As jazz icon Billie Holiday soared to international acclaim, the Federal Department of Narcotics launched a clandestine operation to take her down, led by black Agent Jimmy Fletcher, whose complicated romance with her only added fuel to the fire. This poignant biopic delves into Holiday's tumultuous life, where addiction, fame, and heartbreak collided.
Does The United States vs. Billie Holiday have end credit scenes?
No!
The United States vs. Billie Holiday does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of The United States vs. Billie Holiday, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.
Melvin Gregg
Garrett Hedlund
Harry Anslinger
Rob Morgan
Da'Vine Joy Randolph
Roslyn
Trevante Rhodes
Jimmy Fletcher
Natasha Lyonne
Tallulah Bankhead
Tone Bell
Dana Michelle Gourrier
Erik LaRay Harvey
James Monroe
Andra Day
Billie Holiday
Dusan Dukic
Joe Glaser
Evan Ross
Koumba Ball
Lucille
Leslie Jordan
Reginald Lord Devine
Miss Lawrence
Miss Freddy
Tyler James Williams
Lester Young
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52
Metascore
5.4
User Score
55%
TOMATOMETER
79%
User Score
6.3 /10
IMDb Rating
66
%
User Score
4.33/5
From 3 fan ratings
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Best Original Song
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In 1957, the legendary singer Billie Holiday sits down for an interview with radio journalist Reginald Lord Devine. During their discussion, Devine probes her about the challenges she faces as a “colored woman” and the backlash surrounding her powerful song “Strange Fruit.” Billie passionately explains that the song’s lyrics highlight crucial human rights issues, which are often neglected by those in power.
Flashback to 1947, where Billie’s husband James Monroe and her manager Joe Glaser urge her to remove “Strange Fruit” from her performance repertoire due to potential legal complications. Despite their concerns, Billie’s saxophonist and steadfast ally, Lester Young, stands by her, encouraging her to keep the song in her set.
As the 1940s unfold, Harry J. Anslinger, the head of the Federal Bureau of Narcotics, marks Billie as a major target, perceiving her as a political threat because of her music’s provocative themes. Unable to charge her with merely singing, the authorities pivot to alleged drug offenses. After one of her performances, undercover agent Jimmy Fletcher, posing as a soldier, witnesses Billie using drugs. The ensuing investigation leads to her arrest alongside her partner Joe Guy. Betrayed by the testimony of a bribed witness, Billie receives a harsh one-year prison sentence.
Assigned to gain Billie’s trust, Jimmy visits her in prison, initially aiming to extract incriminating evidence. However, he becomes sympathetic to her plight and advises her to stay vigilant, knowing the government is intent on destroying her legacy.
Upon her release, Billie returns to the stage at Carnegie Hall but is saddened when she must turn down a fan’s request to hear “Strange Fruit.” She subsequently meets promoter John Levy, who offers to help her navigate the treacherous waters of her career. Sadly, Levy’s betrayal comes full circle when he plants drugs on her, resulting in another arrest just as Anslinger’s agents close in. In a dramatic court scene, Jimmy reveals that Billie may have been set up, leading to her freedom once more.
In 1949, after a successful string of performances, Jimmy finally comes clean about his true allegiance to the Bureau. Desperate to earn Billie’s trust again, he shares his struggles with addiction, and their relationship deepens as they fall in love. However, after a bus breakdown prompts an emotional farewell, Billie believes that she is not the right partner for Jimmy, prompting him to leave.
Later, Billie marries Louis McKay, but her heart ultimately belongs to Jimmy. As 1959 rolls around, an older Billie lies dying in a hospital bed after years of battling alcoholism. In a final confrontation, Anslinger pays her a visit with one last deal—clearing her record in exchange for names of fellow drug users. Billie, unfazed, delivers a powerful retort, stating that his grandchildren will one day be singing “Strange Fruit.”
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