
In 1920s rural Mississippi, servant Nancy Mannigoe is sentenced to death for murdering the infant of Temple Drake, the governor’s daughter. Temple begs her father to exonerate Nancy, saying she acted hastily to stop Temple from resuming an affair with a roguish Cajun named Candy Man. As she pleads for mercy, Temple’s sordid past emerges.
Does Sanctuary have end credit scenes?
No!
Sanctuary does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Sanctuary, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Yves Montand
Candy Man

Strother Martin
Dog Boy

Lee Remick
Temple Drake

Howard St. John
Gov. Drake

Bradford Dillman
Gowan Stevens

Marge Redmond
Flossie

Reta Shaw
Miss Reba

Linden Chiles
Randy

Odetta
Nancy Mannigoe

Harry Townes
Ira Bobbitt

William Mims
Lee

Kim Hector
Bucky Stevens

Voltaire Perkins
Judge

Jean Carson
Norma

Jean Bartel
Swede

Hope Du Bois
Mamie

Pamela Raymond
Cora

Dona Lorenson
Connie

Enid Jones
Jackie

Robert Gothie
Gus

Wyatt Cooper
Tommy
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Which actress portrays Temple Drake in the film?
Read the complete plot summary of Sanctuary, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
In 1928 Yoknapatawpha County, Mississippi, Nancy Mannigoe, [Odetta], a 30-year-old Black woman, is condemned to death for the murder of the infant son of her white employer, Mrs. Gowan Stevens—the woman once known as Temple Drake. On the eve of the scheduled execution, Temple Drake, [Lee Remick], tries to save Nancy by recounting the events that led to the crime.
Six years earlier, Temple, a carefree college girl, carried on a flirtation with Gowan Stevens. One night, after getting drunk, he took her to a backwoods still where she was raped by Candy Man, a Cajun bootlegger, [Yves Montand]. The next morning, though shaken, she submitted to more of his advances and agreed to live with him in a New Orleans brothel. Nancy Mannigoe became Temple’s personal maid, and Temple reveled in the life she briefly knew. Then Candy Man was reported killed in an auto accident, and Temple was forced to return home, marry Gowan, and adjust to a conventional life. She even hired Nancy as a servant to remind her of the world she had loved in the brothel. But Candy Man returned, and Temple decided to abandon her home and marriage and run off with him again. To bring Temple to her senses and shield her from ruin, Nancy sacrificed the infant by smothering.
Governor Drake, [Howard St. John], is stunned by his daughter’s candor, but cannot grant Nancy clemency. The next morning Temple visits Nancy in her cell. As the two women beg each other’s forgiveness, Temple realizes that it is only through Nancy’s sacrifice that she has found salvation.
The narrative unfolds with a measured glow of memory and consequence, weaving present-day confinement with long flashbacks that illuminate the choices, loyalties, and pressures that shaped this tragedy. The result is a stark, intimate look at the cost of love, guilt, and the mercy that can arise from another’s self-sacrifice.

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