, the love at the center of her pursuit. He appears as a romantic ideal who is initially separated by truth and misunderstandings, but is revealed to be the groom Nalina's father had in mind. Their reunion and marriage on the ninth night seal the journey.
Arputhraj — Sivaji Ganesan
A widower who helps Nalina after she leaves home, he becomes a protective guardian figure. He introduces Nalina to his daughter and embodies kindness and moral steadiness amid the social chaos. His presence anchors a sense of family and shelter in the narrative.
Lalitha Arputhraj — Kutti Padmini
Lalitha is Arputhraj's daughter, a member of the family Nalina encounters during her journey. She represents warmth and familial concern, offering support and interaction that humanize the home front amid the chaos of the Navaratri nights. Her presence reinforces themes of kinship and care.
Dr. Karunagaran — Sivaji Ganesan
An elderly doctor at the mental hospital who notices Nalina's pretence and helps her. He embodies patience, understanding, and professional care, providing Nalina with a moment of safety and moral clarity. His compassion contrasts with the social stigma Nalina faces.
Sathyavaan Singaram — Sivaji Ganesan
A director and stage actor who leads the troupe Nalina encounters during the seventh night. He supports the performance and protects Nalina from predatory behavior, highlighting the creative community as a space of camaraderie amid danger. His role emphasizes the importance of art as shelter and opportunity.
Visalakshi — Kumari Rukmini
Visalakshi appears within the village milieu as a respected elder or community figure connected to the broader Navaratri world. She embodies communal memory and provides a humane counterpoint to the night's peril. Her brief presence underscores the social fabric surrounding Nalina's journey.
Learn where and when Navarathiri (1964) takes place. Explore the film’s settings, era, and how they shape the narrative.
Location
Nalina's affluent home, college hostel, brothel house, police station, mental hospital, rural village, Anand's home, Veerapan's hunting ground
The story unfolds across multiple settings—from Nalina's opulent family mansion during Navaratri to college corridors, the perilous confines of a brothel, and the austere spaces of a police station and a mental hospital. It then moves into rural village life and back to the homes of Nalina’s love, Anand, and the people who influence her journey. The Navaratri festival frames the narrative, using nine distinct locations to explore social norms, danger, and redemption.
Discover the main themes in Navarathiri (1964). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
✨
Wonder
Nine nights carry Nalina through a spectrum of unfamiliar people and situations, inviting a sense of awe and discovery. Each encounter reveals a new facet of human behavior and desire. The arc uses wonder as a lens on love, risk, and self-realization amid a strict social world.
😨
Fear
The second night places Nalina in a perilous, morally ambiguous space where danger and judgment loom. Her escapes and quick thinking underscore vulnerability and the social costs of her choices. Fear drives her to test boundaries and seek safer paths.
🤝
Compassion
Compassion emerges in the doctor who sees through Nalina's pretence and offers aid. Nalina's acts of kindness toward others — the leper and the people she encounters — reflect a humane response to hardship. The narrative treats mercy as a counterweight to exploitation and loneliness.
💪
Bravery
Nalina's bravest moment comes when she disguises herself and confronts danger, aiding a stranger and facing a powerful adversary. She endures peril and deception, choosing to do what is right despite personal risk. Bravery threads through the ninth-night reunion and the culmination of her journey.
🎉
Bliss
The final night culminates in Nalina and Anand's marriage, a joyful resolution after a turbulent odyssey. The celebration gathers the people she met along the way, signaling social forgiveness and personal reconciliation. Bliss here marks the healing of wounded relationships and the restoration of love.

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During the vibrant festival of Navaratri, a wealthy household prepares for the arrival of an arranged suitor for its only daughter. After a heated clash with her father over the man he has chosen for her, Nalina decides to leave the comforts of home on the very first night of the celebration. Her heart already leans toward Anand, a college friend who represents the future she imagines, yet the dispute propels her into the open streets where the festival’s colors spill beyond familial walls.
The film structures her wandering around the nine nights of Navaratri, each aligned with one of the traditional Navarasas—wonder, fear, compassion, anger, equanimity, disgust, elegance, bravery and bliss. Rather than following a single plot thread, the story uses these emotional lenses as gateways to a kaleidoscope of encounters, letting Nalina brush against strangers whose lives echo the particular rasa of the evening. The setting pulses with the rhythm of drums, lanterns and temple rites, while the atmosphere shifts from the gentle awe of the opening night to the quiet, introspective moments that follow.
Through this tapestry, Nalina is drawn into a spectrum of human behavior that ranges from tender kindness to unsettling rawness, each interaction subtly nudging her toward a deeper understanding of herself and the love she seeks. The tone balances lyrical mythic resonance with grounded realism, capturing the bustling markets, modest homes, and humble stages that populate the city during the festival. The narrative’s style is both intimate and expansive, inviting the audience to feel the emotional currents that surge beneath the festive veneer.
As the nights progress, Nalina’s journey becomes a quiet meditation on the clash between tradition and personal desire. While the festival’s external glitter offers a backdrop of celebration, the inner pilgrimage she undertakes through the nine rasas hints at an eventual reconciliation of her heart’s yearning with the expectations that set her on this path.
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