Directed by

Don Hartman
Made by

RKO Radio Pictures
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Read the complete plot summary and ending explained for Every Girl Should Be Married (1948). From turning points to emotional moments, uncover what really happened and why it matters.
Anabel Sims, Betsy Drake, a department store salesclerk, is captivated by the idea of marriage. When handsome pediatrician Dr. Madison W. Brown asks for her help in making a purchase, she decides that he is the one for her. He is happy as a bachelor, but Anabel proves to be a determined schemer. She learns all she can about him, everything from where he went to school to his favorite foods. Madison soon realizes her intentions and does his best to fend off the persistent admirer.
Anabel makes a reservation at a restaurant on a day when she knows that Madison habitually dines there. In an attempt to make him jealous, she pretends to be waiting for wealthy, three-times-married playboy Roger Sanford, who happens to be her employer and Madison’s university classmate. By chance, Roger shows up. Fortunately for her, Roger believes that she is using Madison as a ruse to get acquainted with him. However, the maneuver fails; Madison’s feelings remain unchanged.
Anabel comes up with more ingenious schemes, but they are all unsuccessful. However, Roger falls in love with her. He eventually asks her to marry him, but she only invites him to dinner at her home. When Julie, Anabel’s best friend, warns Madison, he begins to worry, knowing something of Roger’s success with women. The doctor invites himself to the little soirée. While waiting for Anabel, they are unexpectedly joined by Old Joe, Anabel’s longtime hometown beau, who announces that he and Anabel are finally going to get married. At first, Madison congratulates them, but after thinking about it, makes his own bid for her hand. Anabel leaves the decision up to Joe, who bows out, saying that he only wants her to be happy. After Joe leaves, Madison informs Anabel that her research on him was incomplete; he recognizes Joe’s voice as that of a radio performer he listens to frequently. Madison and Anabel are soon discussing their wedding plans with a clergyman.
Follow the complete movie timeline of Every Girl Should Be Married (1948) with every major event in chronological order. Great for understanding complex plots and story progression.
Anabel vows to pursue Madison
Department store salesclerk Anabel Sims becomes obsessed with the idea of marrying Dr. Madison Brown after he asks for her help with a purchase. She resolves to scheme her way into his life by learning everything about him and tailoring her approach to win him over.
Anabel researches Madison
She digs into his life—where he went to school, his favorite foods, and daily habits—arming herself with information to secure his hand. The pursuit becomes a calculated plan rather than a simple crush.
Madison resists Anabel's pursuit
Madison realizes Anabel's true intentions and tries to fend her off. He makes it clear that he will not be manipulated into marriage.
Restaurant ruse to spark jealousy
Anabel reserves a restaurant table on a day Madison habitually dines there to spark jealousy. She pretends to be meeting wealthy, three-times-married Roger Sanford, who is her employer and Madison's university classmate.
Roger buys the ruse, but reservations linger
Roger Sanford arrives and buys into the ruse, thinking Anabel is using Madison as a lure to get acquainted with him. The plan seems to work at first, but it ultimately fails because Madison's feelings for Anabel do not change. Roger's belief about the setup becomes more complicated as the evening unfolds.
Roger falls in love and proposes
Despite the failed manipulation, Roger genuinely falls in love with Anabel. He eventually asks her to marry him, hoping to secure a future together.
Dinner invitation to Roger
Anabel invites Roger to dinner at her home to continue the relationship. The invitation signals a more intimate step in their evolving dynamic.
Julie warns Madison
Anabel's best friend Julie warns Madison about Roger's history with women. The warning unsettles Madison, who grows worried and decides to attend the dinner to keep an eye on things.
Madison crashes the dinner
Madison arrives at Anabel's dinner uninvited to monitor the situation and protect his own interests. He steels himself as the social maneuvering intensifies.
Old Joe interrupts the evening
During the dinner, Old Joe, Anabel's longtime hometown beau, unexpectedly arrives and announces that he and Anabel are finally going to get married. Madison initially congratulates them, trying to play along.
The voice reveals the deception
After Old Joe leaves, Madison informs Anabel that her research on him was incomplete. He recognizes Joe's voice as the radio performer he listens to frequently, exposing the ruse and forcing a reckoning.
Madison makes his own move
Reeling from the revelation, Madison decides to press his own claim on Anabel, challenging the engagement with Old Joe and making his love explicit. He confronts Anabel about their future and asserts his feelings.
Wedding plans with a clergyman
In the closing moments, Madison and Anabel discuss their wedding with a clergyman, suggesting they may finally marry. The film hints that true affection will trump manipulation, leaving their future open to possibility.
Explore all characters from Every Girl Should Be Married (1948). Get detailed profiles with their roles, arcs, and key relationships explained.
Anabel Sims (Betsy Drake)
A department-store sales clerk with a fixation on marriage, she weaponizes social situations to test Madison's feelings. She is persistent, clever, and unafraid to push boundaries in pursuit of love. Her schemes reveal both charm and a willingness to manipulate others, but she also shows genuine concern for happiness.
Dr. Madison W. Brown (Cary Grant)
A pediatrician who enjoys bachelorhood; he approaches relationships with skepticism toward manipulation, yet he is open to love when he finds sincerity. He remains calm under manipulation and uses his intuition to see through Anabel's tactics.
Roger Sanford (Franchot Tone)
A wealthy, three-times-married playboy who initially appears as a rival and potential ally; He is charming and perceptive, and ultimately falls for Anabel, complicating the pursuit of true affection.
Julie Hudson (Diana Lynn)
Anabel's best friend who warns Madison about Anabel's schemes; She provides support and acts as a voice of reason, reflecting friendship dynamics and honesty.
Old Joe (Harry Proctor)
Anabel's longtime hometown beau who appears to marry her; his presence introduces the question of lasting commitment and changes in love. He ultimately reveals his true status as a suitor and bows out to allow Anabel and Madison to decide.
Discover the main themes in Every Girl Should Be Married (1948). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
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Romantic Deception
Anabel's relentless pursuit of marriage through manipulation highlights how romance can be treated as a game. The doctor resists direct advances, exposing contrasting motivations between desire and propriety. The comedy arises from deliberate misdirections and the fuzzy line between affection and strategy. In the end, genuine feeling triumphs when pretenses crumble.
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Marriage & Social Pressure
The plot uses courtship as a social performance within a city milieu and a department-store setting. The characters navigate expectations about status, security, and marriage. The story critiques how society prizes wedlock over sincerity, while still delivering a light-hearted romance.
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Identity & Deception
People present personas to suit their goals, and appearances drive the plot. The truth emerges as pretenses wobble and revealing moments test who the characters really are. The film underscores that authentic connection comes from honesty rather than calculated showmanship.

