Possessed 1947

Louise Howell, [Joan Crawford], wanders through Los Angeles, barely speaking and repeatedly muttering the name “David” as if searching for a trace of someone from her tangled past. Her condition lands her in a hospital’s psychiatric ward where she is examined by a doctor and, in scattered, fragmentary bursts, she recalls a life she can’t fully trust. One memory centers on her lover [Van Heflin], the man who played Schumann for her, and a moment when she tells him, “I want to have a monopoly on you.”

In the years she can remember, Louise works as a nurse at the lakeside home of the Grahams. There, she tends to Pauline, the sick wife of Dean Graham, a man of wealth and gravity who straddles a fragile line between propriety and desire. Pauline is irascible and sharp-tongued, convinced that Louise is having an affair with her husband, and Louise herself feels more and more unsettled and boxed in. She longs to leave this complicated domestic arrangement, yet the responsibilities at the house pull her in and keep her tethered to a life she is increasingly wary of.

Tragedy strikes when Pauline’s body is found in the lake. The police and coroner begin their work, and Dean Graham explains Pauline’s death as a suicide. A formal inquest follows, and a verdict of accidental death is reached. The family’s quietly tense dynamics intensify: Wynn, the Graham child, and Carol, the college-age daughter, return home, and a sense of unresolved guilt lingers in the air. The coroner’s hearing is followed by tense confrontations, and Louise, already on edge, becomes a focal point of suspicion and rumor.

Carol, who resents Louise’s proximity to her father, confronts Louise in the wake of Pauline’s death. In a charged exchange, Carol hints that Pauline’s letters claimed Louise attracted Dean, and Louise senses hostility in the girl’s harsh questions. The rift between Louise and the family grows when Dean, who has come home, asserts his authority and demands an apology from Carol. In the midst of escalating tensions, David reappears in Louise’s life, and she is drawn back into the emotional thicket they shared. He denies involvement with anyone else, yet Louise’s fears and insecurities push her toward a decision that will redefine her fate.

On the border of the couple’s lives, Louise travels with the Grahams to Washington, D.C., to help care for Wynn and to step back from a relationship she cannot fully trust. There, Louise begins to drink more heavily and the strain shows in her face and demeanor. David reveals that he is no longer in love with her, a blow that deepens Louise’s sense of isolation. Despite this, Dean asks Louise to marry him, and she agrees, not because she loves him, but because she fears the consequences of losing the life she has built around him.

Louise’s bond with Carol softens as she visits the college where Carol studies, hoping for acceptance or at least a measure of sympathy. The two women reach a uneasy reconciliation, and the wedding to Dean seems set—until David arrives at the last moment, late, and speaks to Carol, evoking a past that neither Louise nor Carol fully understands. Louise warns David away and insists he leave, setting off a chain of events that will reveal how tangled loyalties have become.

At a piano recital, the memory of Louise’s earlier life collides with the present, and she experiences a disturbing hallucination in which Carol returns with David and he kisses Carol. In a moment of desperate confession, Louise admits to Pauline’s death, but Carol threatens that she will tell Dean. Louise’s fear and anger drive her to strike Carol, who falls down the stairs and dies. The incident further unsettles Louise, who seeks help from a doctor under a false name and is advised to consult a psychiatrist. She resists this step, choosing instead to pursue a divorce from Dean, telling him that Pauline despised her.

A vacation at the lake house intensifies Louise’s psychic strain. She climbs to Pauline’s bedroom and, in a chilling moment, screams, only to see Pauline’s ghost and then realize that she believes Pauline is in the room with her. Dean dismisses the vision as a figment of Louise’s mind, but the memory of her complicity in Pauline’s death continues to haunt her. She confesses to helping Pauline kill herself, though Dean insists Pauline is already dead and that Louise was away on her day off.

Back at home, Louise longs for normalcy and even a night out dancing, but the sight of David and Carol together at a nightclub unsettles her further. She fabricates a tale about David’s desire for her, and David warns that the truth could ruin Louise if Dean learns of their past. A confrontation with a doctor and the looming specter of institutionalization push Louise toward a dangerous brink. She heads for David in a final, desperate moment, and a gun becomes the instrument of a violent choice.

Louise wakes in a hospital bed, admitting that she killed David. The doctor explains that her breakdown is a psychotic episode, a torment of delusions and guilt that could have been averted with earlier help. The physician affirms that Louise is not fully responsible for David’s death, and that her recovery will be long and arduous. Dean visits, and together they face the arduous work of rebuilding their lives. The doctor’s somber prognosis underlines the slow, painful path that lies ahead for Louise, but Dean commits to standing by her as she seeks healing and a steadier sense of self.

Note: This retelling preserves the core events and emotional arc of the film, emphasizing Louise’s fragility, the tangled relationships around the Grahams, and the eventual unraveling of the chain of actions that leads to tragedy, while staying true to the source material.