Ridicule 1996

In 18th-century France, a young, penniless aristocrat and engineer named Baron Grégoire Ponceludon de Malavoy dreams of a bold public works project: draining the swampy Dombes to end the disease that afflicts its peasants. With idealism fuelled by a desire to do good, he heads for Versailles to seek an audience with King Louis XVI and win backing for his plan. The road to power, however, proves rough: he is robbed and beaten along the way, only to be taken in by the compassionate but calculating Marquis de Bellegarde, a physician who becomes his mentor in the ways of wit, courtly manners, and the cruel politics that govern Parisian society. Through Bellegarde, Ponceludon learns that the royal court is a labyrinth of vanity, opportunism, and hidden agendas—an environment where sincerity often meets with indifference or danger.

At the heart of the court’s intrigues stands Mathilde de Bellegarde, the physician’s brilliant daughter who uses her intellect to pursue science and independence, even as she contends with familial debt and the social expectations that pressure her toward a financially advantageous marriage to a wealthy older man. The humbling, sometimes merciless landscape of court life is further complicated by the presence of Madame de Blayac, a dazzling and wealthy widow who, along with her lover, L’abbé de Vilecourt, plays a game of wit that Ponceludon begins to sense but does not aggressively expose. When Blayac’s scheming helps secure a form of legitimacy for Ponceludon’s lineage, enabling his suit to move forward, it becomes clear that his rise will depend as much on navigating deception as on any noble ambition.

Yet Ponceludon’s ambitions come at a personal cost. He engages with Madame de Blayac in a risky arrangement to gain a private audience with the King, hoping to advance his drainage project. The plan backfires in a painful, painful moment of betrayal: Blayac manipulates events so that Bellegarde is present as Mathilde discovers the affair, souring any chance of pure, straightforward support from the Bellegardes. Still determined, Ponceludon presses on, moving into the King’s orbit and finally securing a private meeting to discuss his project. His path, though, is abruptly interrupted when an insult from a cannoneer drives him into a duel, and he kills the man.

The aftermath reveals the rigid rules of honor that govern the court: the King cannot meet with someone who has killed one of his officers, even if the act is framed as an essential defense of his own honor. Madame de Blayac returns with a calculated revenge—inviting Ponceludon to a costume ball “only for wits” where he is deliberately tripped and mocked. Yet in a dramatic reversal, he casts off his mask, denounces the court’s decadence, and proclaims his resolve to drain the Dombes on his own terms, departing the social circle with Mathilde by his side.

Years pass, and the Revolution reshapes the world Ponceludon sought to influence. In 1794, the Marquis de Bellegarde—now a refugee in Great Britain—speaks with a mix of nostalgia and sober truth about the fates of the old nobles. From this conversation we learn that Ponceludon, ever steadfast, has persevered with his mission, and that Mathilde has become his wife. Together, they persist in pursuing the dream of transforming the Dombes, turning a tale of court intrigue into a testament to perseverance, partnership, and a patient, ongoing effort to improve the lives of those he set out to help.

The story remains a measured portrait of ambition colliding with elite power, the costs of reform, and the quiet strength of a couple whose shared goal endures beyond the glittering salons and the upheaval of revolution.