
Fifteen‑year‑old Byron Turner, a runaway from the Eatondale Orphan Asylum, is given a ride by wealthy landowner Tobias Brown to the quiet, rural Missouri town of Delphi. As they travel, Byron confronts a world far removed from the orphanage, facing new challenges and the stark contrast between his past and the town’s genteel life.
Does The Missouri Traveler have end credit scenes?
No!
The Missouri Traveler does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for The Missouri Traveler (1958) via JustWatch.
Explore the complete cast of The Missouri Traveler, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Lee Marvin
Tobias Brown

Paul Ford
Finas Daugherty

Frank Cady
Willie Poole

Mary Field
Nelda Hamilton

Will Wright
Sheriff Marvin Peavy

Helen Brown
Hattie Neely

Gary Merrill
Doyle Magee

Ken Curtis
Fred Mueller

Roy Jenson
Simpson

Brandon De Wilde
Byron Turner

Kathleen Freeman
Serena Poole

Eddie Little Sky
Red Poole

William Bryant
Henry Craig

Barry Curtis
Jimmy Price

Earle Hodgins
Old Sharecropper

William Newell
Pos Neely

Cal Tinney
Clyde Hamilton, the baker

Rodney Bell
Herb Davis

Eddie Little
Robert 'Red' Poole

Tom Tiner
Rev. Thorndyke

Mary Hosford
Anne Love Price
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Read the complete plot summary of The Missouri Traveler, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Biarn Turner, Brandon De Wilde, a 15-year-old runaway from the Eatondale Orphan Asylum bound for Florida in the post-World War I era of 1926, finds a chance ride into the rural Missouri town of Delphi with the wealthy landowner Tobias Brown, Lee Marvin. In Delphi, after a vivid scene in the town square that pulls in most of the townsfolk, Biarn meets Doyle Magee, Gary Merrill, a crusty newspaper man.
The two men—Brown and Magee—are drawn to this polite, mature youth, but they offer him strikingly different kinds of mentorship. Brown offers warmth and quiet care, while Magee’s approach can feel harsher and more searching. As Biarn navigates their competing attentions, the true motives behind each man’s behavior gradually become clear to him.
Meanwhile, the town of Delphi grows from wary curiosity to genuine acceptance, embracing Biarn as one of their own and fueling his quiet dream of becoming a farmer. Small-town life comes into focus through moments like a Fourth of July parade and a horse-trotting race, while the direct rivalry between Magee and Brown adds tension to the community’s evolving sense of belonging.
The film adapts The Missouri Traveler, a book with a more complex storyline that the screen version could not fully capture. In the book, Biarn’s presence subtly shapes the lives of several residents without his deliberate intent, weaving a more intricate web of impacts. The movie, though gentler and more family-friendly in tone, is often described as more of a Disney-like treatment of the material. The book, which is harder to find, offers a deeper, fuller exploration of how a young wanderer can ripple through a town.

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