Grounds for Marriage 1951
Directed by
Robert Z. Leonard
Made by
Metro-Goldwyn-Mayer
Grounds for Marriage Plot Summary
Read the complete plot summary and ending explained for Grounds for Marriage (1951). From turning points to emotional moments, uncover what really happened and why it matters.
Ina Massine [Kathryn Grayson] is an opera diva who divorced throat specialist Dr. Lincoln I. Bartlett [Van Johnson] three years ago. Now she regrets this decision and does her best to win back his affection. Linc, however, is engaged to Agnes Oglethorpe Young [Paula Raymond], the daughter of his mentor, Dr. Carleton Radwin Young [Lewis Stone]. Nevertheless, Ina is determined to reconcile and grabs every chance to try to seduce him. Linc remains loyal to his fiancée, though, and soon grows irritated by Ina’s attempts.
On the night of the premiere of her latest opera, La Bohème, Ina is troubled by a sore throat and calls Dr. Carleton Radwin Young [Lewis Stone]. Linc, who is substituting for Young that night, suspects Ina is faking. However, when he examines her, he diagnoses a tropical disease she had possibly gotten in South America.
Ina performs that night despite his diagnosis, and the next morning, after becoming upset with Linc and screaming at his portrait in her apartment, she is suddenly unable to speak. She goes to see Dr. Young, who diagnoses functional aphonia, a speaking disorder caused by shocking news. Young advises psychiatric help and tells Linc that a new love interest for Ina could solve the problem. Ina is assigned as Linc’s client, much to Agnes [Paula Raymond]‘s annoyance. Although Linc assures Agnes several times he has no feelings for Ina, the situation complicates their lives.
Linc contacts his brother, Chris Bartlett [Barry Sullivan], hoping he will be able to romance Ina. He sets up a date between the two, but Ina shows no interest in Chris and is only able to think of Linc. Later that night, Ina is able to break through Linc’s wall of defense, convincing him to spend the evening with her. They enjoy drinks and dancing at a night club, where they are spotted by some of Agnes’ friends. On their way back home, Ina again attempts to seduce him. Although Linc does not respond to her, he seems to have softened up.
A couple of nights later, with Ina staying in his apartment to take care of him, Linc, suffering from a severe cold, is bothered by a feverish nightmare. Linc wakes up screaming for Ina. When he wakes, he realizes he still has feelings for his ex-wife. He goes to the couch where she had been sleeping to hug her, and her voice suddenly returns. Just then, Agnes and Chris walk in on them. Agnes, feeling betrayed, breaks off the engagement despite Linc’s attempts to explain. Ina announces that she too is fed up with the love triangle and storms out wearing Linc’s pajamas. She soon returns, however, and is told by Chris that Linc is now suffering from functional aphonia. Ina figures out that this means Linc still loves her. She agrees to marry him again and they kiss, thus restoring his voice.
Grounds for Marriage Timeline
Follow the complete movie timeline of Grounds for Marriage (1951) with every major event in chronological order. Great for understanding complex plots and story progression.
Three years ago: divorce and regrets
Ina Massine, a celebrated opera diva, divorced throat specialist Dr. Lincoln Linc Bartlett three years ago. She now regrets the breakup and schemes to win him back. Linc has moved on and is engaged to someone else, but the past keeps haunting them.
Linc's engagement to Agnes
In the present, Linc is engaged to Agnes Oglethorpe Young, the daughter of his mentor. He tries to stay loyal, but Ina's persistence tests his resolve and fuels Agnes' suspicion. The love triangle sets the stage for their tense dynamic.
Ina begins her seduction campaign
Ina presses her advantage and makes repeated attempts to win Linc back, weaving charm and proximity into every encounter. She capitalizes on moments at Linc's apartment and common spaces to test his boundaries. The tension between them grows as he resists.
Premiere night and a sore throat
On the night of Ina's La Bohème premiere, she is bothered by a sore throat and calls for Dr. Young. Linc substitutes for Young, suspects she is faking, and privately doubts her illness.
Linc's tropical-disease diagnosis
Linc examines Ina and diagnoses a tropical disease she may have contracted in South America. He cautions about the illness, but Ina ignores the diagnosis and continues with the performance.
Functional aphonia diagnosed
The morning after, Ina unexpectedly cannot speak. Dr. Young diagnoses functional aphonia caused by shocking news and recommends psychiatric help, even hinting that a new love interest could help restore her voice.
Ina becomes Linc's client
Ina is assigned as Linc's patient, which aggravates Agnes. Dr. Young advises addressing the emotional root of the problem, suggesting a healthier dynamic could resolve Ina's condition.
Linc recruits Chris to romance Ina
Linc contacts his brother Chris, hoping he can romance Ina, believing a distraction might help Ina recover her voice. He hopes a change in her romantic prospects will ease the tension.
Date with Chris; Ina remains focused on Linc
A date is arranged between Ina and Chris, but Ina shows little interest in Chris and remains preoccupied with Linc. The attempt reveals how strong her attachment to Linc still is.
Nightclub scene and growing closeness
A couple of nights later, Ina spends an evening with Linc, sharing drinks and dancing at a nightclub. They are spotted by Agnes's friends, and Linc's restraint resurfaces as their connection deepens.
Feverish dream and renewed emotion
A few nights later, Ina stays with Linc as he battles a severe cold. He has a feverish nightmare and wakes screaming for Ina, a moment that crystallizes his lingering feelings for her.
