Men and Beasts 1962

Alexei Ivanovich Pavlov, Nikolay Eryomenko, a commander of the Red Army, is captured near Mga in January 1942 and taken as a prisoner of war. After being displaced for 17 years and wandering through foreign lands, he decides to return to the Soviet Union, choosing to travel toward Sevastopol in southern Ukraine to reconnect with his brother.

During this long journey, he crosses paths with Anna Andreyevna, Tamara Makarova, a doctor he once saved during the Siege of Leningrad. She is traveling south from Moscow with her daughter, Tanya, Zhanna Bolotova, and she invites Alexei to join them. As the miles pass, Alexei openingly shares his life story, weaving together memories of survival, loss, and unexpected mercy.

Their caravan pauses near a reservoir for a meal, and in the quiet aftermath, Alexei recalls his time in Argentina, where illness cost him his job as a laborer. Friends from his camp, Vasily Klyachko Mikhail Gluzskiy and Savvateev Vadim Zakharchenko, had tried to intervene on his behalf, only to be met by Maria Nikolaevna, the estate’s mistress Tatyana Gavrilova. Those memories creep forward and then fade into the rhythm of the road as the group resumes travel the next day.

In a village, a drunken driver causes an accident. Anna tends to the injured, while Alexei and Tanya stay with the group, and this moment prompts him to reflect on the fragility and resilience of human nature. He speaks of times spent in concentration camps—Majdanek, Dachau, and Buchenwald—sharing glimpses of escape attempts and eventual liberation by American forces. The war’s aftermath finds him stretched across continents, working in Sudan, Canada, and Argentina, each place leaving its own mark on his sense of purpose and belonging.

As memories accumulate, Alexei revisits Maria Nikolaevna’s earlier disdain for Russia after a visit, and he recounts a later period in Hamburg where he worked as a driver-mechanic for a wealthy German family. He clashes with the family’s fascist leanings and ultimately resigns after clashes with their sons. A moment of crisis arrives when he is betrayed by old campmates; a desperate suicide attempt is averted thanks to the kindness of Frau Wilde, Maria Rouvel, a German woman whose humanity rekindles his faith in people and the possibility of a better world.

Arriving in Zaporizhzhia, Alexei visits Anna’s relatives and observes the lively bustle of a steel plant, a scene of industry and progress that contrasts with the quiet of his inner journey. A celebration erupts after the successful launch of the plant’s new machinery, marking a tangible sign of rebuilding. Back home, Petr Ivanovich Pavlov, his brother, is revealed to have concealed Alexei’s existence for years under pressure from Petr’s wife, Valentina Sergeyevna Natalya Medvedeva, who burned Alexei’s letters and accepted the lie that he was dead. Tanya intervenes, persuading Petr’s family to reunite with Alexei and finally bridge the years of separation.

The brothers’ long-awaited meeting underscores how time—and the paths each man walked—have transformed them. On one hand, Alexei returns with a hard-won sense of endurance and a cautious optimism about the future; on the other, Petr, shaped by different pressures and choices, confronts the reality that their lives have diverged in significant, defining ways. In the end, the journey home becomes not just a physical reuniting, but a meditation on memory, forgiveness, and the complicated bonds of kinship that survive even the deepest separations.