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RKO Radio Pictures
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Read the complete plot summary and ending explained for Bachelor Apartment (1931). From turning points to emotional moments, uncover what really happened and why it matters.
Wayne Carter Lowell Sherman is a New York bachelor and self-styled playboy who treats marriage as a nuisance to be dodged, moving through a string of casual affairs while paying little heed to the marital status of his partners. Yet there are a few women he tries to avoid altogether, including the married Agatha Carraway Mae Murray, who remains a persistent distraction in his social orbit.
Helene Andrews [Irene Dunne] and her younger sister Lita Andrews [Claudia Dell] arrive in the big city chasing fame and fortune. Helene is sensible and cautious, while Lita tends to be impulsive and hopeful that a wealthy sponsor is watching. When Lita believes she’s caught a millionaire’s eye, Helene hurries to intervene and discovers that Lita’s attention has been drawn not to Carter himself but to Carter’s loyal butler Rollins Charles Coleman during a dinner at his apartment. Carter is quickly drawn to the earnest, practical Helene, and when he learns she needs work, he offers her a job in his office as an executive secretary. She hesitates at first but accepts to support herself, and the two grow closer, their growing attraction giving Carter a new sense of purpose beyond his usual liaisons.
The relationship faces a test when Carter invites Helene to his apartment under the pretext of work, only for the flirtatious Agatha to appear, followed by her husband. A tense scene unfolds as Agatha hides in a bedroom and a discussion about marriage ensues, leaving Helene unsettled and eventually resigning. Carter, convinced of Helene’s sincerity, pursues her with renewed insistence, hoping to prove that his feelings are real. Helene remains wary, even as their connection deepens, and she agrees to meet him again at his place. Yet the situation is complicated once more when Agatha arrives, and the husband returns, this time armed and threatening Carter. Helene, who has been with Agatha in the bedroom, steps out and swears that she is the only woman there, mollifying the danger and allowing Carter to breathe a sigh of relief. The incident leaves Helene shaken and wary of the complications that come with Carter’s world.
After this unsettling episode, Helene’s doubts persist, and Carter fears he has lost her. A domino effect follows when Lita runs off to live with the musical producer Lee Graham Norman Kerry, a pairing Carter had previously arranged in hopes of charming Helene. Helene is consumed by worry for her sister and begs Carter to locate them. He does, successfully reuniting the sisters, and through that act of steadfast pursuit, Helene comes to see the sincerity behind Carter’s feelings. In the end, she accepts his proposal and the couple moves toward a future together, with Helene recognizing that Carter’s persistence and genuine care surpass his former reputation as a carefree libertine.
Follow the complete movie timeline of Bachelor Apartment (1931) with every major event in chronological order. Great for understanding complex plots and story progression.
Carter's bachelor lifestyle and Agatha's attention
Wayne Carter is a New York bachelor and a notorious playboy who pays little heed to the marital status of his numerous dalliances. He does, however, try to avoid certain married women, notably Agatha Carraway, who keeps pursuing him.
Two sisters seek fame in the big city
Helene and her younger sister Lita Andrews travel from a small town to the big city in search of fame and fortune. Helene is sensible and cautious, while Lita is flighty and dream-prone.
Lita's dinner with a supposed millionaire
Lita believes a millionaire is interested in her and goes to dine at his apartment. An alarmed Helene follows to prevent anything untoward, only to find Lita dining with Carter's butler, Rollins.
Carter offers Helene a job
Carter is instantly drawn to Helene and offers her a job as an executive secretary in his office. She initially refuses, cautious about his intentions, but, needing work, she eventually accepts.
Dictation visit ends in interruption
Carter invites Helene to his apartment to take dictation, signaling a more personal connection. Agatha arrives, and her husband shows up shortly after; Agatha hides in the bedroom while Carter and Helene discuss marital issues, leaving Helene disenchanted and resigning.
Love grows, Helene agrees to meet
Realizing he is in love with Helene, Carter relentlessly tries to prove his sincerity and deep feelings. Helene, gradually touched, agrees to meet him at his apartment, hoping for a real shift in their relationship.
Agatha's return and the armed husband
Agatha returns uninvited, and her husband arrives armed, threatening Carter because he suspects infidelity. Helene, who has been in the bedroom with Agatha, exits and claims she is the only woman in the apartment, mollifying the husband who leaves.
Carter's heartbreak over Helene
Though the tense scene passes, Helene remains upset and begins to pull away. Carter becomes distraught, thinking he has lost the woman he loves, and Helene rebuffs his attempts to win her back.
Lita runs off with Lee Graham
Meanwhile, Lita runs off to live in sin with musical producer Lee Graham, a man Carter had introduced to help Helene. Helene worries about her sister and the dangers of the situation.
Carter reunites the sisters
Carter tracks down Lita and Graham and reunites the two sisters, showing his genuine care and commitment. Helene begins to understand Carter's sincerity and the depth of his feelings.
Marry me, Helene
With misunderstandings resolved, Helene accepts Carter's marriage proposal, recognizing his true devotion. The couple looks forward to a future together in the big city.
Explore all characters from Bachelor Apartment (1931). Get detailed profiles with their roles, arcs, and key relationships explained.
