
Featuring the legendary big‑band leaders Jimmy Lunceford and Will Osborne, the film follows a down‑on‑its‑luck group that becomes entangled with a fugitive. Their involvement drags them into old rivalries and tangled love affairs, forcing the musicians to stay united while chasing musical success.
Does Blues in the Night have end credit scenes?
No!
Blues in the Night does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for Blues in the Night (1941) via JustWatch.
Explore the complete cast of Blues in the Night, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Jack Carson
Leo Powell

Betty Field
Kay Grant

Lloyd Nolan
Del Davis

Howard Da Silva
Sam Paryas

Wallace Ford
Brad Ames (as Wally Ford)

Priscilla Lane
Ginger 'Character' Powell

William Hopper
Billiards player

Richard Whorf
Jigger Pine

Joyce Compton
Blonde

Matt Mchugh
St Louis Jail Drunk

Frank Mayo
Gambler Watching Kay Throw Dice (uncredited)

Emmett Vogan
Hotel desk clerk

Faith Domergue
Jitterbug (uncredited)

Peter Whitney
Pete Bossett

Herbert Heywood
Brakeman

Billy Halop
Pippi

Faye Emerson
Dr. Morse's Nurse (uncredited)

Mabel Todd
Baby Beth Barton - Singer (uncredited)
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Challenge your knowledge of Blues in the Night with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
What instrument does Jigger Pine play?
Read the complete plot summary of Blues in the Night, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
In a smoky St. Louis bar, jazz pianist Jigger Pine [Richard Whorf] meets an aspiring clarinetist, Nickie Haroyen [Elia Kazan], and together they imagine forming a fresh, blues-infused band. After a drunken brawl lands them in jail, the two musicians, along with Jigger’s drummer and bassist, overhear a prisoner singing a blues tune and feel the pull to ride the rails to New Orleans, where they hope to learn how to shape a truly authentic sound. In the port city’s clubs, they encounter a fast-talking trumpeter named Leo Powell [Jack Carson] and his wife, Ginger “Character” Powell [Priscilla Lane], a gifted singer whose presence helps the fledgling group tighten their groove as they push from bar to bar across the country.
Their fortunes shift when a chance shelter in a boxcar leads them to Del [Lloyd Nolan], a mysterious figure who robs them but earns their trust instead of betrayal. Del’s respect for their camaraderie grows into an uneasy opportunity: he hires them to play in a New Jersey roadhouse called The Jungle. Yet The Jungle is no ordinary gig. Del’s former partners—Kay Grant [Betty Field], an ambitious singer, and her ally Sam Paryas [Howard Da Silva], along with her disabled sidekick Brad Ames [Wallace Ford]—have built a shady empire around the club’s backrooms, and Del intends to reclaim his share by taking over. Kay’s sudden reappearance ignites old flames, but Del bluntly rejects her, setting off a tense triangle that stirs jealousy and desire.
Despite the tension, the band finds a steady audience at The Jungle, reveling in their distinctive jazz while Character — the group’s primary vocalist — worries about Leo’s heart and Kay’s pull on him. When Jigger reveals that Character is pregnant, Leo resolves to step away from Kay, whose lingering interest in Del becomes a dangerous lure. Kay then pushes to recruit Jigger for a more mainstream, city-bound ensemble, hoping to cast off the road’s rough edges for a polished career. Jigger, torn by loyalty and longing, pushes back against Kay’s pressure, insisting that the band stay together.
The tension comes to a head as Kay pursues Jigger, while he grapples with love and his own fragile psyche. After Kay leaves for New York, Jigger sinks into alcohol and a creative drought, but his friends rally around him, nursing him back to health as they quietly shield a painful truth: Character’s baby has died. The group returns to The Jungle, where Jigger rediscovers happiness in the rhythm they share, even as shadows of the past linger.
During a rain-soaked night, Kay returns and confronts Del, trying to force a future on him that she cannot have. When Del refuses to let her stay, she threatens to turn him in herself. In a desperate move, Del pulls a gun, and Jigger intervenes to defend Kay. The gun misfires in the struggle, but Kay seizes the moment and shoots Del. Jigger chooses to help Kay escape, urging her to wait for him in Del’s car as the band confronts him with accusations of abandoning his friends.
As the others press Jigger to choose between the past and a life with the band, they learn that Character has endured a personal tragedy—the loss of the baby. Brad, moved by the reckoning around fate and choice, accompanies Kay in Del’s car, and he steers them into a violent storm, deliberately crashing the vehicle. The collision seals their fates, leaving Jigger and the rest to return to the road, where they find a renewed sense of belonging in the music they still love to play.
“I just don’t think I can.” In the aftermath, the band members reflect on the fragility of dreams, the pull of love, and the resilience of friendship. They move forward with a deeper understanding of what it means to chase authenticity, choosing to keep the music as their North Star even as the world around them darkens.
Throughout their journey, the ensemble’s chemistry and the raw honesty of their performances drive the story forward, painting a portrait of ambition, vulnerability, and the price of pursuing true sound. The film blends smoky jazz atmospheres with tight, character-driven drama, showing how every choice—about love, loyalty, and art—shapes the path back to the road they know best.

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