
Their affair took on a life of its own. A woman is torn between the love of her life, who is married to someone else, and her older husband.
Does The Passionate Friends have end credit scenes?
No!
The Passionate Friends does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of The Passionate Friends, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Trevor Howard
Prof. Steven Stratton

Claude Rains
Howard Justin

Ann Todd
Mary Justin

Isabel Dean
Pat Stratton

John Serret
Emigration Official

Wilfrid Hyde-White
Lawyer

Arthur Howard
Smith - the Butler

Guido Lorraine
Hotel Manager

Betty Ann Davies
Joan Layton

Marcel Poncin
Hall Porter

Natasha Sokolova
Chambermaid

Hélène Burls
Flowerwoman

Wenda Rogerson
Bridge Guest

Frances Waring
Charwoman

Helen Piers
1st Woman - Albert Hall

Ina Pelly
2nd Woman - Albert Hall
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Challenge your knowledge of The Passionate Friends with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Who is the main female protagonist of the film?
Mary Justin
Howard Justin
Steven Stratton
Ann Todd
Show hint
Read the complete plot summary of The Passionate Friends, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
At the Hotel Splendide on a tranquil Swiss lake, the day begins with the hotel’s rhythm and a sense of quiet expectancy. Mary Justin is aboard a luxury aircraft, her voiceover recalling a long-awaited holiday with Howard Justin after many years apart. The mood shifts as she is half asleep when a man is shown in the adjoining room, a figure whose presence will unravel memories she has tried to keep at bay.
A nine-year-old memory surfaces: a New Year’s party that led to a forbidden attachment. We glimpse the man again, Steven Stratton, and Mary’s recollection of their affair—the intensity of their love and the painful choice she made, refusing his proposal because she felt she must belong to herself. The moment is crystallized in her private insistence on independence, a line that will haunt her later choices.
As the present thread follows Mary’s life with [Howard Justin], he travels to Germany and Italy on business, leaving her with a void that [Steven Stratton] reappears to fill. A lunch at [Steven Stratton]’s apartment becomes a charged encounter: the sun setting, a kiss, and a renewed confession that their love has endured despite time and distance. They embark on an affair, acting as if the world’s consequences don’t exist or matter.
When Howard returns, a delicate balance of truth and fear must be weighed. The plan is to tell him what has happened; meanwhile, Howard is preoccupied with a minor detail—the theatre tickets Mary left behind. The tension heightens as [Steven Stratton] brings [Mary Justin] back to their shared spaces, and Howard, inviting him in for a drink, becomes a tangible obstacle to the couple’s secret.
Mary’s honesty arrives in a moment of revelation: Steven and Mary acknowledge the depth of their bond, but Mary’s admission that there was never a simple betrayal is tempered by the reality that Howard’s pride will be wounded. The next morning, Mary finds a house full of trunks and dust sheets, a sign that the truth has unsettled the foundations of the Justin household. She witnesses [Howard Justin] confronting the truth, as he questions whether he truly knows Mary, and they prepare to head for Washington together. Mary confirms what he says, then runs upstairs, weeping, the weight of what might have been pressing down on her.
That line from her memory—“That was 9 years ago”—returns to frame the present with a stark question: what would have happened if she had known the man in the adjoining room at the Hotel Splendide would return to touch her life again. The morning after, the two lovers meet at breakfast; a half-day’s respite offers a chance to escape the ordinary. They sail by boat and ride a cable car toward a mountain picnic, where Steven reveals he has two children with his wife. Mary asks if he is happy, and the question is answered in a way that leaves her both hopeful and unsettled. The two share a quiet, mutually recognizing happiness, even as the weight of their past choices lingers.
Upon their return, Howard, who has arrived early, notices the signs of their proximity—the porter removing Steven’s suitcase from the adjoining room—and a fresh wave of suspicion floods him. Mary’s exuberant goodbye to Steven from the terrace—orchestrates a fresh ache in Howard’s heart, a blow to his pride that drives him toward a drastic step: filing for divorce on the grounds of adultery.
The divorce proceedings cast a long shadow over everyone involved. Mary attempts to warn Steven, but the legal process imposes itself in his wife’s presence, threatening to tear apart his own family life. In a bid to protect him, Mary reveals that Howard has withdrawn the divorce, but the truth still burns: the affair was not a simple lapse, and the consequences are real.
The confrontation intensifies as Mary explains that nothing happened at the Hotel Splendide and that she knew nothing of the adjoining room. Howard confesses that his motive wasn’t love but a blend of emotion he hadn’t expected: affection—for a moment, a gentleness—yet the admission reveals a romantic shift in him that he had long resisted. His outburst becomes a confession of remorse, and as he turns away, Mary has already left the room.
In a stark, haunting turn, Mary steps onto a London Underground platform, drawn toward the edge of the tracks. Just as she seems ready to surrender to despair, Howard appears and catches her in his arms. The moment is intimate and raw, a catalyst for reconciliation. The pair return home together, their future uncertain but their bond redefined.
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