Wayne Carter (Lowell Sherman)
A stylish New York bachelor whose flirtatious lifestyle masks a capacity for genuine affection. He pursues Helene with a mix of charm and persistence, hiring her as his secretary to be near her. He struggles to reform his habits under social pressure, and his happiness depends on winning Helene’s trust.
Helene Andrews (Irene Dunne)
A sensible, earnest small-town girl who comes to the city seeking work and a better life. She is cautious about Carter’s intentions but grows to believe in his sincerity. Her integrity and practical nature clash with the flirtations around her, and she ultimately chooses commitment over convenience.
Lita Andrews (Claudia Dell)
Helene’s younger sister, flighty and ambitious, who arrives in the city hoping for fame and fortune. She believes a millionaire is interested in her and becomes entangled with Carter’s world, only to run off with Lee Graham. Her impulsiveness catalyzes the central romance and the tension between sisters.
Lee Graham (Norman Kerry)
A musical producer who represents the glittering but precarious path to success. He becomes involved with Lita, providing a catalyst for the sisters’ emotional journeys and highlighting the lure of rapid fame in the city.
Mrs. Agatha Carraway (Mae Murray)
A married socialite who pursues Wayne and stirs trouble through flirtation and jealousy. She hides during confrontations, and her husband’s sudden arrival with a weapon heightens the danger surrounding Carter. Her actions drive much of the plot’s tension and misunderstandings.
Herbert 'Herb' Carraway (Purnell Pratt)
Agatha’s husband, a protective figure who arrives to confront Carter and underscore the stakes of infidelity. He embodies the era’s tensions between private desire and public propriety, briefly turning the apartment into a perilous battleground.
Rollins (Wayne's Butler) (Charles Coleman)
The household butler who navigates the social labyrinth of the mansion. He plays a role in keeping appearances, with interactions that spark the dinner scene where Lita’s flirtation is exposed. He represents the service class’s involvement in elite social games.
Learn where and when Bachelor Apartment (1931) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
1930s
Set in the early 1930s New York, the film captures a period of urban sophistication and evolving social mores. Fashion, apartments, and office culture reflect a modern, cosmopolitan city where appearances and reputation matter. The era’s dynamics heighten Helene’s caution and Carter’s struggle between old habits and genuine devotion.
Location
New York City, Wayne Carter's apartment, Carter's office
The story unfolds against the backdrop of a bustling New York City. The primary settings are Wayne Carter's upscale apartment and his office, which anchor the social and professional lives of the characters. The city’s glittering interiors and fast pace create a stage for modern dating, flirtations, and the tension between liberty and commitment.
Discover the main themes in Bachelor Apartment (1931). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
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Romance
A central romance develops between Helene and Wayne, testing whether a former playboy can commit to lasting love. Carter’s pursuit gradually shifts from surface charm to sincere affection as he seeks to win Helene’s trust. Helene’s practical mindset challenges the idea that romance alone is enough to sustain a relationship.
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Marriage
Marriage is presented as both a goal and a test of character, with social expectations and jealousy shaping the plot. Agatha’s persistent flirtation and her husband’s sudden threat push the couple to prove their loyalty. The resolution hinges on honesty, trust, and the willingness to prioritize commitment over temptation.
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Deception
Deception threads through the narrative, from hidden motives to the display of propriety in public spaces. The characters navigate appearances, flirtations, and misunderstandings that threaten the relationship’s future. The story resolves through truth-telling and protective actions that reinforce true affection.

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Discover the spoiler-free summary of Bachelor Apartment (1931). Get a concise overview without any spoilers.
In the glittering swirl of 1930s New York, the city itself feels like a stage where silk–soft jokes and breezy banter drift through jazz‑filled nightclubs and sun‑lit apartments. The atmosphere shimmers with a light‑hearted, decidedly witty vibe, inviting anyone who steps onto its streets to wonder whether romance, mischief, or a clever quip will be the next thing to catch their breath. The world of Bachelor Apartment is one where high society’s glitter meets everyday hustle, and the line between sincere affection and playful flirtation is deliciously blurred.
Wayne Carter is the embodiment of a charismatic New York bachelor—handsome, quick‑witted, and forever skirting the edges of commitment. Known for his effortless charm, he drifts through a parade of casual encounters, treating marriage as an inconvenient footnote in a life written for pleasure and spontaneity. Yet beneath his polished exterior lies a restless curiosity about genuine connection, a sentiment that quietly resurfaces whenever his carefree routine is nudged by something—or someone—unfamiliar.
Into this glittering tableau arrive Helene Andrews and her younger sister Lita Andrews, two sisters who have journeyed to the city with big dreams and modest means. Helene is pragmatic and diligent, a stenographer with a steely resolve to carve out her own place, while Lita is impulsive, hopeful that a single bright encounter might launch her toward stardom. Their arrival introduces a contrasting energy that both challenges and intrigues the established rhythm of the bachelor’s world, especially when the sisters’ differing temperaments intersect with the city’s endless possibilities.
The film teases the inevitable clash of Wayne’s carefree swagger and Helene’s grounded ambition, setting the stage for a romance that promises to be as witty and spirited as the city itself. Amid the clinking of cocktail glasses and the rustle of silk dresses, the characters navigate a playground of witty repartee, hopeful longing, and the ever‑present question of whether a true partnership can emerge from a life built on fleeting delights.
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