Morning realization and the voice returns
Upon waking, Linc realizes he still loves Ina and goes to the couch to hug her. Ina's singing voice physically returns, signaling a powerful emotional breakthrough between them.
Agnes ends the engagement
Agnes and Chris walk in on Ina and Linc, and Agnes feels betrayed. She ends the engagement, despite Linc's attempts to explain and salvage the situation.
Final reconciliation and voice restored
Ina storms out wearing Linc's pajamas but returns later, realizing Linc's struggle with functional aphonia. Chris informs Ina that Linc is still in need, and she resolves to marry him again; they share a kiss, and his voice is restored.
Grounds for Marriage Characters
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Ina Massine (Kathryn Grayson)
An esteemed opera diva who divorced Linc three years earlier and now pursues him again. She is charismatic, resourceful, and willing to bend rules to reclaim their bond. Her seduction is both a tactic and a cry for emotional connection, highlighting her longing to be heard and understood. By the end, she recognizes Linc's enduring love and agrees to remarry, restoring his voice.
Dr. Lincoln I. Bartlett (Van Johnson)
Throat specialist and Ina's former husband; he is engaged to Agnes. Professionally composed, he is pulled between loyalty to Agnes and lingering love for Ina. He suspects Ina's illness may be feigned but remains emotionally entangled. His feelings surface as Ina's voice returns, leading to a renewed but complicated acknowledgment of love.
Agnes Oglethorpe Young (Paula Raymond)
The beautiful young fiancée of Linc, and daughter of Dr. Carleton Radwin Young. She is loyal to her fiancé but deeply suspicious of Ina's persistence. Agnes reacts with frustration and jealousy, ultimately breaking off the engagement when she perceives the betrayal. Her stance underscores the social pressures and expectations surrounding marriage.
Dr. Carleton Radwin Young (Lewis Stone)
A respected physician and mentor to Linc Bartlett. He represents tradition and medical authority within the circle, and his position frames the professional and social environment of the characters. His daughter Agnes's engagement to Linc situates him at the center of the love triangle's implications.
Chris Bartlett (Barry Sullivan)
Linc's brother who tries to help by arranging a date between Ina and Linc. He is well-meaning and socially connected, acting as a catalyst in the romantic diplomacy of the plot. His interventions reveal the family dynamics and the pressures of upholding appearances.
Grounds for Marriage Settings
Learn where and when Grounds for Marriage (1951) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
1950s
Grounds for Marriage is set in the early 1950s, a period of postwar optimism and evolving social norms. The film uses contemporary ideas about medicine and psychology to frame its characters' crises. Glamour and wit define the era's studio romance, shaping both mood and plot.
Location
Ina Massine's apartment, Linc Bartlett's apartment, Opera house during La Bohème premiere, Nightclub, Dr. Young's office
The story moves between private residences and public venues. Domestic spaces reveal the personal stakes of the love triangle, while the opera house and nightclub anchor the social drama. The medical office scenes provide the diagnostic framework for the crisis at the center of the plot. These locations together map a glamorous, high-society milieu.
Grounds for Marriage Themes
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Love Triangle
Centered on the evolving dynamic between Ina, Linc, and Agnes, the story probes passion, loyalty, and jealousy. Ina's determination to win back Linc tests commitments and reveals how desire can override reason. Linc's loyalty to Agnes clashes with lingering feelings for Ina, creating tension that drives the drama. The resolution hinges on a clear recognition of true affection and a willingness to reconcile.
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Voice Recovery
The plot centers on functional aphonia, a condition that literalizes the emotional wound at the heart of the affair. Linc's medical diagnosis and Ina's role as patient-turned-partner reveal how voice and communication become pivotal to love. The film uses medical terms and therapy to explore how shock and upheaval affect self-expression. Ina's voice returning signals a deeper emotional awakening.
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Performance Identity
Opera and public persona intersect with private life in a way that tests authenticity. Ina's stage career amplifies her strategic moves, while Linc's professional authority lends weight to the stakes at hand. The story shows how performance can mask vulnerability and influence relationships. The ending ties showmanship to sincerity as voice and love align.
Grounds for Marriage Spoiler-Free Summary
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In a glittering world where opera houses pulse with applause and the city’s social circles swirl to the cadence of romance, music becomes both backdrop and catalyst. The atmosphere shimmers with lavish costumes, soaring arias, and a playful curiosity that hints at hidden passions beneath the polished surface. Lighthearted humor mingles with sincere longing, crafting a tone that feels both extravagant and intimately human.
Ina Massine commands the stage as an acclaimed soprano, her voice soaring above the velvet curtains of every performance. Despite her dazzling career, she carries a lingering ache from a decision made three years earlier—a divorce from the man who once held her heart. Determined to rewrite the final note of that chapter, she finds herself drawn back into the orbit of the love she once let slip away, each encounter echoing with the promise of a second chance.
Dr. Lincoln I. Bartlett, a refined throat specialist, balances his medical expertise with a tender affection for the world of music. Though he has moved forward, becoming engaged to a poised young woman, the memory of his former wife lingers like a lingering melody. His professional life intertwines with his personal one, as he is called upon to care for those whose voices need healing, placing him at the crossroads of duty and desire.
Agnes Oglethorpe Young enters the scene as the daughter of a respected mentor, embodying the expectations of society and the promise of a new future. Around them, friends and family—such as a supportive brother and a wise elder doctor—add layers of complication and charm. As each character navigates their intertwined ambitions and emotions, the story teases a playful tug-of-war between past and present, hinting that love, like a well‑timed aria, may yet find its perfect resolution.
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