The Locket 1946

At a polished Park Avenue wedding in Manhattan, a respectable, uninvited guest arrives with a singular request: to see the groom, Gene Raymond as John Willis. The intruder is Dr. Harry Blair, a composed psychiatrist whose manner earns him a surprising reception among the upper-crust crowd. Blair announces that he has come to tell a story within a story, and that tale centers on Nancy, Laraine Day as Nancy, Willis’s fiancée. According to Blair, Nancy is not only a kleptomaniac, an inveterate liar, and a murderer, but also someone who seems to escape punishment for every crime.

Blair’s narrative unfolds through a series of nested flashbacks that trace Nancy’s tangled past. He recalls that Nancy’s misdeeds trace back to a childhood accusation of stealing a family heirloom, a wound that shapes her reputation and destiny. The tale then shifts to Nancy’s turbulent relationship with the artist Norman Clyde, played by Robert Mitchum as Norman Clyde, who contacts Blair on the eve of the execution of a man Nancy helped conceal for a murder she committed. Blair is initially skeptical and urges Clyde to seek counseling for his delusions, but Clyde’s desperate urgency pulls Blair deeper into a web of suspicion surrounding Nancy’s truthfulness.

As the memories pile up, Blair’s skepticism grows, and he confronts the possibility that Nancy’s past will intrude on the present. Yet Clyde’s information leaves a lasting impression, foreshadowing that Nancy’s pattern of deceit could threaten everything around her. Five years into their marriage, Blair faces a brutal truth about Nancy’s serial thefts and compulsive deceit—truths so explosive that they lead to a dramatic, fraught confrontation in which Nancy’s machinations culminate in Blair’s fraudulent commitment to a mental institution. The revelation complicates the bond between Nancy and her circle, including Willis.

The plot thickens as Nancy becomes engaged to John Willis, and it becomes unclear whether she recognizes that Willis is the son of the woman who once accused her of theft, which would make her future mother-in-law a figure from her childhood trauma. Despite Blair’s impassioned recollections of the past decade, Willis remains determined to see the wedding through, and the bridesmaids drift closer to Nancy as the ceremony nears. The tension reaches a peak when Nancy, dressed in her wedding gown and veil, is presented with a family heirloom—the heart-shaped golden locket that has tracked three generations of Willis women. It is this very keepsake that once seemed to doom Nancy, and now circles her neck as an ominous reminder of the past.

Overwhelmed by memories and haunted by the weight of her crimes, Nancy experiences vivid hallucinations of her sordid history and collapses during the wedding march. In the aftermath, she is committed to a mental institution, and Brian Aherne as Dr. Harry Blair shoulders the burden of guiding Willis and his mother through the aftermath with a blend of patience and compassion. The wedding that was meant to seal a new future becomes a stark, unflinching meditation on trust, memory, and the quiet, persistent consequences of a life spent eluding justice.