The Arrangement 1969

Eddie Anderson, Kirk Douglas is a successful, wealthy ad man whose life feels rigidly arranged. The film opens with a dramatic act: he tries to end his life by veering his sportscar beneath a tractor trailer. What follows are a series of fragmented memories and visions—some real, some distorted by pain—that reveal his growing contempt for the life he’s built and the expectations that come with it. At the center of these flashbacks is a fraught family history: a stormy relationship with his Greek father, Sam Arness, a once-proud importer who resents Eddie’s decision to Anglicize the family name, send him to college, and reject the family business. Sam’s voice remains a stubborn, deteriorating presence as his brain slowly succumbs to arteriosclerosis, a fact that compounds Eddie’s guilt and frustration.

Eddie’s marriage to Florence Anderson, Deborah Kerr, has lost its spark. What started as a grand partnership now feels hollow to Eddie, while to Florence it seems increasingly suffocating. Into this already tense dynamic enters Gwen, Eddie’s alluring research assistant, with whom he shares a dangerous, passion-fueled affair. The tension between devotion and desire threads through the couple’s life as Eddie struggles to reconcile his private cravings with the outward demands of propriety and duty. On the business front, Eddie returns to work and unintentionally humiliates a valued tobacco client by muttering about “the big C,” a remark that foreshadows the dangerous currents beneath his polished surface. A careless flight near L.A. earns him trouble with the authorities, while his wife discovers nude photographs of him with Gwen—evidence that shatters Florence’s already fragile trust and thrusts the couple into a sharper, more visible crisis.

In New York, Eddie’s obligations collide with family concerns. Sam’s health has grown more precarious, and Eddie’s brother and sister-in-law debate placing Sam in a nursing home to spare the aging matriarch the burden of his paranoia and the fallout from his increasingly erratic ideas about starting a new enterprise. Gwen is also in New York, living with a man named Charles, who candidly explains how Gwen’s heartbreak over their breakup drove her to a permissive lifestyle. She’s had a baby boy named Andy, and she refuses to reveal the father’s identity. Gwen is forthright about her complicated feelings for Eddie, and she and Eddie resume their affair.

Florence follows Eddie to New York, hoping to coax him back into a conventional marriage and a more straightforward life. She dismisses his longing to care for his ailing father directly and explodes when he admits he has been with Gwen. With the doctor’s help, Eddie manages to smuggle Sam out of the hospital and bring him home to the family’s vast Long Island mansion. Sam, whispering his Evangelos persona, stirs memories that run deep and unsettled. Gwen’s tentative offer to become Eddie’s mistress after she marries George intensifies Eddie’s sense that his past and present are colliding in dangerous ways. Eddie insists that he will marry Gwen, even as Florence’s insistence on control over their lives becomes more aggressive.

Work, family, and affections collide as Eddie fails to provide the money Sam needs to pursue his imaginary enterprise. Anger erupts, and Eddie admits a harsh truth: he feels ashamed of his father. While Eddie and Gwen drift away on a boat, the rest of the family removes Sam by force from the mansion, and Charles takes Gwen and the baby away from Eddie’s orbit. Eddie’s sense of himself as a success fractures, and the people closest to him—Arthur, Florence, and Dr. Leibman—press him to give Florence control of their community property. Florence, unwilling to back down, tries to steer him toward signing over everything, even using Arthur’s name in a bid to force the matter.

A private confrontation with Eddie reveals Florence’s true feelings: she loves him and will “stick with him through anything.” Yet she cannot grasp his need for time and space, and she resents what she sees as Eddie’s secondary loyalty to Gwen. Eddie wants a period of stasis—perhaps liquidating the extravagant holdings and rebuilding life with more meaning and less glare. Florence cannot tolerate that possibility and suspects that Eddie is colluding with Arthur in ways that would undermine her position. The tension crescendos during the commitment hearing, where the story reveals another brutal turn: Eddie has set fire to the family home, a symbol of the life he is trying to escape and redefine. The audience glimpses the alter egos at war with each other, and the film hints at a gunshot wound Eddie bears, though the origin is not fully explained on screen. It is revealed that Charles shot him in Gwen’s apartment, a devastating twist that underscores the fragility of the fragile, entwined relationships.

The judge, Philip Bourneuf as Judge Morris, explains that Eddie could release himself at any time if he can prove he has a job and a home, a stark reminder of the precarious balance between freedom and confinement. Eddie asks to go to a psychiatric hospital, signaling a surrender to whatever help can restore some measure of calm. The resolution does not pretend everything is simple: Florence’s presence remains a source of conflict, and Gwen’s influence continues to pull Eddie toward a future he cannot fully define. The final act takes place in the asylum, where Eddie, surrounded by new companions, seems to find a delicate sense of belonging—an odd comfort in a place of escape. Yet his heart remains anchored to the memory of his father, and even as he negotiates a path toward healing, he confesses a shared longing with Gwen for “another chance.”

The film’s closing image is paradoxically intimate and ceremonial. Eddie confesses his love to Gwen, and Gwen responds with a cautious smile, a glimmer of possibility in a life shaped by betrayal and remorse. The last scene shifts to Sam’s interment: Florence offers Gwen a knowing smile as Eddie’s own expression softens, and the coffin sinks into the ground. It is a moment that crystallizes the film’s central tension—the attempt to reconcile a life of outward success with the vulnerable, yearning core that must endure within. The movie ends not with a triumphant reconciliation, but with a quiet, complicated peace: Eddie accepts a humane option for his future, while the memory of his father and the ache of what might have been linger in the air.