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Discover the spoiler-free summary of Every Girl Should Be Married (1948). Get a concise overview without any spoilers.
In a bustling mid‑century town where department stores gleam and social expectations glitter, Anabel Sims works the sales floor with a singular fixation: the institution of marriage. Her everyday encounters are filtered through a whimsical yet earnest desire to find the perfect husband, turning ordinary interactions into opportunities for matchmaking. The film’s tone balances light‑hearted romantic comedy with a sly commentary on the lengths people will go to fulfill the scripts society writes for them, all set against the glossy backdrop of post‑war optimism.
When a charming pediatrician walks into her store, Madison Brown becomes the object of Anabel’s elaborate imagination. He is content as a carefree bachelor, his life framed by a steady rhythm of patients and personal freedom. Anabel, ever the determined schemer, sees his polite request for assistance as the opening line of a grand romance, prompting her to dive deep into research, from his alma mater to his favorite dishes. The world she navigates is one of polite small talk and underlying currents, where a simple purchase can feel like the first step toward a lifelong partnership.
Surrounding this central dance are characters who inadvertently fuel Anabel’s quest. Roger Sanford, a charismatic, three‑times‑married playboy, drifts into her orbit, offering both a convenient rival and an unexpected ally in her matchmaking game. Meanwhile, whispers of an old hometown sweetheart, Old Joe, linger in the background, hinting at a past Anabel might revisit. Together, these figures create a lively tableau of desire, competition, and gentle mischief, setting the stage for a series of inventive attempts to turn a casual encounter into a lasting commitment—all while the audience watches the charming tug‑of‑war between persistence and resistance unfold.
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