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The Baby and the Battleship 1956

Runtime

96 mins

Language

English

English

After a mix‑up with his fiancée’s Italian family, Able Seaman Knocker White ends up with a baby he can’t return before the ship departs. He and his mate Puncher Roberts hide the infant aboard, and the demanding child soon draws the whole crew into secret care. Meanwhile, the officers grow curious about the odd goings‑on below deck.

After a mix‑up with his fiancée’s Italian family, Able Seaman Knocker White ends up with a baby he can’t return before the ship departs. He and his mate Puncher Roberts hide the infant aboard, and the demanding child soon draws the whole crew into secret care. Meanwhile, the officers grow curious about the odd goings‑on below deck.

Does The Baby and the Battleship have end credit scenes?

No!

The Baby and the Battleship does not have end credit scenes. You can leave when the credits roll.

Meet the Full Cast and Actors of The Baby and the Battleship

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Take the Ultimate The Baby and the Battleship Movie Quiz

Challenge your knowledge of The Baby and the Battleship with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.


The Baby and the Battleship (1956) Quiz: Test your knowledge of the 1956 film "The Baby and the Battleship" with these ten questions ranging from easy to challenging.

What is the name of the baker who has twelve daughters and a newborn son?

Full Plot Summary and Ending Explained for The Baby and the Battleship

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Read the complete plot summary of The Baby and the Battleship, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.


On leave in Naples, a group of Royal Navy sailors visits their old friend, Knocker White Richard Attenborough, a baker who is proudly showing off his huge brood—twelve daughters and, to his great relief, a newborn son. To allow one of the daughters to go out that evening, the sailors are asked to bring the infant along to an outdoor dance, a ritual that sets the stage for a night of mischief and camaraderie.

Puncher Roberts [John Mills] is well known among the crew for his propensity to fight and drink, and despite his best efforts to reform, he still finds himself provoked by two sailors from another ship. The tension erupts while Knocker is dancing with the eldest daughter, and a brawl spills into the square. In the confusion, Puncher is knocked unconscious, Knocker and the elder sister vanish as police arrive, and the baby is left behind in the square.

When Puncher comes to, he discovers the square is empty except for the lonely infant. With no sign of Knocker or the baby’s eldest sister, he makes a bold move: he smuggles the baby aboard their ship, leaving a chalk message on the wharfside to tell Knocker that he has taken ‘Number 13’ on board. From then on, he enlists the help of his fellow sailors to care for the child while keeping it hidden from their superiors, all within the broader framework of ongoing joint operations with Allied navies off the Italian coast.

Knocker seeks assistance from his more casual shore-based senior officer, but finds little traction as the ship maintains radio silence. The sailors, meanwhile, grow closer to the baby’s unexpected presence among them, and the baker’s extended family becomes a source of warmth and tension as the delay in returning the infant stretches into days.

Back on the home front, the Captain faces a potential setback during a training exercise and confronts a choice that could expose the unit to embarrassment. He leverages the baby’s presence to avert a humiliating loss, turning an awkward situation into a chance to demonstrate resolve and teamwork. Through it all, the infant remains a quiet force that binds the crew, the baker’s clan, and the ship’s hierarchy together.

As the mission rolls onward and the ships sail under the shadow of the war’s demands, the original bond between Knocker, Puncher, and the baker’s family endures. When the moment finally comes for the ships to return to port, the long-awaited reunion unfolds not just in the hold of the vessel but in the eyes of a family that has learned to endure separation, uncertainty, and danger with patience, humor, and steadfast loyalty. The voyage ends with a warm, hopeful convergence on board, where the entire family is joyfully reunited and the crew finds a sense of home amid the vastness of the sea.

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The Baby and the Battleship Themes and Keywords

Discover the central themes, ideas, and keywords that define the movie’s story, tone, and message. Analyze the film’s deeper meanings, genre influences, and recurring concepts.


babysailornavybased on novel

The Baby and the Battleship Other Names and Titles

Explore the various alternative titles, translations, and other names used for The Baby and the Battleship across different regions and languages. Understand how the film is marketed and recognized worldwide.


Das Baby auf dem Schlachtschiff Le Bébé et le Cuirassé 战舰育婴记 Dítě a bitevní loď Un bebeluș la bord

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