
A young Black man working as a chauffeur for a white family in 1940s Chicago inadvertently kills the couple’s teenage daughter. As he attempts to hide the crime, the incident spirals into a shocking scandal that exposes racial tensions and brings the community’s conscience into question.
Does Native Son have end credit scenes?
No!
Native Son does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Native Son, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

David Rasche
Buckley

Geraldine Page
Peggy

Carroll Baker
Mrs. Dalton

Ving Rhames
Jack

Oprah Winfrey
Mrs. Thomas

Matt Dillon
Jan

Lane Smith
Britton

Elizabeth McGovern
Mary Dalton

Art Evans
Doc

Willard E. Pugh
Gus

Chuck Hicks
White Man #4

John Karlen
Max

John McMartin
Mr. Dalton

George D. Wallace
Judge

Akosua Busia
Bessie

Victor Love
Bigger Thomas
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Read the complete plot summary of Native Son, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Set in Chicago in the 1930s, Bigger Thomas, Victor Love, an African American man living in an impoverished neighborhood, takes a job as a chauffeur for a prosperous white family who live in the suburbs of a major city. The money he earns will help supplement his mother’s income. As a chauffeur, he is directed by the father of the family to drive Mary Dalton, Elizabeth McGovern, to the university, but Mary decides to pick up her Socialist boyfriend, Jan, Matt Dillon, and to spend the time drinking and partying.
Together with the couple, Bigger accompanies them into a Black neighborhood with Ernie’s, a Black nightclub, for entertainment.
On the way home, Mary becomes inebriated and Bigger must get her to her bedroom without being detected. Mary’s mother, Mrs. Dalton, Carroll Baker, who is blind, enters the room and Bigger panics at the thought of being caught with a white woman. He accidentally kills Mary by placing a pillow over her head to keep her quiet. Still frightened, Bigger disposes of the body in the furnace, possibly because he fears he would not get a fair trial for the death of a white woman. Meanwhile, Jan is wanted by the police for Mary’s murder, and Bigger plays a role in the accusations against him. Mr. Dalton, John McMartin, the family patriarch, looms in the background as the social barrier that shapes Bigger’s choices.

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