The Sunday Woman 1975

The police have the victim, the weapon and the suspect, but lack the mysterious ‘Sunday Woman.’ Commissioner Santamaria investigates the architect Mr. Garrone’s murder, which draws him into Turin’s high society. He suspects Anna Carla and falls for her. Meanwhile, Lello, lover of her gay friend Massimo, pursues another lead, confusing the case, and the second murder follows.

The police have the victim, the weapon and the suspect, but lack the mysterious ‘Sunday Woman.’ Commissioner Santamaria investigates the architect Mr. Garrone’s murder, which draws him into Turin’s high society. He suspects Anna Carla and falls for her. Meanwhile, Lello, lover of her gay friend Massimo, pursues another lead, confusing the case, and the second murder follows.

Does The Sunday Woman have end credit scenes?

No!

The Sunday Woman does not have end credit scenes. You can leave when the credits roll.

Take the Ultimate The Sunday Woman Movie Quiz

Challenge your knowledge of The Sunday Woman with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.


The Sunday Woman (1975) Quiz: Test your knowledge of the 1975 Italian mystery film "The Sunday Woman" with these ten questions ranging from easy to challenging.

Who plays Inspector Santamaria, the chief of the homicide squad?

Full Plot Summary and Ending Explained for The Sunday Woman

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Read the complete plot summary of The Sunday Woman, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.


Inspector Santamaria, Chief of Homicide Squad, Marcello Mastroianni, is assigned to investigate the murder of the architect Garrone, Claudio Gora, a second-rate fellow living on the fringes of polite society, who has been battered to death with a stone phallus.

Anna Carla Dosio, Jacqueline Bisset, the bored wife of a businessman who is often away, brings to the police a discarded draft of a letter she planned to send to her dear friend Massimo Campi, Jean-Louis Trintignant, in which she says they must rid Garrone.

Massimo Campi, Jean-Louis Trintignant, has a secret lover, a young clerk named Lello Riviera, Aldo Reggiani, who works in the city’s planning department, and Santamaria has the young man followed.

It emerges that Garrone was acting for the widow Ines Tabusso, Lina Volonghi, who lives in a crumbling villa, along with a “simple” sister. The house sits on Turin’s renowned Hill, and if she could obtain permission to build around the villa’s surroundings, she would make a fortune.

The Inspector is warned by his boss to move with care now that rich and influential people are involved. All his suspects have motives for killing Garrone, and none have solid alibis for the time of his death. While Campi withholds cooperation, to protect his homosexuality, Anna Carla enthusiastically assists Santamaria and promises him a secret rendezvous, beginning with lunch.

Hoping to win the cooperation of Ines, Santamaria mounts a night raid to clear her property of prostitutes.

By coincidence, a Saturday morning finds all the involved at the Balon, the city’s flea market, where Riviera is to meet with the possible murderer, but he is himself killed by a stone pestle.

The culprit is Ines, who killed Garrone after he had discovered by chance that on her property there was an ancient and artistic stone used as a laundry, set under the provisions of Art Superintendence, so the Tabusso grounds were forbidden to sell; Garrone had tried to coax her into believing the interdiction would be removed if she bribed the right people.

With the case solved, Santamaria and Anna Carla are able to enjoy the private lunch they promised each other. Their quiet, sunlit afternoon ends when she must get out of bed to start packing for the family holidays.

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Watch Trailers, Clips & Behind-the-Scenes for The Sunday Woman

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Watch official trailers, exclusive clips, cast interviews, and behind-the-scenes footage from The Sunday Woman. Dive deeper into the making of the film, its standout moments, and key production insights.


La donna della domenica (1975) Original Trailer [FHD]

The Sunday Woman Themes and Keywords

Discover the central themes, ideas, and keywords that define the movie’s story, tone, and message. Analyze the film’s deeper meanings, genre influences, and recurring concepts.


turin italyperverthomosexual couplegay characterhomosexual1970scheating wifefemale murder suspectflea marketarchitecthit on the headphallusadulterybackachereference to bostonpronunciationtailing a suspectbored wifedraft noticeprostitutionpeeping tomvoyeurreference to spinozastonephallic imagerypolice commissariopolice investigationfountainproverbsuspectshadowingpolice raidhandbagwitnessfiat 500mansionpoliceinvestigationturinmurdergiallobased on novelitalyvoice over inner thoughtsupper classtitle same as bookpenis statuefemale frontal nudityfemale nudityfemale rear nudity

The Sunday Woman Other Names and Titles

Explore the various alternative titles, translations, and other names used for The Sunday Woman across different regions and languages. Understand how the film is marketed and recognized worldwide.


La mujer del domingo La femme du dimanche Die Sonntagsfrau La Donna Della Domenica A Mulher de Domingo La Femme du dimanche Жена за неделя Воскресная женщина 星期天的女人 A vasárnapi nő Kobieta na niedzielę

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