Prince of Jutland 1994

Geruth Helen Mirren is the grieving queen who bears the weight of a brutal royal tragedy. Her husband, King Hardvendel, and Amled’s brother are killed in a ruthless act carried out by Fenge Gabriel Byrne and his henchmen. The shock of the killings sends the young prince Amled Christian Bale into a near-catatonic fugue, his mind unable to process the unbearable loss. As the king and prince’s bodies are carried back to the castle, Geruth is left to confront a palace in mourning and a son who seems unmoored from reality.

Fenge seizes the moment of crisis to seize power. He is crowned king and quietly pivots to position Geruth as his queen, a sham of order built on treachery. During the somber burning of the funeral pyres, Amled observes the flames and speaks with a hushed clarity that would soon break through his state of torment: the fire, he notes, “destroys even a great king.” The revelation of his own latent sanity becomes a turning point, as Fenge wonders if the prince is truly mad or merely pretending to be.

Amled’s erratic conduct continues to blur into calculated danger. His disappearance into the woods brings him into contact with a maiden named Gunvor. Gunvor, played by Asta Esper Hagen Andersen, seduces him under Fenge’s orders, yet she keeps a vow of silence about Amled’s supposed insanity. Their secret relationship deepens the tension in a court already rife with suspicion and ambition. Meanwhile, Amled makes a bold move by murdering Ribold Steven Waddington, Fenge’s right-hand man, and finally tells Geruth the truth she has long feared—that Fenge is the true killer of their kin. Geruth promises to cut ties with Fenge and urges Amled to press forward with his claim to the throne.

With Ribold’s murder uncovered, the queen’s resolve hardens, and Amled’s sense of duty returns. He declares that his uncle must fall and the crown must pass to him, setting the stage for a deadly showdown within the castle walls. Amid the power struggle, Gunvor’s pregnancy becomes a dangerous complication for Fenge, who discovers she is carrying Amled’s child. Fenge’s suspicions push him to exile Amled under a cloak of diplomacy, sending him to Lindsey in the company of a forged mission to an ally, Duke Aethelwine. The plan is double-edged: to remove Amled from the castle’s grip and to seal the line of succession in Fenge’s favor. Ragnar, one of Fenge’s accomplices, is tasked with silencing Gunvor by murder on the voyage, a grim reminder of the brutal calculus at the heart of the king’s schemes.

On the sea voyage, Amled uncovers a forged letter to Aethelwine and cleverly rewrites it to implicate two of Fenge’s men, Aslak and Torsten, in the murder plot. Once in Lindsey, the first night brings a grisly wave of executions as the servants are hanged, and Aethelwine pays Amled a large sum in gold for his supposed incompetence. Lindsey is embroiled in war, and Amled leads a guerrilla campaign against the invading army, turning a tactical disadvantage into a surprising victory. He wins the confidence of Aethelwine’s daughter, Ethel [Kate Beckinsale], whom he marries, and together they set sail for home to reclaim the throne.

Their return is marked by a moment of uneasy mercy and a show of strength. The couple stops at the home of Bjorn, a trusted ally, where Amled learns that Fenge suspects him of being dead. He returns to the castle with renewed purpose, and in a dramatic confrontation, he binds Fenge’s drunken men in tapestries and sets the hall ablaze. He awakens Fenge, leads him to the burning hall, and ends the tyrant’s life with a knife. As the great hall erupts in flames, Amled sits outside to witness the destruction of the power that had haunted his life.

With the old order reduced to ashes, the people gather to witness the crowning of Amled. Geruth, now secure in the queenly role she never asked for, stands beside him, and Ethel by his side as they begin a new chapter. The crowd’s applause marks the birth of a new leadership, one forged in fire, fear, and the hard-won resolve of a man who fought to reclaim his name and his kingdom.

fire “destroys even a great king.”

In the end, the tale centers on a prince who endures unimaginable loss, discovers his own steadiness beneath the surface of apparent madness, and channels vengeance into a public restoration of order. The court’s intrigue, the betrayals, and the brutal acts of revenge all cohere into a single arc: from tragedy to empowerment, from hidden truth to open sovereignty, with Geruth and Ethel steadfast at Amled’s side as the new dawn rises over a rebuilt Danes’ rule.