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We Still Kill the Old Way 1967

Set on the island of Sicily, the story follows a left‑leaning professor who becomes obsessed with uncovering what really happened to two men slain during a hunting party. His investigation pits him against the entrenched power of the Mafia, the Church and corrupt politicians who will stop at nothing to keep the truth buried.

Set on the island of Sicily, the story follows a left‑leaning professor who becomes obsessed with uncovering what really happened to two men slain during a hunting party. His investigation pits him against the entrenched power of the Mafia, the Church and corrupt politicians who will stop at nothing to keep the truth buried.

Does We Still Kill the Old Way have end credit scenes?

No!

We Still Kill the Old Way does not have end credit scenes. You can leave when the credits roll.

Take the Ultimate We Still Kill the Old Way Movie Quiz

Challenge your knowledge of We Still Kill the Old Way with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.


We Still Kill the Old Way (1967) Quiz: Test your knowledge of the plot, characters, and key details of the 1967 Italian mystery drama "We Still Kill the Old Way".

What is the profession of Arturo Manno?

Full Plot Summary and Ending Explained for We Still Kill the Old Way

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Read the complete plot summary of We Still Kill the Old Way, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.


In a quiet little town, the local pharmacist Arturo Manno, Luigi Pistilli, is infamous for chasing women, and so the death threats looming over him hardly surprise his circle of friends. Yet the warnings take a dark turn when Manno and his friend, Dr. Antonio Roscio, Franco Tranchina, are found dead during a predawn hunting excursion. As fear ripples through the community, suspicion immediately lands on Rosina’s family—the father and two brothers of Manno’s underage servant, Rosina, a detail that twists the town’s loyalties and tempers.

Professor Laurana, who has glimpsed one extortion note, refuses to accept that these illiterate men could be behind the scheme, especially since the letters have been put together with clippings from Osservatore Romano, a Vatican newspaper with only two local subscribers. Determined to uncover the truth, Laurana enlists his lawyer friend Rosello, Gabriele Ferzetti, and begins a careful, and increasingly dangerous, investigation. His motive is deepened by a private ache: his hidden love for Luisa Roscio, the widow of Manno’s murdered companion. Laurana’s path toward justice is complicated when Roscio’s father, who had opposed his son’s marriage to Luisa, entrusts Laurana with Roscio’s diary, a document that is missing pages and may hold vital clues.

From a trusted ally—a friend who sits on Palermo’s city council—Laurana learns that Roscio had lived in fear because he was gathering evidence against a corrupt prominent citizen in Laurana’s hometown. Roscio himself had been convinced that the death threats against Manno were a smokescreen and that he, Roscio, might be the real target. Luisa, for her part, rejects Laurana’s romantic advances but appears to back his quest for the truth, hinting at a deeper involvement by her cousin Rosello in the tangled case.

Laurana presses on and eventually meets Rosello, who drives him to a shadowy rendezvous. Realizing his life is at risk, Laurana pretends to have left behind a diary detailing his research in Palermo, a bluff that only fuels Rosello’s fury as he dumps Laurana back in the village. The next day, Laurana tells Luisa that the supposed diary never existed, a confession that does little to calm the peril surrounding them. Luisa guides him to a seaside spot where she finally ends their tense exchange by walking away after another blunt refusal.

Tragedy strikes when a group of local men brutally beats Laurana, killing him and allowing his body to disappear. In the aftermath, Rosello and Luisa marry, an event watched by acquaintances who quietly question the plot and wonder at Laurana’s optimism and naivety. The tale leaves the town haunted by the fear that truth and justice have been outmatched by fear, power, and a community’s uneasy complicity.

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We Still Kill the Old Way Themes and Keywords

Discover the central themes, ideas, and keywords that define the movie’s story, tone, and message. Analyze the film’s deeper meanings, genre influences, and recurring concepts.


italyplotwritten by directorpharmacisthigh school professormother son relationshipthreatening letterbird huntingdouble murdershotgun murdercousin cousin relationshippalermo italyphysicianpolitics15 year old girlservant girlnewspaperdiarycourthousefollowing someonekidnappingbetrayalman beatenrock quarrydynamite explosionmurder of protagonistlandslidewedding partycousin cousin romancegiallotruthmafiaactual animal killedcigar smoking15 year oldhuntingwidowloss of husbandmarriage between cousinsweddingmarriage without loveshot to deathfuneralsicilypriestpolicemurderuniversityinvestigationcorruption

We Still Kill the Old Way Other Names and Titles

Explore the various alternative titles, translations, and other names used for We Still Kill the Old Way across different regions and languages. Understand how the film is marketed and recognized worldwide.


À chacun son du Aún matamos a la antigua Condenado Pela Máfia A cada uno lo suyo Jedem das Seine Jagad av maffian Crimes à moda antiga Kazdemu swoje Mafian merkitsemä Den onde cirkel We Still Kill The Old Way 시칠리아의 음모 Каждому свое A chacun son dû Zwei Särge auf Bestellung Каждому своё Každému co mu patří... Στον καθένα το δικό του 各取应得 Mindenkinek a magáét

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