
After her husband suffers a fatal heart attack on the way to their planned Roman vacation, the aging actress rents an apartment in the city. Through the Contessa she meets a young man, and the two begin an affair while she stays in Rome.
Does The Roman Spring of Mrs. Stone have end credit scenes?
No!
The Roman Spring of Mrs. Stone does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of The Roman Spring of Mrs. Stone, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Helen Mirren
Karen Stone

Rodrigo Santoro
Young Man

Brian Dennehy
Tom Stone

Anne Bancroft
Contessa

Roger Allam
Christopher

Suzanne Bertish
Julia

Olivier Martinez
Paolo di Lio

Frank Crudele
Peppo

Tara Lynne O'Neill
Angel Hunter

Rebecca Smith
Stewardess

Salvatore Lazzaro
Barber

Jane Bertish
Karen's Secretary

Victor Alfieri
Lorenzo

Riccardo Sardonè
Marco

Dona Granata
Mama Pepisco

Sara James
Hairdresser

Aldo Signoretti
Papa Pepisco

Jack Lynch
Reporter

Morgan O'Sullivan
Reporter

Genevieve Mackenzie
Maid
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Challenge your knowledge of The Roman Spring of Mrs. Stone with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
What profession does Karen Stone have at the start of the film?
Film director
Stage actress
Opera singer
Screenwriter
Show hint
Read the complete plot summary of The Roman Spring of Mrs. Stone, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Karen Stone, an acclaimed American stage actress, travels to Rome with her businessman husband for a holiday. On the plane, her husband, a multi-millionaire, suffers a fatal heart attack. Left with no reason to return home, she chooses to stay in Italy and rents a luxury apartment in Rome. She closes her latest play, As You Like It, because she realizes she is far too old to play Rosalind.
One year later, the Contessa Magda Terribili-Gonzales, a procurer, introduces her to a handsome, well-dressed, narcissistic young Italian named Paolo, who belongs to her stable of professional gigolos. Magda plots and plans, telling Paolo that Mrs. Stone has just begun to taste loneliness. [Paolo] and Mrs. Stone go out for dinner and dancing, but no more. Eventually she begins the affair. She falls in love with him; he pretends to love her. She believes that she is different from other mature women he has known. Her self-deception is aided by the fact that she does not actually pay him, but buys him expensive clothes and gifts, including a movie camera, and pays his bills through charge accounts. They become the subject of gossip columns. It soon becomes obvious that Paolo is only interested in himself. Eventually he is bored by Mrs. Stone’s possessiveness and pursues an American starlet.
Abandoned by Paolo, ridiculed by the Contessa, with her only real friend Meg on a plane to New York, Mrs Stone looks over her balcony and sees the ragged, mysteriously menacing young man who has followed her everywhere since the day she moved in, pacing. She tosses the keys of her apartment down to him and walks back inside, remembering what she told Paolo after he tried to frighten her with a story about a middle-aged woman murdered on the French Riviera by someone she invited into her apartment: > All I need is three or four years. After that, a cut throat would be a convenience. She lights a cigarette and sits down to wait. The youth comes into the apartment and walks toward her slowly, hands deep in the pockets of his filthy coat, smiling faintly as his shadow fills the screen.
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