Everybody Go Home! 1960

Comedy

Drama

War

Runtime

117 mins

Language

Italian

Made by

DDL Cinematografica

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Everybody Go Home! Plot Summary

Read the complete plot summary and ending explained for Everybody Go Home! (1960). From turning points to emotional moments, uncover what really happened and why it matters.

Along the Venetian coastline, on the morning of 8 September 1943, Alberto Innocenzi, Alberto Sordi, a junior lieutenant in the Royal Italian Army, is stunned when the Cassibile surrender prompts the Wehrmacht to circle and storm the base where he is stationed. Innocenzi, along with some disbanded soldiers, manages to flee the German troops and is deeply shocked when, contrary to his plan of reporting to a higher command, most men accept that the war is over and that “everybody should just go home.” > “everybody should just go home”

This reaction beside the sea fills him with a fiery anger at first, but soon he partners with army engineer Ceccarelli, Serge Reggiani in the story’s second act, and with sergeant Fornaciari, Martin Balsam, exchanging their uniforms for civilian clothes as they begin a long, arduous odyssey southward through a country split by German and Allied occupations and scarred by partisan warfare. The trio encounters a band of anti-fascist guerrillas, yet they decline to join them (while an Italian army captain they meet along the road does). The landscape grows increasingly hostile, and Innocenzi, caught in a ruthless “every man for himself” mentality, succumbs to the lure of helping a sultry black marketeer smuggle flour to Rome, since she needs a driver and has no room for others. The arrangement collapses when a mechanical failure halts the lorry in a rubble-strewn town, and the hungry townspeople plunder the cargo; after a tense clash and some recriminations, Innocenzi rejoins his companions.

They witness the killing of a rookie—an earnest Italian soldier who tries to protect a Jewish girl during a German roundup—and finally press onward to Fornaciari’s rural home. The former sergeant is delighted to have returned to his young wife, Silvia Modena, Carla Gravina and his aging father, and the family reveals that they have been sheltering a former U.S. POW escaped from a prison camp to evade fascist patrols; Fornaciari, though reluctant, agrees to keep protecting him. After a darkly humorous polenta dinner served in a rustic setting, where Innocenzi and the American serviceman clash over who has the right to reach for the sausage in the middle of the table, they all sleep, only to be roused by a nighttime fascist patrol that finds the Allied man. In the ensuing chaos, Fornaciari is hauled away toward a grim fate, and Ceccarelli and Innocenzi flee once more.

The two men reach Littoria (Latina), where Innocenzi’s widowed father lives. There, the elder Innocenzi introduces him to a fascist party leader recruiting men for the Repubblica Sociale Italiana, the German puppet state, and the old man’s insistence on sacrifice drives a rift between father and son. Innocenzi ultimately asks Ceccarelli to take him south to Naples, where the situation is even more desperate—the city sits on the frontline after the Allied landings at Salerno, and brutal German detachments round up able-bodied men for slave labor. They slip through a roadblock staffed by hungry fascists; Ceccarelli, in a generous act, sacrifices a suitcase of delicacies intended for his commanding officer’s wife to smooth their passage, while Innocenzi frantically tries to prevent the loot from being opened.

In Naples, they endure a grueling Organisation Todt rubble-clearing chain gang, but when the city rises in the Four Days of Naples, they escape and hurry toward Innocenzi’s home. Ceccarelli is cut down by German fire just as Innocenzi decides that the real war is not fought in parlors or on foot patrols but against the occupiers themselves. He joins an insurgent band that takes up the Breda M 37 machine gun, letting a new, steely resolve shape his posture and choices. The film closes on Innocenzi’s transformed gaze as he wages the war anew, fighting with renewed clarity and purpose against the Nazi occupation.

Everybody Go Home! Timeline

Follow the complete movie timeline of Everybody Go Home! (1960) with every major event in chronological order. Great for understanding complex plots and story progression.

Surrender triggers the base storm along the Venetian coast

On the morning of 8 September 1943, the German troops surround the base after the Badoglio surrender. Innocenzi, a junior Italian lieutenant, is stunned by the sudden turn of events and the collapse of the front. The sea-side setting underscores the chaos as Allied forces are suddenly in retreat and Italian soldiers question what comes next.

morning of 8 September 1943 Venetian seaside

Escape with fellow soldiers and the decision to go home

Innocenzi and some disbanded soldiers flee the German crackdown. He is deeply frustrated as many men abandon the plan to report upward and simply decide to go home. The moment marks the abandonment of discipline and the beginning of a dangerous odyssey.

near the base by the Venetian coast

The trio discards uniforms and heads south

Innocenzi teams up with engineer Ceccarelli and sergeant Fornaciari, leaving behind their former commands. They discard their uniforms and set off southward, taking a perilous route through a country torn by occupation and partisan warfare. They become civilian travelers, relying on luck and guile to survive.

