
Once celebrated as the world’s top marksman, James Dial finds himself an unwanted target. The former CIA operative is drawn back to London to eliminate a terrorist, but the assignment collapses and he is forced into the shadows. While in hiding he encounters a ten‑plus‑year‑old girl, forming an unlikely friendship that becomes central to his fight for survival.
Does The Contractor have end credit scenes?
No!
The Contractor does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of The Contractor, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Charles Dance
DCS Andrew Windsor

Gemma Jones
Mrs. Day

Eliza Bennett
Emily Day

Lena Headey
DI Annette Ballard

Wesley Snipes
James Dial

Ralph Brown
Jeremy Collins

John Standing
Sir Anthony

Richard Harrington
Terry Winchell

Iain Robertson
Cramston

Velizar Binev
Beloit

Stanimir Stamatov
King

Nikolai Sotirov
Ali Mahmud Jahar

Ryan McCluskey
Purcell

Miroslav Emilov
Harris

Peter Kerry Morgan
Newscaster
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Challenge your knowledge of The Contractor with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Which actor portrays the retired CIA black‑ops hitman James Jackson Dial?
Wesley Snipes
Denzel Washington
Liam Neeson
Tommy Lee Jones
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Read the complete plot summary of The Contractor, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
James Jackson Dial, a retired CIA black-ops hitman, hides out on a Montana ranch while his past quietly simmers. When his former employer, Jeremy Collins, offers him a chance at redemption, Dial is drawn back into a high-stakes assignment that could either cleanse his record or confirm his fall from grace. Years earlier, Dial had come within seconds of taking down the notorious terrorist cell leader Ali Mahmoud Jahar, but a fatal lapse allowed Jahar to escape, leaving that mission branded as a failure.
Now Collins wants Dial to finish the job by assassinating Jahar, who has been captured and is under police custody in London. Dial is equipped with a safe house, passports, and an assistant, Terry Winchell, and travels to the city to complete unfinished business. Disguised as a priest, Dial takes up a position in a church bell tower across from the building where Jahar will be brought in. When Jahar is led out, his head is covered by a jacket, depriving Dial of a clean shot. Refusing to miss his mark, Dial waits with cold patience for the right moment.
From his high vantage point, Dial spots Jahar inside the building with his back to a window. He fires through the glass, striking Jahar in the back of the head. A delay—caused by a pair of cops—slows the response, and Winchell is late with the getaway car. The ensuing pursuit ends in a chaotic gunfight and car crash, claiming Winchell’s life. Wounded and bleeding, Dial escapes the wreck and makes his way back to the safe house.
There, he meets Emily Day, a curious 12-year-old neighbor who lives with her grandmother, Mrs. Day. Emily tends to Dial’s wounds, and her presence softens the jagged edge of his violent world. Yet the mission’s nominal success is hollow, because Collins’ people filmed Dial fleeing the scene, leaving the assignment technically a failure in their eyes.
Meanwhile, Collins faces an investigation in the United States for running a CIA hit squad, and if the truth about Dial—and the death of Chief Superintendent Andrew Windsor—emerges, Collins could be exposed. Inspector Annette Ballard closes in, chasing Dial through the avenues of law and retribution, while Dial fights to clear his name.
In a decisive turn, Dial eliminates Collins, saving Ballard’s life in the process. With Ballard’s trust earned, he bids a hopeful farewell to Emily, sending her a letter and two tickets to America so she and her grandmother can visit him at his Montana ranch and meet his horse, Beauty. The film closes on a quiet, open note: Emily and Dial at the ranch, watching Beauty run free, a symbol of new beginnings and a life beyond the shadows.
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