Possessed 1931

Marian Martin, Joan Crawford, is a factory girl living with her mother in the working-class streets of Erie, Pennsylvania. She dreams of a life beyond the grind of the factory floor, and her hopes clash with the cautious realities around her. Her fiancé, Al Manning, Wallace Ford, represents a practical path, a chance at stability, and he clings to the belief that Marian’s future should stay within the familiar confines of their town. Yet Marian’s gaze keeps drifting toward something larger, something glamorous that seems almost out of reach.

One day a train stops in town, and Marian, peering through the windows, is captivated by the wealthy passengers aboard. She soon meets Wally Stuart, Richard ‘Skeets’ Gallagher, a train traveler from New York who hands her champagne and offers his address, inviting her to contact him if she travels to the city. When Marian returns home, she bluntly tells Al and her mother that she had been drinking by the railroad tracks, a confession that unsettles the man who hopes to keep her close. Al seizes on the moment, tearing Wally’s address from Marian’s possession and insisting that Marian’s life belongs to him. In her anger and resolve, Marian tells them that no one owns her and that she must chart her own course.

Undeterred, Marian gathers the torn scraps and pastes them back together, then leaves for New York City. In the metropolis, she seeks out Wally, who offers hard-won advice on how to meet and hold onto wealthy men. Armed with his guidance, Marian begins a new and calculated relationship with Mark Whitney, Clark Gable, a wealthy divorced attorney not afraid to indulge in a high-society circle. Marian becomes Mark’s mistress and undergoes a complete makeover, soaking up the arts and culture of his world while learning how to navigate the social rituals that mark the lives of the privileged. Three years pass, and the couple seems secure and deeply in love. To shield their affair from suspicion, Mark introduces Marian as Mrs. Moreland, a well-to-do divorcée living comfortably on alimony.

Meanwhile, Al—now prospering in the cement business—arrives in the city hoping to win a big contract. He spots Marian and makes a demand: marry him. Marian refuses, yet she is careful not to overshare; she knows Al might be useful, especially if he can serve as a conduit back to the life she once imagined. Al sees that Marian’s friendship with Mark could be a lever to secure the highway deal he wants, and he weighs his options in a world where political and financial power can be intertwined.

As Mark runs for governor, friends warn that his relationship with Marian could become a liability. Marian overhears Mark discussing his plans to marry her formally, even as a scandal seems all but inevitable. In a moment of painful honesty, she tells him that she no longer loves him and intends to marry Al instead. Marian reveals the truth to Al, but he rebuffs her at first, guessing that a marriage to Marian would taint his own prospects. He changes his mind only when he realizes that rejecting Marian could jeopardize the crucial highway contract.

A political rival learns Marian’s true identity and plots to leak the information at Mark’s rally. In the moment of truth, shards of paper drift from the auditorium ceiling, forming the taunting question, “Who is Mrs. Moreland?”. Mark looks toward the crowd, anxious and unsure how to respond. Then Marian steps forward from the audience and declares that she is Mrs. Moreland, and that Mark has always been an honorable man who once belonged to her but now belongs to them. The crowd erupts in approval as she leaves, tear-streaked but resolute. Outside, Mark reassures her that they will weather whatever comes together, and in a final turn of emotion, he asks for the chance to make their union official, proposing marriage to solidify their bond.

In this storm of ambition, desire, and public scrutiny, the film tracks a difficult, almost fateful choice: love tested by social expectations, identity questioned by scandal, and the precarious line between personal happiness and political calculations. What Endures is not merely a romance, but a study of how a society’s gaze can shape a life—and how courage, when spoken aloud, can redefine what is possible for those who dare to claim their own path.