Italian boot, heading south

A brush with guerrillas; others choose to join

The trio encounters a band of anti-fascist guerrillas on the road. While a captain they meet along the way later joins them, Innocenzi and his companions decline to join the guerrillas. The moment contrasts different paths people take in the resistance.

Road in central Italy

Temptation to smuggle flour and mechanical failure

Innocenzi experiences a moral temptation when a sultry black marketeer offers a deal to smuggle flour to Rome. He and his companions decide to help, but the lorry breaks down in a rubble-strewn town and the hungry crowd plunders the vehicle. After a brief scuffle, Innocenzi returns to the group and resumes the journey.

rubble-strewn town along the route to Rome

They witness a rookie's death during a German roundup

They witness the killing of a rookie who had tried to protect a Jewish girl during a roundup. The incident underscores the brutality of the occupation and the personal costs of standing up to it. The trio moves on with renewed awareness of the dangers.

during a German roundup in a town along their path

Return to Fornaciari's rural home and news of a POW

Reaching Fornaciari's rural home, they are greeted with hospitality and share a darkly humorous polenta dinner served farm-style. Fornaciari's wife reveals that they have been sheltering a former U.S. POW escaping from a prison camp to protect him. The home becomes a fragile refuge amid the war's chaos.

Fornaciari's rural home

Night raid and the fate of the Allied serviceman

A nighttime fascist patrol raids the house and discovers the Allied serviceman. Fornaciari is hauled away toward a grim fate while Innocenzi and Ceccarelli slip out in the confusion. The incident underlines the immediate dangers of sheltering Allies and the fragility of their safety.

night Fornaciari's rural home

Having a meal with a price: from Littoria to a rift with his father

The fugitives reach Littoria (Latina) and are greeted by Innocenzi's widowed father. The elder man introduces a fascist party leader recruiting for the RSI, and Innocenzi objects to the idea of serving the puppet state. A deep rift grows between father and son as they clash over the war's meaning and the soldier's future.

Littoria/Latina

The Naples crossing and the roadblock ordeal

From Littoria they push toward Naples, passing a brutal fascist roadblock on the way. Ceccarelli sacrifices a suitcase of delicacies he was meant to deliver to the wife of his commanding officer to secure passage, and Innocenzi panics at the risk of losing everything. They eventually reach Naples and merge with local resistance circles.

Naples

Four Days of Naples and escape from a rubble camp

They are pressed into an Organisation Todt rubble-clearing chain gang as the Four Days of Naples erupts. The city rises against the occupiers, giving them a chance to flee and join insurgent actions. Ceccarelli is killed by German fire, and Innocenzi resolves to fight the occupiers alongside the insurgents.

late September 1943 Naples

A grim resolve: joining the insurgents

With Ceccarelli dead, Innocenzi resolves that the true war is against the Nazis. He joins an insurgent band and takes up the Breda M37 machine gun to fight the occupiers. The film closes on his hardened gaze as he steels himself for further resistance.

late September 1943 Naples outskirts

Everybody Go Home! Characters

Explore all characters from Everybody Go Home! (1960). Get detailed profiles with their roles, arcs, and key relationships explained.

Lt. Alberto Innocenzi (Alberto Sordi)

A junior lieutenant who reacts with shock to the armistice and the collapse of the army’s cohesion. He is initially rigid and idealistic, but the harsh road south pushes him to confront moral ambiguity and to re-embrace solidarity with his comrades.

🎖️ Officer 🧭 Moral conflict 🪖 War-weary

Sergente Quintino Fornaciari (Martin Balsam)

A veteran sergeant who returns home to his wife and father in a rural setting. He embodies stubborn loyalty and a protective instinct, sheltering others and grappling with the consequences when the family is dragged into the danger of the occupation.

🪖 Veteran 🏡 Family man 🛡️ Protector

Ceccarelli (Geniere Assunto Ceccarelli) (Serge Reggiani)

An army engineer who travels with Innocenzi and Fornaciari. He represents pragmatic, resourceful survival and a pragmatic approach to danger, often choosing to help the group navigate obstacles rather than pursue idealized heroism.

🧰 Engineer 🧭 Pragmatic 🌀 Survivor

Dan Al Toback (Alex Nicol)

A former U.S. POW hidden along the way, whose presence introduces an international dimension to the journey and a reminder of the war’s broader reach. His arrival tightens the moral stakes for the group.

🗺️ POW survivor 🇺🇸 Allied 🗨️ Tense secrecy

Caterina Brisigoni (Didi Perego)

Fornaciari’s wife who reveals the family has been sheltering the escaped POW, illustrating the personal risks families take during occupation and how hospitality can become a fatal vulnerability.

