
The police have the victim, the weapon and the suspect, but lack the mysterious ‘Sunday Woman.’ Commissioner Santamaria investigates the architect Mr. Garrone’s murder, which draws him into Turin’s high society. He suspects Anna Carla and falls for her. Meanwhile, Lello, lover of her gay friend Massimo, pursues another lead, confusing the case, and the second murder follows.
Does The Sunday Woman have end credit scenes?
No!
The Sunday Woman does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of The Sunday Woman, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Marcello Mastroianni
Commissioner Salvatore Santamaria

Jacqueline Bisset
Anna Carla Dosio

Aldo Reggiani
Lello Riviera

Claudio Gora
Garrone

Lina Volonghi
Ines Tabusso

Tina Lattanzi
Massimo's Mother

Jean-Louis Trintignant
Massimo Campi

Clara Bindi
Benito's Wife

Omero Antonutti
Benito

Luigi Comencini

Antonio Orlando
Barber

Mauro Vestri
Ragionier Giancarlo Cerioni

Massimo Giuliani
Young Man in Trattoria

Dante Fioretti
Geometra Bauchiero

Ennio Antonelli
Zavattaro

Gil Cagnè
Coiffeur (uncredited)

Antonino Faà di Bruno
Paolo Campi

Pino Caruso
Police Commissioner De Palma

Guglielmo Molasso
Pepper Mill Seller (uncredited)

Giuseppe Anatrelli
Chief of Police

Gigi Ballista
Vollero

Fortunato Cecilia
Nicosia

Franco Nebbia
Bonetto

Ginette Marcelle Bron

Maria Teresa Albani
Virginia Tabusso

Mario Ferrero
Vittorio Dosio

Jean-Claude Clément

Eleonora Spinelli

Nancy Lecchini
Colleague of Cerioni

Aurelio Bertola
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Who plays Inspector Santamaria, the chief of the homicide squad?
Read the complete plot summary of The Sunday Woman, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Inspector Santamaria, Chief of Homicide Squad, Marcello Mastroianni, is assigned to investigate the murder of the architect Garrone, Claudio Gora, a second-rate fellow living on the fringes of polite society, who has been battered to death with a stone phallus.
Anna Carla Dosio, Jacqueline Bisset, the bored wife of a businessman who is often away, brings to the police a discarded draft of a letter she planned to send to her dear friend Massimo Campi, Jean-Louis Trintignant, in which she says they must rid Garrone.
Massimo Campi, Jean-Louis Trintignant, has a secret lover, a young clerk named Lello Riviera, Aldo Reggiani, who works in the city’s planning department, and Santamaria has the young man followed.
It emerges that Garrone was acting for the widow Ines Tabusso, Lina Volonghi, who lives in a crumbling villa, along with a “simple” sister. The house sits on Turin’s renowned Hill, and if she could obtain permission to build around the villa’s surroundings, she would make a fortune.
The Inspector is warned by his boss to move with care now that rich and influential people are involved. All his suspects have motives for killing Garrone, and none have solid alibis for the time of his death. While Campi withholds cooperation, to protect his homosexuality, Anna Carla enthusiastically assists Santamaria and promises him a secret rendezvous, beginning with lunch.
Hoping to win the cooperation of Ines, Santamaria mounts a night raid to clear her property of prostitutes.
By coincidence, a Saturday morning finds all the involved at the Balon, the city’s flea market, where Riviera is to meet with the possible murderer, but he is himself killed by a stone pestle.
The culprit is Ines, who killed Garrone after he had discovered by chance that on her property there was an ancient and artistic stone used as a laundry, set under the provisions of Art Superintendence, so the Tabusso grounds were forbidden to sell; Garrone had tried to coax her into believing the interdiction would be removed if she bribed the right people.
With the case solved, Santamaria and Anna Carla are able to enjoy the private lunch they promised each other. Their quiet, sunlit afternoon ends when she must get out of bed to start packing for the family holidays.

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