Crossroads 1942

In 1935, rising French diplomat David Talbot and his beautiful, much younger wife Lucienne Talbot are celebrating their third month of marriage when a chilling note arrives from the enigmatic Carlos Le Duc demanding one million francs to settle an old debt. David, who has never met Le Duc, has him arrested for attempted extortion, and the courtroom drama that follows plunges them into a web of memory, identity, and betrayal. Le Duc claims he knew David in 1922 as a petty criminal named Jean Pelletier, a detail that immediately unsettles the young couple and unsettles the court.

Talbot maintains that amnesia, sustained in a devastating train accident that same year, prevents him from remembering anything from that era. The claim is checked by the testimony of Dr. Tessier, the psychologist who treated him and has stood by his account since the wreck. Yet the defense counters with a cunning tactical move: a psychologist, Dr. Alex Dubroc, casts doubt on the reliability of such a diagnosis and suggests Talbot may have fabricated his amnesia to obscure a different, deeper truth. With two men having boarded that train—one survivor—the question of true identity becomes the central mystery: was it Pelletier or Talbot?

The case takes a glamorous turn when Michelle Allaine, the nightclub chanteuse, is introduced on behalf of the defense. After studying David closely, she identifies him as Pelletier, the man she once loved. The momentum shifts again when a surprise witness, Henri Sarrou, arrives bearing documentation that he and Pelletier were roommates in an African hospital and that Pelletier died of illness. This evidence appears to seal Le Duc’s fate, and he is convicted.

Yet the drama isn’t finished. In a private confrontation, Sarrou presses David with a different claim: David is actually Pelletier, and he and Sarrou and Le Duc orchestrated a decade-old robbery in which a courier was killed. Sarrou saved David at the trial only to demand payment for his silence, threatening to recant if the money isn’t forthcoming. Allaine corroborates that David is not Pelletier and that she still has feelings for him, even producing a locket that could prove pivotal.

Allaine reappears at the Talbot home, casting a shadow over Lucienne by hinting at exposure and fanning suspicions. David, anxious and wary, quietly pursues a clandestine meeting with Allaine at the nightclub where she works, still treating him as Pelletier. She escalates the tension by telling him his mother is living in penury nearby. Meanwhile, David visits the address Allaine provides and encounters Madame Pelletier, who insists that he is not her son, though her manner suggests otherwise. In the meantime, Sarrou and Allaine confer again; the real Pelletier is dead, and they’ve been financing their deception with an actress playing Madame Pelletier.

David, realizing the danger of exposure, attempts to flee with his passport, but Sarrou blocks his exit and threatens to seize the million francs from his safe, making it look like an outside robbery. The two men, with Allaine’s fragile loyalties in the air, hatch a plan to seize the government funds and pin the crime elsewhere. David pushes ahead, imploring the authorities to stage an ambush at the office, while Lucienne, who has been secretly tailing him, tries to intervene as the net tightens.

The climax arrives as the police close in at headquarters. David confesses to the earlier robbery and accepts punishment for murder alongside his supposed accomplices, while Allaine panics and finally admits that David is not Pelletier. The truth crystallizes when David, staring at his passport photo, recognizes a scar hidden beneath a carefully styled haircut and realizes the locket’s image—once thought to confirm his past—was a fabrication designed to mask his real identity.

The twist extends to Madame Pelletier’s fate as the actress who played her is arrested. With the scheme exposed and the conspirators behind bars, Talbot is cleared, preserving both his marriage to Lucienne and his ambassadorial career. The film resolves on a note of restoration: memory, truth, and loyalty win out in a courtroom drama that blurred lines between identity and illusion, leaving the couple to move forward with a renewed sense of trust—and a future restored by a careful, unflinching look at the past.