🏡 Family drama 🕯️ Courage 🥖 Food and shelter

Signor Innocenzi (Eduardo De Filippo)

Lt. Innocenzi’s father, a townsman who has endured hardship under fascist pressure. He embodies the generational conflict and the pressure toward collaboration that war breathes into families.

👨 Father figure 🪧 Social pressure 🕯️ Loss

Capitano Passerini (Mario Feliciani)

An army captain met along the road who later embodies the contradictions within the Italian forces—some cooperate with partisans, others align with the occupiers—illustrating the fragmentation of rank and loyalty in wartime Italy.

🎖️ Officer 🧭 Diverging loyalties 🗡️ Conflict

Silvia Modena (Carla Gravina)

A civilian encountered on the journey who plays a role in illustrating civilian resilience and the impact of war on families, though not a central protagonist.

👩 Civilian resilience 🕊️ Hope 🧭 Community

Everybody Go Home! Settings

Learn where and when Everybody Go Home! (1960) takes place. Explore the film’s settings, era, and how they shape the narrative.

Time period

Autumn 1943

Set in the immediate aftermath of the Cassibile Armistice (September 8, 1943), the film follows soldiers and civilians as Italy spirals into chaos. The narrative spans the peninsula—from the countryside to Naples—amid German rearguard actions, Allied advances, and growing partisan activity. The period is defined by occupation, reprisals, and shifting loyalties as people try to go home.

Location

Venetian seaside, Cassibile, Littoria (Latina), Naples, Rome

The story unfolds along the Italian boot, beginning on the Venetian coast and moving south through towns scarred by the German occupation. It crosses Cassibile, where the armistice is announced, and tracks the journey toward Littoria (Latina) and Naples, capturing a country torn between surrender, resistance, and survival. The settings range from rural homes to roadblocks and conflict zones under occupation.

🏖️ Seaside 🗺️ War-torn Italy 🕰️ WWII

Everybody Go Home! Themes

Discover the main themes in Everybody Go Home! (1960). Analyze the deeper meanings, emotional layers, and social commentary behind the film.

⚔️

War and Survival

The film portrays how ordinary soldiers and civilians adapt to total upheaval after Italy’s armistice. Hunger, danger, and constant threat force quick moral compromises and pragmatic decisions to stay alive. The harsh realism of daily life under occupation underscores how the line between duty and self-preservation blurs in wartime Italy.

🤝

Loyalty and Friendship

Innocenzi and Ceccarelli must rely on each other, and even when competing realities tempt them to abandon companions, their bond endures. Fornaciari's family also offers shelter and protection, highlighting the personal dimension of loyalty. The journey tests who they trust and what they’re willing to sacrifice for the group.

🕯️

Moral Dilemma

Characters face temptations that test their integrity: aiding a smuggler, hiding or exploiting a POW, and deciding whether to help a friend at risk. Fear and desperation shape choices, revealing the fragility of ideals in war. The film questions whether survival justifies questionable acts, or if steadfast ethics can still guide action.

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Everybody Go Home! Spoiler-Free Summary

Discover the spoiler-free summary of Everybody Go Home! (1960). Get a concise overview without any spoilers.

Along the shimmering Venetian coast in September 1943, Italy’s sudden armistice throws the nation into chaotic limbo. The once‑orderly Royal Italian Army fragments as German forces move in, and ordinary soldiers find themselves stranded between two occupying powers. In this fractured landscape, the war’s grand strategies feel distant, while the yearning to return to ordinary life becomes a unifying, if uneasy, refrain. The atmosphere is a mix of weary humor and stark realism, letting the audience taste the absurdity of a country trying to rebuild itself amid lingering combat and shifting loyalties.

At the heart of the story is Alberto Innocenzi, a junior lieutenant whose sense of duty collides with a fresh, raw frustration as his comrades choose “home” over continued fighting. Driven by a fierce mixture of anger, bewilderment, and a lingering sense of responsibility, he soon teams up with an inventive army engineer, Ceccarelli, and a pragmatic sergeant, Fornaciari. Their bond forms against a backdrop of crumbling infrastructure, scarce supplies, and an ever‑present tension between survival and honor. Together they shed their uniforms for civilian clothes, embarking on an uncertain trek southward through a country split by occupation, partisan activity, and the everyday struggle for food and shelter.

The film’s tone balances bleak wartime scenery with moments of human tenderness and dark comedy, never losing sight of the lingering question of what it means to be a soldier when the front lines evaporate. As the trio moves deeper into Italy’s war‑torn heartland, they encounter a mosaic of strangers—partisans, civilians, and bewildered officials—each reflecting the nation’s fractured identity. Their journey becomes both a physical odyssey and an intimate exploration of duty, camaraderie, and the desperate hope that, perhaps, “everybody should just go home.”

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